Showing posts with label monday tv. Show all posts
Showing posts with label monday tv. Show all posts

Tuesday, April 12, 2016

Hunters 1.1 - In which we meet a bunch of weird people and get no answers


Hunters airs at 10pm on Mondays (and will be paired with 12 Monkeys starting next week!)

The latest entry in Syfy's We Don't Suck Anymore initiative feels like it's going to continue the trend of actually being good! I feel like I shouldn't be surprised anymore--they've proved with several shows now that they're serious about it--but it still feels new. Maybe because all the shows still are new? And I am still surprised.

First off: the Hunters are the possibly-but-not-definitely-aliens who manage to live among humans as terrorists and, apparently, DJs, not the people who are out to stop them in another poorly-lit government office.* The humans are the Exo-Terrorism Unit, ETU, out to stop them from whatever totally unclear nefarious plots they have going on.

In this episode, we meet Flynn Caroll, an FBI agent who will be our in--he's got pretty bad PTSD but hasn't been benched for it, so I guess he works through it, and if we're lucky, it'll make him better able to handle something having to do with the Hunters. He's married to Abby, who has hearing aids that seem to actually do the opposite of usual ones; when she gets kidnapped, the baddie, McCarthy**, takes them out and hits her with a sonic barrage that makes her ears bleed (and happens to be built around remastered OMD songs from the 80s?). Flynn and Abby also have guardianship of a dead friend's daughter Emme who has a "spectrum disorder", so I guess she's Autistic in some form? She's not handling her dad being dead and Flynn being sort of unintentionally awful to her very well, and he puts her in a boarding school, but she's about the only one who speaks her mind directly and to the point on the show, so hopefully she'll be back. And rounding out the family is a kitten that wandered in and so far hasn't been named, but also gets a lot of screentime to not be important.

So Abby gets kidnapped and held in a tiny cage with constant music making her catatonic, and as Flynn goes looking for her, he meets the ETU who are hunting these terrorists. They've just lost someone from what looks like their only strike team, and Flynn gets into that spot because he's the main character. The team is weird, too. Reagan flirts by beating people up and no one seems to trust her, and she can sort of do what the Hunters do. The other guy is on loan from Australia and is not very nice to anyone. Their boss seems to be allergic to humor and throws a lot of words at Flynn without a chance to process any of them. The guy who seems to be spokesman for the scientists is nerdy and the most relatable of the team; he won me over when he was explaining OMD to everyone. 

And the aliens are creepy and gross! They wear human skins, but human ways of killing won't stop them and barely slow them down--they have to get hit with a sonic blast right in the head. They communicate with creepy clicking noises and McCarthy has been embedding them into his remixes as a way to communicate with his scattered operatives. This is the first time the ETU has caught one of these transmissions, and it's a manifesto with things like "love will swing the hammer" and "you will cry and you will die" and no real details about what they're actually going to do.

As a pilot, it sets up a lot, moves people into place pretty well, and then doesn't answer any of the questions it asks, but it's classed as a thriller, so I'm assuming the point of the show is to chase those questions till the end. It's intriguing, though. Reagan is snarky and closed off, and has all those quirks that make her a big interesting question mark. Flynn is in way over his head and knows it, but needs to find his wife--and hasn't yet found out that there's something going on with her. The baddies are bizarre and creepy and up to something we've barely discovered yet.

The show as a whole is dark and atmospheric, and scored with a great soundtrack and background music spooky enough that even the kitten scenes and the romantic ones are tense. You're always wondering what's going to happen next--when the next problem is gonna drop. 

The cast is nicely diverse--not just in race and gender, but also in neurodiversity; if they handle that stuff well, it might wind up being important for that alone, regardless of what happens in the rest of the season. 

So much is introduced and so little is answered that I could have used a 2 hour premier, but also it seems as if it's going to be an ongoing story rather than an episodic one, so if you're watching this baby, don't miss any!

I'm definitely coming back. Did you guys see it? What did you think? Let's talk in the comments, or come over and tweet at me on Twitter!


*Seriously, that's one of the trends in weird-TV right now--lighbulbs are so last decade or something.
**Julian McMahon who always makes me want to punch him within thirteen seconds of being on screen. I'm actually happy he's a baddie on this show, because it makes my gut reaction to him easier to handle--you're supposed to want to punch bad guys! I don't even know what it is; he's been around my shows for decades, and I just always want to punch him.


Tuesday, January 26, 2016

Sami on The Magicians 1.2


The Magicians airs at 9pm on SyFy Monday nights.*

Episode two! Just as neat as episode one! This show hits the ground running and keeps going, and I hope it holds up!

This picks up right where last episode left off, right after The Beast plucked out the Dean's eyes and everyone noticed that Q and Co were able to do something about the paralysis spell that had trapped everyone else. Quentin knows that this happened because they tried to summon Alice's brother and somehow that let The Beast through, but he doesn't want the administration to know because that's forbidden and he doesn't want to be expelled. If he is, he'll get mind-wiped, and he can't handle going back to the ill-fitting mess he used to be. 

But he's not the only one hiding things. Penny has always heard voices, since he's a mind reader, but one of them has always been able to cut through all the noise, and taught him all he knows about magic. He's never met him, but he's his only friend--and he just found out that only friend is The Beast that everyone fears and hates and is evil. So he's determined to leave.

In Magical Fight Club, Julia shows up for her tour and falls into a test-trap. They lock her into a meat freezer with another initiate, and they have to figure their own way out. Julia refuses to give in and does what needs to be done--cutting into a human body that's being stored there--to be able to work the spell they need to not die of cold before they can find their way out. Turns out that other initiate was the one in charge, and she likes Julia's spunk.

Meanwhile, Quinn is a mess waiting to see what'll happen. He picks a fight with Penny and gets a spell he doesn't know how to use correctly tossed back at him--and breaks his arm super bad. And he learns that everyone has a dark past here--Elliot killed someone accidentally because he didn't know he was telekinetic until he was pushed too far, and pushed a bully in front of a car. He says that magic comes from pain--that you have to have bad stuff like that to do it.

And Quin is more and more convinced that Fillory, from the books, is a real place. They know that there are alternate worlds that they can sometimes interact with, and it seems too much to be a coincidence that there's that truth, plus these books full of kids who disappear through clocks written by a man who watched several neighbor kids go missing, and these dreams Quinn has been having that gave him the sigil he needed to do the spell that let the Beast in.

In the end, Q doesn't get his mind wiped, and he gets on probation instead of expulsion. The Specialist likes that he's doing his best and he wants to do magic so badly despite not being super great at it. And unbeknownst to him, she has a talk with the Dean--blind and broken-handed--that implies that she and he were part of something similar to this that happened before. And that's a really interesting way for the story to go--the administration of this magical school doesn't block or deny the kids, but wants them to succeed to do what they couldn't do themselves before. 

And there's moles in Breakbills trying to get info and supplies for the Fight Club!

Two episodes in, and this show has so much story in it, but doesn't feel crammed or rushed or shorthanding. It's giving everyone their moments, and it's implying more without having to explicitly state it all. In fact, no one is explicitly saying anything at all. They're letting all these kids figure stuff out for themselves, which is both exciting and potentially disastrous, and it's so interesting to see how it goes. There's so much going on, and it's going to be so cool seeing how it all goes together as the season unfolds.

I'm really enjoying how this show looks. Breakbills is lit so warm and glowy, and then the city is bland and grey, and the Magical Fight Club is all chilly and blue. Magic looks awesome here, all complex systems and precise hand-gestures. And The Beast! SO GOOD. A man made of moths in a suit who can walk through mirrors. Quinn and Co broke got the other students out and broke the mirror, and the school is redoing all the wards, but apparently Alice isn't meant to be there but hasn;t been magically ejected yet, and The Beast got in once, so who's to say he can't get in again? 

What did you think of episode two? What do you think happens next? Tell us in the comments, or come talk to me on Twitter!


*Because apparently every damn thing needs to be in one hour on one day. But it also reruns later, after midnight, like most SyFy shows do.

Sami on Lucifer 1.1


Lucifer airs at 9pm on Fox Monday nights.*

I'll be honest. I wasn't sure that Fox could Do The Thing when it came to this show. I mean, it's got this mix of literal hellfire-and-demons, sexiness, nightclubs, temptation, and...police procedural? It could easily have been a mess--or to have erred too far on the side of "look how sexy we're being, ooh" and forgotten that we have to like the people, too.

I guess I didn't have to worry about that!**

Lucifer--the guy and the show--is fun, sassy more than sexy, and full of both cackles and giggles. Giggles for the cute and silly parts, cackles for the wisecracks and wrathful vengeance.

Here's what happened in the pilot:
The Devil got tired of hell, and decided to go on vacation, living among people and running a nightclub with a cold-blooded demoness named Maze who totally had some guy under her skirt as she stood at the bar in her intro. He's been around long enough that he's helped a pop star build her career and is now helping her out because she's a mess. He assures her he's not interested in her soul, she just owes him a favor, and the favor is to get herself together. I feel like this is going to be an important point about how his power works. 

He's also been away long enough that Heaven has noticed that no one is in charge of Hell, and that means all those demons are escaping to earth and all those bad people are going unpunished. A big fierce angel comes to try to strongarm him into going home, and it's neat. His wings look weird, but everything slows down real cool when the angel and fallen angel have their talks***, and the way Lucifer reacts like a sulky child makes me think there's more to it than just that he decided one day to up and leave and doesn't want to to back. Like that something bad happened. Something he's specifically running away from that is harder to handle than the fact that demons are escaping all over. Tho not in this episode.

Anyway, the pop star agrees to put her life together and get back on her feet as a functional adult--and then she gets shot to death in a driveby. Lucy is also shot, but he can't die so he gets better, but she was his friend and he's positively wrathful about her death. The killer instantly crashes his car (karma? hand of god?), and before he dies, he tells Lucifer that he just pulled the trigger and he did it for the money.

The shooting draws the attention of the cops--specifically Chloe Decker--which leaves Lucy as a witness. He tells them what he saw, and doesn't bother pretending he's not an ancient immortal being, which makes him look crazy, so she sort of blows him off. She goes on with her case, and he tracks his by getting people to confess things, one of his skills. They meet up again after he's gotten the pop star's boyfriend all riled up, and then "charms" him into confessing that he actually did love her and didn't kill her. Chloe arrests Lucifer for interfering with her case, and he's sort of "ooh, this is new" about it all, and talks her into letting him go along while she investigates his friend's death since he's the one that got her the information that they need to talk to a shrink.

The shrink leads them to an actor the pop star was sleeping with, which leads them back to her manager. The man that Lucifer set her up with to further her career. The man who's career was ruined when she left him at the altar and took her talent with her. During the arrest, he shoots Chloe, and Lucifer uses his invulnerability to protect her from a whole bunch of other bullets, and then makes sure the manager "got what was coming to him". We almost see his demon-face, all red and scary in a cracked and blurry mirror, and his full anger is super impressive. He doesn't say exactly what he did with the guy though...

And it was so much fun.

On the way to the psychiatrist, Chloe has to stop to pick up her daughter, and that whole scene is golden. Lucifer saying he doesn't like kids, then immediately befriending the first one he sees, a tiny gap-toothed girl sitting outside the principal's office for standing up for herself against a bully much older and bigger than her. And then Lucifer spooking the bully before meeting Choe's ex and being totally uninterested in the manhood contest he tries to start, but super interested in the fact that Chloe even has an ex. So great.

And at the psych's office, the woman's reaction to his "charm" has he calls it when he throws a whammy**** on someone. The psychiatrist making a deal with him--information for their case and he'll sleep with her and it'll be good. Him noting that Chloe is immune to his charms, and the psychiatrist noting how much that bothers him. And then when the case is over, Lucifer goes back to the office to hold up his end of the bargain, and makes a new one: he'll sleep with her as much as she wants, if she'll listen to him, because he's got a lot on his mind.

That's a lot of sex, in that scene, which could have been offputting, but the show handles it well and plays it mostly for laughs, and it's all off screen. The fact that Chloe is immune is great, of course, and also gives them a reason to be together in future episodes--as he says, "I've proven myself to be an indispensable resource and you're a pariah in the precinct and need a partner" (or something close to that). He's good at getting people to confess things, and she's immune and he wants to know why. 

The two leads have great chemistry. Lucifer is super charming, but also sort of a dork and a shiny-eyed spectator that's mostly amused by all the stuff that humans get up to. Both of them have implied depth that should be great for further episodes. Trixie is the perfect level of cute-but-not-annoying, and the fact that she instantly loves Lucy and he's so awkward about it is great. There's a lot to work with in this pilot, and if the transition into the actual season goes well, it should be really fun to watch. The pilot was charming--tho not "charming", I didn't feel the need to confess anything--and exciting and balanced and interesting. The usual "and it's a police procedural" works surprisingly well with such a strange addition as the actual living Devil, and it's surprisingly wholesome for all the implied sex and drugs and rock and roll. 

I wonder how long before someone flips out on principle without even bothering to watch the episode?

So basically, I really liked it, and if it stays that good, I could desperately love it. What did you guys think of Lucifer? Share in the comments, or come talk to me on Twitter!

*Currently after X-Files; don't know what'll happen in a month when the usual monday shows come back...
**Now I just have to worry about Fox's track record of giving us what we want just to cancel it MINUTES LATER OH MY GOD WHY.^
^This is because of the news that they're already moving Second Chance to the Friday deathslot, as well as rearranging other stuff. How is anyone supposed to bother watching, FOX, when everyone knows you'll just cancel it? How are they supposed to try when you keep moving stuff around?
***And the first one happens while Bowie is playing, so there's points for that. The sound track in general is really awesome. All songs mentioning or talking about the devil, it's pretty great.
****Or should I say "bedevils someone"?

Sami on X-Files 10.1 and 10.2


The XFiles airs Monday nights at 8pm through February.

The XFiles is back, you guys. The weirdness, the spookiness, the office, the pencils in the ceiling, the Mulder and Scully working together for the good of the world. And for the most part, it's right.

Episode one was a mythology episode like any, but maybe a little more sensical than some of them. Scully, who's been working at the dimmest-lit hospital in the world for the last seven years and seems to always be splattered in blood there, calls Mulder to tell him someone has been looking for him. That someone is Tad O'Malley, a right-wing nutbar making a fortune off of fear on TV...who happens to have stumbled across exactly what Mulder has been looking for all this time. 

Tad is creepy. Like, I'm not sure if he's supposed to be, but he's basically romancing Mulder AND Scully, and it's creepy. He takes Mulder to a hanger and shows him a triangular ship retroengineered from alien technology, and it's like handing all the cookies in the shop to a five year old. He's sold. Tad's idea is that the conspiracy is real, but the alien part was all subterfuge.

He introduces Scully to a girl who's been abducted a bunch and claims to have alien DNA and to have been impregnated and de-pregnated several times--Scully's story on steroids, basically. She also says she can read minds, and it seems as if she can, and that's a great way to get some backstory in about how Mulder got depressed and Scully wanted to move on with their lives, and it destroyed their relationship. Which is heartbreaking.

Tad also tries actually seducing Scully, which she's apparently vaguely surprised and intrigued by, but the second Mulder needs her, she doesn't care, and that's what I like to see.

Anyway, Tad wants to talk about Sveta (the girl) and Mulder and Scully's work on his show, and Mulder wants to see where this rabbit hole goes, but Scully thinks he's lying. A DNA test of Sveta's blood shows no alien DNA. It falls apart then when she's out and Mulder's in and Tad's confused, and Sveta goes to the news and says Tad paid her to lie, and it's a mess.

But Scully apparently lied about the results AND sequenced her own DNA several times and there actually is weirdness going on there. But Sveta and the hanger with the ship get attacked and destroyed, including all the scientists they met, and so that's the new arc for the mythology--who's telling the truth and who's manipulating the story again, and, of course, as always, what's the actual truth?

It wasn't as non-stop complicated as some of the old mythology episodes, and was pretty straight forward for that. But there was the reveal that Cancer Man managed to survive again, and is apparently still dealing with Mulder poking his nose in--and probably still worrying about whether he should have just killed him or not, I'd assume. Oh, and they've reopened the XFiles, so M&S are Special Agents again!

And the space between the mythology is taken up by Mulder and Scully trying to figure out where they stand with each other, how they want to handle this opportunity, what they feel about it, and how they can be partners again. It was a lot of them bashing heads about whether it's alien or not, whether it matters if it's alien or not, and Scully trying to rein in Mulder's tendency for crazy that led him to the depression that drove them apart. But there was also Scully being a doctor, and Mulder tracing down leads, and the two of them always being there for each other even with all the baggage between them now. Scully says that the Xfiles was the most challenging and intense job she ever had and Mulder was the most challenging and intense relationship, and the way she said it, it sounded like her life now, even as a surgeon and doctor, is less fun and interesting. Scully has been dimmed by time, and it's sad--so, of course, she has to come back to the XFiles. Mulder, for his part, never really left, even though he left the FBI. And, apparently, Skinner was looking out for him all this time anyway.*

So it was basically a happy homecoming for them, eventually, despite all Scully's eyerolling, and it was definitely a happy homecoming for all us fans. It's been 14 years and endless lifetimes, but the XFiles fandom is like:
and is suddenly everywhere. Livetweeting was a joy--a perfect blending of how I used to watch this show with my family and talk about it all week between classes with my friends, and my modern TV habits of watching and talking at the same time. It was almost all positive--from the second Mulder starts Mulder-loguing at the opening and we all switched to all caps and tried not to burst into tears from the sheer joy of having XFiles on our screens again, to the end when we all knew we'd only have to wait one day for the second one. And it was amazing watching everyone get more and more annoyed as the first ep was delayed by the football game.

It's not exactly the same. A lot has happened with politics and conspiracy theories and world events since XFiles went off the air, but the PBS Idea Channel video about it is right: there's a real-world-paranoia reason XFiles existed when it did, and there's a related but distinct real-world-paranoia reason for it to come back now, rather than five years ago or five years from now. It feels like something we need when it's suddenly back, something that we missed and didn't even realize how much. 

Tad's loony conspiracy theories blend in the logical progression of Mulder's with the post-9/11 anti-everything paranoia all over the internet now, making it both more crazy and more real again. Rooting it in the now while maintaining the framework the show has always had.

SO. GOOD.

The second episode was a good old fashioned evil-science episode, and felt more like the team we all know and love. Episode 1, everyone was a little awkward, as they should be, coming back to something they both thought was behind them, but they were back as a team and working right in episode 2.

A scientist goes bonkers and hacks his boss's servers, bleeds at the eyes, and then stabs himself in the ear with a letter opener until he's dead, all because he's hearing a sound no one else can hear. This leads them to his secret boyfriend who tells them he was worried about his kids--even though he's single and doesn't have any.

Scully pulls strings to get them a meeting with the biggest funder of her own hospital, who happens to also be where the leads are all going, and he shows them his pet project: keeping all these kids with really weird deformity-conditions in closed rooms so he can see what makes their genetics do this in isolation, and see if his ideas for treatments work. While they're there, one of the girls almost gets out and freaks when they try to take her back to her room, and things go flying off the food cart the orderlies are pushing. Mulder must be getting rusty; he didn't even comment on obvious mental powers.

But a girl they meet at the hospital, who was pregnant and being kept there, disappears, gets hit by a car, and has her baby taken from her belly, tips Mulder off that he's not trying to cure these kids, he's trying to do hybridization studies. Combined with Mulder experiencing the sound himself and finding out that it's from a kid who was presumed killed at birth trying to talk to people's minds, leads them back to that scientist. That boy is his son, who his mother "let out" to save him from whatever experiments he was doing on her children. The girl at the facility is his older daughter. They know each other on sight, and they know what he did to them. Together, the telekinetic and the telepathic, break out and go on the run after melting their mad-scientist-dad's brain.

I miss Scully's case reports on this one. We don't get a lot of seeing what they conclude from this, since Scully was knocked out and didn't see what happened and Mulder was being tossed across the room and also affected by the sound and missed them escaping, too. Or so he says. 

There's a little indication that Mulder is not quite willing to give up his underground tactics--he stole the first dead guy's phone and used that to find a lot of the people they talk to this ep--but mostly it's good times again. Mulder and Scully sent out by a grumpy Skinner to solve a mystery that is right in their wheelhouse. Scully misses the most unusual stuff because she's knocked out. Mulder catches some of the attacks but isn't the point of them. It was so great to see again.

So far, a third of the way through the revival (already???)** the series is looser about whether or not Scully sees things, and she's long past rigorously denying that anything is extraterrestrial, but they still have the believer and the skeptic roles to play. The show is also the modern desaturated cool-tones rather than the old too-dark-to-see shadowiness, and I miss the cleverness of hiding the low-budget monsters in shadowy corners, but I like how it looks a lot like Fringe now, which supports my theory that Fringe is an offshoot division.

And best of all, it's not bad. I was so afraid that it wouldn't be good, but it's good, and I'm so happy it's back. The fact that they're calling it Season 10 rather than some revival one-shot gives me hope that this will be a regular thing--six or eight or ten episodes in the off-season, between their other TV shows, new ones every year for a while. What a time to be a geek!

What did you guys think of this return to the land of aliens and conspiracies? Tell us in the comments, or come talk to me on Twitter!


*That scene was so shippy. The starving Mulder-Skinner shippers just got a feast with "I was looking out for you like I've always looked out for you"!
**I love a short series--it means all story and no wheel-spinning--but the seasons do go fast, and then there's so much waiting. Almost all of my fav shows right now^ are short-season, and I feel like all I do is wait!
^XFiles, of course, but also Sherlock, Doctor Who, 12 Monkeys, Killjoys, Dark Matter, Stitchers, Mr Robot, and now The Expanse, Colony, and The Magicians. So much waiting.

Tuesday, December 15, 2015

Sami on The Expanse 1.1


The Expanse aired at 10pm on SyFy Monday night.

Something like six months ago, Hank told us 12 Monkeys fans on Twitter that SyFy was making a new space opera, and I was immediately intrigued. Then Danyi saw the first ep at NYCC and said it was amazing.

It wasn't oversold--it IS amazing. It's so cool, you guys.

In the 23rd century, Earth and Mars are colonized and not super friendly at each other, and both are dependent on the resources dug out of the asteroids in the Belt--which means they treat the Belters like crap and the Belters are getting tired of it. Dissent is brewing and people are standing on soapboxes trying to gather support.

Meanwhile, the down-on-his-luck space-gumshoe hired to find a missing rich girl doesn't much care about it, and she's lost somewhere creepy and full of secrets with what looks like a devouring purple star inside a ship.

Also meanwhile, a mining ship is coming toward Ceres station and stops to answer a distress call that goes super wrong when they find out that the whole crew is missing and the power core is off, so the transmission was a lie--and a trap. A Martian ship attacks and destroys their home ship, leaving them only a shuttle that's not in great repair, and the derelict they were investigating.

Back on Earth, a diplomat is interrogating a Belter who literally can't even stand up under Earth's gravity, and it letting that gravity torture him without having to lift a finger.

It's a literally explosive start to an awesome new series.

They've put a lot of detail and effort into building a futuristic world that looks real and lived-in--which seems to be a new standard for the channel, in light of Dark Matter and Killjoys and 12 Monkeys. The ships look great*. The moral and ethical issues raised already are very scifi and seem to be being handled in a good and powerful way. The space shots are amazing. There's a lot of characters, which gives the story a lot of scope for action, different points of view, multiple sides of the plot.

And the details! The comm guy wears headphones. The PI's phone is cracked. There's neat housing that looks like it was once nice and is now a slum. There's a lot of diversity. The ship has dirt on it because the XO misses land. People complain about the lack of light--which is literally the first time I've seen that ever on a dimply-lit show. And the range of tech between the upper and lower looks like a real spread you'd actually see in a situation where not everyone has the same access to funds.

It's a really good set up. I can't wait to see what happens next.

What did you guys think of it? Are you onboard** for the space opera? Share in the comments or come talk to us on Twitter!


NOTES:
*#SamiWantsASpaceship again
**See what I did there?

Sami on Childhood's End 1.1


Childhood's End is a three-part miniseries that started Monday Dec 14 at 8pm on Syfy.

It looks like Syfy has remembered that they're actually supposed to be the go-to channel for science fiction and other speculative TV, and they've kicked it off with a really awesome night of new programming. First up was Pt 1 of Childhood's end.

At the very beginning, they mentioned how the book this story was based on influenced a lot of SF that came after it, and they seem to have decided to give back by visually echoing a lot of that scifi that came after. There's the ships-coming-through-the-clouds like in Independence Day. There's a Monolith-looking thing like in 2001: A Space Odyssey, there's the farmhouse from Signs (and probably also any number of other movies). And it's all really well done--the effects are stunning!

Here's how it went:

In 2016, everything sucks. And then huge alien ships come down and hover over world capitals and tell us--through the images of our dead loved ones, which is not creepy at all--that they're not invading, they're fixing. Everything that's wrong will now be right, and everything they declare wrong--war, pollution, violence, illness, etc--is all over, full stop, no question. The militaries are shut down. Diseases are cured in one fell swoop. Saudi Arabia's oil pipeline is closed and refitted to carry much more vital water into irrigation systems being set up in the desert. The world's navies are refitted to take all the wasted food from the developed world to hungry people in the developing world.

All very neat and tidy.

But the aliens won't let anyone see what they look like. And people in power don't like turning over that power. And some people just don't trust anything ever.

There's a group that wants to free the world. (and creates propaganda videos the show plays like regular commercials, which makes the drastic number of actual commercials in these two hours a little easier to look at)

There's a news magnate that "would rather see the world go down the toilet under our control than flourish under theirs".

There's Ricky-the-farmer who is meant to be the intermediary between the Overlords (not at all intimidating) and the humans, even though he's just one guy and no one really believes him. The aliens won't give him a lot of actual information and keep taking his dead wife's image to talk to him, which upsets his now-almost-wife.

There's a very religious girl who talks against the aliens because when her mom saw the ships she decided that means there's no god and committed suicide. There's a lot of religious discussion in the middle of the show.

And there's a kid in a wheelchair who is a genius, but who is also really poor, with a druggie single mother and a bunch of poverty and violence around him. A drug dealer shoots him for sticking up for his mom, and the aliens heal him--which sets off the free-the-Earth people because they also kill the drug dealer because their stance on violence is there won't be any or else.

Then, fifteen years later, when everything is green and clean and people don't need to work for a living because a living is provided, when everyone is wearing the scifi-standard taupe to show that everyone is equal*, the Overlords decide that humans are ready to see what they look like.

So of course they look like the devil.

All in all, the show is pretty awesome. It's made from an old story, so there's a lot of talking and not a lot of action for big chunks of the show, and people are sort of idealized--there's a sudden and complete end of wars as soon as the aliens show up, rather than panicked riots and people shooting at the sky for the first act. There would likely have been more sex and violence if this was a newer story. But there's also a lot of really cool ideas, and it's visually very neat. If Syfy is setting the bar here for the quality and content of their new shows, they have chosen a good miniseries to do it. This is actual scifi, classic and basically optimistic, even with the underlying uncertainty that these aliens showing up out of nowhere bring with them.

I haven't read the book. I'm watching live with no idea how the story goes, and so far, I'm intrigued and impressed, and both happy and excited to see what happens in part two.

How about you guys? Have you read the book? What do you think of it, whether you have or not? Tell us in the comments, or come talk to me and the girls on Twitter!


NOTES:
*I hate the idea that the future has no color. Like, ugh. What a terrible fate, visually, sartorially, and decorationally.

Tuesday, November 3, 2015

Geeky TV commentary - Supergirl 1.2, Minority Report 1.7, Blindspot 1.7


Supergirl airs at 8pm on CBS Monday nights.

This week, we got Kara not being very good at being a super hero, but also not giving up, and it was kind of the best. That plane she rescued last week? She left it in the river, and authorities still hadn't gotten it out yet. There was a boat this week, carrying crude oil and too close to a fire on the docks, so she dragged to to safety...and tore the bow off, causing an oil spill that she didn't clean up. She's not doing these things on purpose, but it's something I hope she deals with soon, because the show is already dealing with it--there was a report in the episode about how much trouble Superman has caused and how high rebuilding costs are, and how she looks worse right now. Maybe next week she'll figure out how to get that plane up and get rid of all the oil, because it makes her look less clumsy and more, like, crazy negligent.

But the episode is also trying to deal with that. She knows she's not doing a very good job, and she wants to do better, so she has her sister train her. Alex points out that there are ways to make her weak as a normal person--or worse--and so she can't just count on strength and invulnerability. She's got to have skills in there, too. She also isn't very good at taking direction, but she listens and works through it, and between her, Jimmy and Win, they find a bunch of smaller crimes* she can handle to hone her skills.

There's a dude with a hinge-out jaw who looks like the vampire from Blade II, but he's just a distraction to lure Kara out for the Big Bad--her aunt Astra, freed from the prison and totally not hanging back and working behind the scenes like I would have expected. She's Kara's mom's twin, and she says they used to like confusing their parents, which, if the writers know their theory, should come back to haunt everyone at some point, because it was just a pointed one-off this episode.

Astra is hard and mean and borderline vicious, and she has plans, but she also seems to think she's saving the world, so that should be interesting. At the very least, their show down, with dueling superpowers, was cool, and it was stopped by a kryptonite knife--a kryptoknife.

Meanwhile, Kara and Jimmy have some really sweet heart to hearts, Win is more enthused and a little less desperate than ever, and Supergirl agrees to do an interview with Cat Grant to save her image, because it helps both of their careers. Alex shows Kara a hologram of her mother that they've created (retroengineered?) for her in her own little Baby's First Fortress of Solitude on base. And their boss apparently is a super hard boss because of a tragic past barely hinted at--and has glowing eyes with absolutely no context. Is he an alien too? Being controlled by one? Some other sort of superpower?

Hopefully we'll know soon!

The theme of this episode seemed to have been Family and Reasons. Alex is Kara's family more than her actual aunt. Jimmy and Win help her do her job because she doesn't want the extreme isolation her cousin works with. Cat is hard because she has to be as a woman in a man's world, but she does want Kara to do her best. Bossman has a tragic past that's apparently still haunting him. Even Astra is driven by some vague combo of family and togetherness and a reason to her extremism. It'll be interesting to see how it all pans out and complicates up as the season continues.


Minority Report airs at 9pm on Fox Monday nights.

This week shook up the alliances some, and we got flashbacks to early-release Precogs! According to the flashback, they were woken up, given some physical therapy, and then dumped at the edge of town and told to never come back and make their own way. But they have almost no idea of how to live normal lives, not a lot of social skills, and definitely no idea what to do with these powers they still have. Back then, Dash was the cautious one who didn't want to get involved, and Arthur was sweet and unsure and liked a girl who got killed. I hope we get more flashbacks, because Arthur not being a jerk was a revelation, and it would be cool to see the two of them slowly switching sides as the years pass.

In the now, they miss a murder and Vega tells Dash to let it go, but that's not one of his current skills. Following it gets him captured because no one was supposed to know about the crime. He spends most of the episode tied up, waiting to be rescued, but somehow still not being a damsel in distress; he uses what he knows to get the kidnappers to fracture, to win over one of them based on what he knows of her story from his visions--which she finds and identifies in his notebook--and to keep himself alive. They do cut off one of his fingers, though, because they know he's Arthur's brother.

And Arthur was the one who stole the money they're looking for.

That means that he's the one that Vega can team up with. He wants Dash back, but he also wants to save his own skin; Vega just wants Dash to be safe. They work pretty well together, despite Arthur not wanting to and Vega being annoyed by his less than legal ways (and it's great when she punches him over them). And they manage to not only get Dash back, but also to bring down one of the biggest crime lords in the city by getting another syndicate to do it for them. Shifty, but very well played.

This was an Arthur episode, for sure. Breaking up the Dash-Vega duo showed how much Vega values Dash, and also showed how much Arthur will do for his brother, something that's always been there but also always been a lot vaguer, since he keeps not helping them when they ask him. And it was so nice seeing Arthur with a purpose. He's formidable when he's not just lining his own pockets!

But there's storms brewing on the horizon. Reed Diamond has taken an interest in Vega's career, and that will never be good since he knows who the Precogs are.

This is where we insert the constant complaint that Fox can't be trusted with good shows, since it was announced recently that they cut the episode order, which is as good as calling it canceled most of the time. This is also where we hope Syfy or something** will pick it up and give it the space and support it needs, because it's getting really good and that looming cancellation is making it really hard for people to care. I still care, though, and I'll keep watching and talking about it!


Blindspot airs at 10pm on NBC Monday nights.

And Blindspot! Still the best show of the season. 

This week, they get sent into the woods to see what's up with a treasure map, that leads them to another map and a cache of weapons just enough for the team to each have one, and leads to the capture of an informant who is also known for killing a whole bunch of people and is the second most wanted man in the US. They drag him along as they follow the clues, and he takes every opportunity to poke holes in their functional reality. He points out how crazy it is to be chasing tattoos. He sees how Jane and Weller are acting together. He makes them all doubt everything. And it's great, because they really do live in a crazy idea of a world right now.

But Weller is still working on that idea that he needs to be objective, and when they have to split up in the woods, the takes Zapata instead of Jane, which does two things. It gives Zapata a chance to talk to her boss alone that she hasn't had since Jane showed up, and point out that there's a difference between knowing you're protecting someone, and not knowing that's what you're doing. And it gives Jane and Reade a chance to work together, which makes him have to invest a little faith in her, since they never know what she's going to be able to do in each situation. That one was the best part of this episode: Reade being snarky and flippant, but also competent and believing in Jane when he wouldn't have only a few episodes before. Including when they found a helicopter, it was their only way out, and he had to trust all of their lives in the idea that if wouldn't be there if she didn't know how to use it.

Meanwhile, Jane discovered that she's really bad at flying in planes--the turbulence about gave her a rolling heart attack--but she's fine with being in control of a chopper leaving a gun battle. It's about control, she says. And Weller held her hands and looked at her like she was the cutest thing he'd ever seen. Didn't even hide it from the team that time. She says while they were separated, all she thought about was him (and herself and Taylor Shaw), and she decided that they're all in this together.

I've been wanting the two of them to decide that the advice to stay objective is bad advice and to just run with this personal connection, and maybe that was it--a quiet and unspoken version of "no thanks, we've got this". Because the team, and especially Weller, are literally all Jane has in the world, and keeping separate from her like that is hurtful to her and upsetting to the rest of them. They're stronger when they all care about each other and act like it. 

Meanwhile, Weller confronts Mayfair about Daylight and why she's not telling them things they need to know for their cases, and she starts to make him the fourth person in the world who knows about it before it cuts to black. The teaser for next week makes it seem like it's not going to go well, but it's great that she's letting him in, because it really has been getting in the way. And it means she's choosing her team.

Also meanwhile, Patterson and her boyfriend*** chase down a new lead that takes them to a gorgeous old library in one of the old parts of town, and a book that's being used as a message-passing cipher. Before they can figure out what the messages passed back and forth mean, Mayfair tracks them down. Patterson is very nearly fired. David is very nearly arrested. And to answer the question about whether they'll move in together or not--Patterson chooses her job that she loves over a boyfriend she has commitment issues with. If he turns out to be shifty, she'll be glad of that choice.

Finally, the guy with the tree tattoo, who Jane dreamed about sleeping with last week and who was spying on her at her house, is shown digging in the foundation of a building somewhere, but not why.

The whole main plot was super-convenient, and now they're all thinking that whoever did this to Jane is trying to help them--but if so, why be so circuitous about it? Why not just go snitch and turn in all the info they have normally? Not to mention that the early tatts were apparently uncovering corruption, and at least one of them was not specifically for them, and it's a lot of questions. And why, now, would they switch from uncovering stuff to setting up a scavenger hunt? Plots on plots on plots!



What did you guys think of this week's episodes?

Minority Report

Blindspot

Supergirl



*On their lunch break, it seems, since it's the middle of the day and they all have jobs.
**USA could make it a little grittier and more realistic and really delve into the world, too, I think, with their new focus on awesomely well-done shows. Syfy is in a shakeup, but if they caught it when they settled, they could let it get really into it's scifi roots and awesome. They saved SG1 back in the day; I never understood why they aren't saving these other shows that keep popping up and fizzling out on channels that don't undetstand the needs of speculative fiction shows.
***Who is suspicious because of how into these tattoos he's not supposed to know about.

Monday, October 26, 2015

Geeky TV commentary - Supergirl 1.1 and Scorpion 2.6


This week, I watched the CBS run, since I wanted to see Supergirl, and they put it on at the half hour, meaning it made me miss two shows instead of one on the other channel, and then when it switched to Scorpion, and it was a 90 minute episode, I was already resigned to missing Blindspot too. I'll catch them up later!


Supergirl aired at 8:30 on CBS Tuesday nights this week, but will move to the hour next week.

What a fun hour! It's very sweet, but in a cute and bubbly and "oh my gosh I'm a superhero, how cool is THAT??" sort of way that doesn't clash with the action and the seriousness of battle. We get her daily life, and we get her superhero life, and she's not a billionaire, not a cop (or cop-adjacent), she's just a girl with a difficult job who happens to have the power to make a difference in her city when she can.

It starts with a nice voice-over that sums up all the backstory: she was a preteen when Krypton exploded, and she was sent after Kal El to keep him safe because she was his cousin and he was a baby, but along the way, she got stuck in the Phantom Zone and lost twenty four years so that she landed still a kid and he was already an adult and a known, active hero. So he didn't need her to protect him. But he did take care of her, finding her a family (with a previous Superman and Supergirl) so that she could grow up human like he did. Now she's in her early twenties, working for Cat Grant, one of the leading newswomen in the world, trying to be a normal person.

Until her sister's plane almost goes down and she has to figure out how to fly so she can save her, because who cares about aliases and normal lives when your sister is about to crash, right? 

She's psyched that she could do it, and it's adorable, but said sister isn't pleased. Alex wants her to stay low-key so no one knows she's there. But she's already decided to be a hero. She confides in her friend at the office, and together they find and stop crimes...until someone sticks her with a Kryptonite dart and she finds out that there's a special task force for taking care of alien problems and that her sister is part of it. They clash a little, but they also realize that there's a bunch of really bad dudes from space loose on the planet, and she's the only one that can stop them (since Superman has his own villains, I guess).

And, she uses her cute-young-girl-ness to get the first of them to underestimate her so that she can beat him. Ha! Take that Mr Females-Bow-Before-Males! But he's not about to get caught, tells her this is just the beginning, and then he stabs himself in the heart with the shrapnel of his own destroyed weapon. That's hardcore, dude.

And then we find out that the big bad is her aunt, who is called General, and who was with the prisoners in the Phantom Zone, so she must be awful.

And it was cool!

Her bestie is adorably nerdy and this story's older and less dorky Jimmy Olsen (James, sorry) is very pretty. Cat is like a slightly less steely Devil Wears Prada, but doesn't take up enough screen time to make this into Devil Wears Prada With Superpowers. The faceless silhouette of Superman looks like it could be Henry Cavill if they decide to link up the worlds after all, and the casting of her adoptive parents is brilliant and just nostalgic enough to make it really neat. I hope we get more of them.

But best of all, we have women standing up for themselves and each other. We have women in power, both in the normal mortal world AND in the villainous baddie world, where women are usually henchmen or side characters. Her sister is a scientist and field agent, and she's good at her job. And despite all of this, there's no guy-bashing, and no real points made of "see, women can do this too"--they just do.

Her development as a hero is pretty fast, but this is a world where she grew up knowing Superman and what he can do, and knowing that she should be able to do it, too. Also, montages, so it's fast in the story but could be weeks on the show (though I think it's probably more like days). And the fact that she's not super concerned about hiding who she is and what she can do from the people she's closest to is a really nice change from the standard where people hide it forever and it gets more and more ridiculous. 

Also refreshing is that her tech doesn't hide that he's into her, but also doesn't hold it against her that she's not into him, he just does what she needs him to do to help her. Her sister, too, supports her, since her main reason for wanting her to keep low was to keep her safe from people like her coworkers and the villains they chase, who all now know she's there.

All in all, it was a fun first episode, a good set up for future episodes, and a nice set of interesting characters it will be fun to keep watching. From the Next Episode On, it looks like they're not holding back and she'll find out who her main enemy is pretty quickly, so yay! That's a trend we can all get behind, I think.


Scorpion usually airs at 9pm on CBS Monday nights, but this time aired at 9:30 and ran for 90 minutes.

Yay, I got to see Scorpion live! I usually watch other shows, but today was a special case.

We got 90 minutes, which seemed to have mostly been commercials, so the difference in the length maybe didn't make much difference. Oh well, such is TV these days. The second someone labels something as a "special event" everything goes to the ads and it winds up eating up all the time.*

Anyway!

Walter is supposed to be coding something for the grand opening of Elias's brand new super-smart office building, and the second he does, everything goes horribly wrong. See, Ray talked him into mingling in a mixer after a conference he was attending, and while he was there, a pretty lady slipped him a mickey and he lost the rest of the night.

Cabe and Paige go looking for the lady, but she says she doesn't know anything about any computer stuff. Paige is wonderfully defensive of Walter while also being crazy jealous AND super competent as an agent. She makes a good partner for Cabe, and it's something we haven't seen much of, just the two of them working a case together. Plus, his reaction-faces for all the times she's getting close to crossing lines in her defensiveness are golden. I hope they'll make millions of reaction gifs out of him over on Tumblr.

Meanwhile, the building is breaking down all over the place. The elevators go out, trapping Toby. The geothermal power goes out, and Happy can't do anything about it; Walter helps and they barely put out the fires that have started there, but they have to take a long way back to the computers because the steam pipes seem to be out to get them. Fires, meanwhile, have started all over the place, but most notably right under where Sly is with the kids of some of the important people in charge of the building.

And everyone wants Walter to fix all of it, but he's consumed by guilt, still on the wrong foot from his drug-hangover, and taking really crazy risks. When Toby gets out of the elevator but then gets trapped in another server room, he sucks out all the air to kill the fire and also almost kills Toby. When Sly needs an anchor to hold the rescue team's rope ladder for him, he jumps out a 17 story window to anchor it with his own body. It's insane.

But in the meantime, Sly is facing his fears of the situation to keep the kids he's in charge of safe and calm, and to teach them about what to do in a fire. Toby is trying to do everything himself to prove that he doesn't need Happy and when she has to revive him from his near suffocation, he even says he can do that himself. It almost gets him killed a few times, not least by her. She was frantic when Walter was willing to two-thirds kill his friend to get to the next stage of the mission--she still likes Toby, but he's so desperate to prove he's okay with her not being interested, he can't see it.

Paige and Cabe discover that it's not the girl; she was hired by someone, and she's just a callgirl. Paige breaks into the computer of the office while Cabe distracts them**, and figures out the password herself--go Paige!--and they find out who hired her. It was one of the other scientists, who had his funding cut and had the virus broadcasting from a chip implanted in his own body so that whenever they managed to get it out of the computers, it would just load back up. He says it was just meant to freeze things up, not cause all this meltdown, but it was very much "cool story, bro, still sabotage". Elias had almost believed that Walter did this on purpose, or that he was a fraud, and that might be a problem for their ongoing mentorship; we'll have to see.

It was great seeing everyone calling Walter out on his crazy behavior. He's been more and more off the rails as the episodes have added up, and now he's putting his own people at risk, and there has to be a line drawn. If he won't draw it himself, they're going to have to draw it for him, and they all, in different ways, hinted at that throughout the episode. It was hard to like Walter this week. He was snappy, rash, alarmingly cavalier, frantic, begging--he was in distress at exactly the wrong sort of time, and even though he managed to pull it out of the fire, literally in some cases, I hope there's real fallout next week.

Sly had a revelation as he was using solar panels to step down the side of the building that he'd just found the woman of his dreams and he was not ready to die--something of a big step for someone constantly afraid of living!

Similarly, it looked like Happy was having a revelation about her feelings for Toby at the time, but he's further away from the same than he's been the entire time we've known the two of them.

And Paige is aware that she was being driven nuts by the idea that Walter had this other side he never showed her--though that other side was the drugs, not him, and it's unclear whether that part sank in--and the idea that he would have just jumped in bed with some woman that he only just met at some bar. That also didn't happen, but she was feeling it, and she knows she was, but they still aren't really talking about feelings despite her plan to never hide things in the name of team communication.

At the very end of the episode, it was like it was all okay because no one died and they got their dude, but that doesn't sit well; Walter was being callous and driven by a bad set of emotions, and he needs to deal with that. He needs to be held accountable. Community service is being held accountable for the damage he did at the end of last season, but it doesn't hold him to the emotional and mental trauma he's causing his team because he can't handle his own feelings about things. Maybe he'll pick up a psychologist at some point. Maybe Gordon Gordon is available now that Bones and Booth are out of therapy; he's got experience with people who can't parse emotions.

Also, there were so many slow motion shattered windows this week. Like, damn.


What did you guys think of this week's episodes? Share in the comments, or let us know on Twitter!


Supergirl

Scorpion


Other Monday shows:


NOTES:
- I should make a header for this section, too...
*This is an ongoing struggle I have with TV, and if Netflix had TV as quickly as On Demand, I'd give up on cable all together, because damn.
**If we don't get a call later saying they've found just the right match for Cabe, I'll be disappointed in a perfectly good lost opportunity.