Showing posts with label reboots. Show all posts
Showing posts with label reboots. Show all posts

Tuesday, January 26, 2016

Sami on X-Files 10.1 and 10.2


The XFiles airs Monday nights at 8pm through February.

The XFiles is back, you guys. The weirdness, the spookiness, the office, the pencils in the ceiling, the Mulder and Scully working together for the good of the world. And for the most part, it's right.

Episode one was a mythology episode like any, but maybe a little more sensical than some of them. Scully, who's been working at the dimmest-lit hospital in the world for the last seven years and seems to always be splattered in blood there, calls Mulder to tell him someone has been looking for him. That someone is Tad O'Malley, a right-wing nutbar making a fortune off of fear on TV...who happens to have stumbled across exactly what Mulder has been looking for all this time. 

Tad is creepy. Like, I'm not sure if he's supposed to be, but he's basically romancing Mulder AND Scully, and it's creepy. He takes Mulder to a hanger and shows him a triangular ship retroengineered from alien technology, and it's like handing all the cookies in the shop to a five year old. He's sold. Tad's idea is that the conspiracy is real, but the alien part was all subterfuge.

He introduces Scully to a girl who's been abducted a bunch and claims to have alien DNA and to have been impregnated and de-pregnated several times--Scully's story on steroids, basically. She also says she can read minds, and it seems as if she can, and that's a great way to get some backstory in about how Mulder got depressed and Scully wanted to move on with their lives, and it destroyed their relationship. Which is heartbreaking.

Tad also tries actually seducing Scully, which she's apparently vaguely surprised and intrigued by, but the second Mulder needs her, she doesn't care, and that's what I like to see.

Anyway, Tad wants to talk about Sveta (the girl) and Mulder and Scully's work on his show, and Mulder wants to see where this rabbit hole goes, but Scully thinks he's lying. A DNA test of Sveta's blood shows no alien DNA. It falls apart then when she's out and Mulder's in and Tad's confused, and Sveta goes to the news and says Tad paid her to lie, and it's a mess.

But Scully apparently lied about the results AND sequenced her own DNA several times and there actually is weirdness going on there. But Sveta and the hanger with the ship get attacked and destroyed, including all the scientists they met, and so that's the new arc for the mythology--who's telling the truth and who's manipulating the story again, and, of course, as always, what's the actual truth?

It wasn't as non-stop complicated as some of the old mythology episodes, and was pretty straight forward for that. But there was the reveal that Cancer Man managed to survive again, and is apparently still dealing with Mulder poking his nose in--and probably still worrying about whether he should have just killed him or not, I'd assume. Oh, and they've reopened the XFiles, so M&S are Special Agents again!

And the space between the mythology is taken up by Mulder and Scully trying to figure out where they stand with each other, how they want to handle this opportunity, what they feel about it, and how they can be partners again. It was a lot of them bashing heads about whether it's alien or not, whether it matters if it's alien or not, and Scully trying to rein in Mulder's tendency for crazy that led him to the depression that drove them apart. But there was also Scully being a doctor, and Mulder tracing down leads, and the two of them always being there for each other even with all the baggage between them now. Scully says that the Xfiles was the most challenging and intense job she ever had and Mulder was the most challenging and intense relationship, and the way she said it, it sounded like her life now, even as a surgeon and doctor, is less fun and interesting. Scully has been dimmed by time, and it's sad--so, of course, she has to come back to the XFiles. Mulder, for his part, never really left, even though he left the FBI. And, apparently, Skinner was looking out for him all this time anyway.*

So it was basically a happy homecoming for them, eventually, despite all Scully's eyerolling, and it was definitely a happy homecoming for all us fans. It's been 14 years and endless lifetimes, but the XFiles fandom is like:
and is suddenly everywhere. Livetweeting was a joy--a perfect blending of how I used to watch this show with my family and talk about it all week between classes with my friends, and my modern TV habits of watching and talking at the same time. It was almost all positive--from the second Mulder starts Mulder-loguing at the opening and we all switched to all caps and tried not to burst into tears from the sheer joy of having XFiles on our screens again, to the end when we all knew we'd only have to wait one day for the second one. And it was amazing watching everyone get more and more annoyed as the first ep was delayed by the football game.

It's not exactly the same. A lot has happened with politics and conspiracy theories and world events since XFiles went off the air, but the PBS Idea Channel video about it is right: there's a real-world-paranoia reason XFiles existed when it did, and there's a related but distinct real-world-paranoia reason for it to come back now, rather than five years ago or five years from now. It feels like something we need when it's suddenly back, something that we missed and didn't even realize how much. 

Tad's loony conspiracy theories blend in the logical progression of Mulder's with the post-9/11 anti-everything paranoia all over the internet now, making it both more crazy and more real again. Rooting it in the now while maintaining the framework the show has always had.

SO. GOOD.

The second episode was a good old fashioned evil-science episode, and felt more like the team we all know and love. Episode 1, everyone was a little awkward, as they should be, coming back to something they both thought was behind them, but they were back as a team and working right in episode 2.

A scientist goes bonkers and hacks his boss's servers, bleeds at the eyes, and then stabs himself in the ear with a letter opener until he's dead, all because he's hearing a sound no one else can hear. This leads them to his secret boyfriend who tells them he was worried about his kids--even though he's single and doesn't have any.

Scully pulls strings to get them a meeting with the biggest funder of her own hospital, who happens to also be where the leads are all going, and he shows them his pet project: keeping all these kids with really weird deformity-conditions in closed rooms so he can see what makes their genetics do this in isolation, and see if his ideas for treatments work. While they're there, one of the girls almost gets out and freaks when they try to take her back to her room, and things go flying off the food cart the orderlies are pushing. Mulder must be getting rusty; he didn't even comment on obvious mental powers.

But a girl they meet at the hospital, who was pregnant and being kept there, disappears, gets hit by a car, and has her baby taken from her belly, tips Mulder off that he's not trying to cure these kids, he's trying to do hybridization studies. Combined with Mulder experiencing the sound himself and finding out that it's from a kid who was presumed killed at birth trying to talk to people's minds, leads them back to that scientist. That boy is his son, who his mother "let out" to save him from whatever experiments he was doing on her children. The girl at the facility is his older daughter. They know each other on sight, and they know what he did to them. Together, the telekinetic and the telepathic, break out and go on the run after melting their mad-scientist-dad's brain.

I miss Scully's case reports on this one. We don't get a lot of seeing what they conclude from this, since Scully was knocked out and didn't see what happened and Mulder was being tossed across the room and also affected by the sound and missed them escaping, too. Or so he says. 

There's a little indication that Mulder is not quite willing to give up his underground tactics--he stole the first dead guy's phone and used that to find a lot of the people they talk to this ep--but mostly it's good times again. Mulder and Scully sent out by a grumpy Skinner to solve a mystery that is right in their wheelhouse. Scully misses the most unusual stuff because she's knocked out. Mulder catches some of the attacks but isn't the point of them. It was so great to see again.

So far, a third of the way through the revival (already???)** the series is looser about whether or not Scully sees things, and she's long past rigorously denying that anything is extraterrestrial, but they still have the believer and the skeptic roles to play. The show is also the modern desaturated cool-tones rather than the old too-dark-to-see shadowiness, and I miss the cleverness of hiding the low-budget monsters in shadowy corners, but I like how it looks a lot like Fringe now, which supports my theory that Fringe is an offshoot division.

And best of all, it's not bad. I was so afraid that it wouldn't be good, but it's good, and I'm so happy it's back. The fact that they're calling it Season 10 rather than some revival one-shot gives me hope that this will be a regular thing--six or eight or ten episodes in the off-season, between their other TV shows, new ones every year for a while. What a time to be a geek!

What did you guys think of this return to the land of aliens and conspiracies? Tell us in the comments, or come talk to me on Twitter!


*That scene was so shippy. The starving Mulder-Skinner shippers just got a feast with "I was looking out for you like I've always looked out for you"!
**I love a short series--it means all story and no wheel-spinning--but the seasons do go fast, and then there's so much waiting. Almost all of my fav shows right now^ are short-season, and I feel like all I do is wait!
^XFiles, of course, but also Sherlock, Doctor Who, 12 Monkeys, Killjoys, Dark Matter, Stitchers, Mr Robot, and now The Expanse, Colony, and The Magicians. So much waiting.

Monday, February 2, 2015

Fantastic Four trailer


So! Let's see:

  • It looks super-serious, which is always sort of...hit or miss with comic book movies; I feel like to be taken seriously, there has to be a little bit of not-serious to contrast it against and to humanize the characters (as they turn not-human, etc).
  • It looks also like they're not going into space? I didn't see any space-vehicles, just pods and energy-explosions--which would be a good way to literally ground the story AND a good way to explain their villains.
  • No Doctor Doom? I'm okay with that, if it's true, since the old one had Doom and I'd want to separate my new movie from that old one if I were them.
  • Dark and sort of...CGI-ish. 
  • I've heard rumors that reshoots were because it looked too much like Chronicle 2, and also because it was very cerebral and they felt it needed more action. Either of those could go either good or bad, so we'll see.
  • If this is, after all, in the same world as the XMen, it looks like it's current...which puts it 30 years ahead of the current XMen movies, which is...odd...but could work out with some really good, like, casting and maybe some background stuff--news casts about mutants doing something, headlines shown, stuff like that, without needing full-on crossover stuff.
  • I like that Johnny is black, but since Sue isn't, does that mean they aren't siblings anymore? Or is one of them adopted? I feel like them being sibs is a big part of the group dynamic, usually.
  • The Thing looks good.
  • The fire effects look good.
All in all, I'm not super-stoked, but I love the XMen movies, and this has something to do with them behind the scenes and hopefully in front, so that gives me hope. And it's definitely on my list to see, I just want more info before I get excited and stuff.

Monday, August 18, 2014

Are you guys watching Girl Meets World? Because ya really should be.


I was a little leery about this whole thing when I heard it was being made. One the one hand, I'm getting real tired of my childhood (or in this case, my teen-hood) being re-sold to me in shinier packaging. On the other hand, I really loved growing up with Cory and Topanga, and I was happy to see them again. They were TV representations of weirdos who love each other and keep committing to being themselves right when I most needed to hear that, and I wanted them to stay that and not get messed up with modern TV stuff.

I didn't have to worry.

Yes, the show is much more styled and slicker than the old one--but that's how all Disney shows are these days. And it doesn't get in the way.

Girl Meets World is just as much a story about figuring stuff out for yourself and learning the lessons you get yourself into as it always was, and it not any more heavy handed than the old one was. But better yet, it's so cheerfully silly that there's no cynicism in it. There could be--Maya has a crappy life with a deadbeat dad* and a hands-off mom who works too much--but it always pulls back around to this central message that friendship is the same as family when you don't have a family of your own, that your problems don't have to define you, and that you are always free to be who you are.

And better yet, it's as much about Cory and Topanga as it is about Riley and Maya. I was afraid they'd get sidelined, but they're vitally important to every story, and they have their own stories going too--in the most recent episode, Topanga had a minor crisis about how normal she is now, and how much of her hippy-dippy self she'd given up to be where she is. Solved quickly but earnestly, of course.

The first episode is a little thin, but it sets everything up perfectly, and by the second everyone knows who they are and the characters all have to connect in a way that makes total sense and makes you like them more--and it keeps getting more delightful each episode. Like, giggly, silly, nostalgic-but-not-sappy, charming, off-the-wall delightful.

The little brother is adorable and has pretty good comic timing. The Cute Boy is charming and has unexpected skills and is cutely amused by all the craziness these two girls point at him, in a way that isn't condescending at all. The Nerd is as annoying as Minkus** once was, but is also sweet and a little delicate*** and totally reasonable more often than you'd expect. The background kids in Cory's classroom are frikken priceless--watch their faces as they react to the lunacy of the main characters. It's like they have their own show going on there. And recently, there's been an expansion of the world--there's other nerds than just Farkle, there's other teachers than just Cory, there's a librarian and a bakery-shop owner that I really really hope we get to see more of****, and the kids around them are starting to standardize into familiar faces you see each episode.

It's an antidote to all the grimdarkness invading all the other shows I watch every week! I wish there were more episodes of it already. And it's a lovely example of how to be a parent if you grew up with Boy Meets World as your view of how the world should be. It's a good view.

So if you're not watching it, I say go get yourself a bowl of popcorn and click on that On Demand, and just gobble it up.



NOTES:
*I really hope her deadbeat dad isn't Shawn, because his major arc was that he had a deadbeat dad of his own and didn't want to be like that...unless his story is to get him back in contact with Maya and actually be a real dad now that he can.
**And, actually, despite still being rivals all these years later, it doesn't stop the Mathews clan from inviting him over for dinner along with everyone else, which I love.
***I'm pretty sure he and Maya are going to get married.
****I really want the grouchy old librarian lady and the Ukranian baker to be best friends, and to sit around and drink coffee and snark at the kids. Also, there was Jackee on the train in the first episode and I really want her to come back, too!

Wednesday, June 18, 2014

The problem with Hawaii Five-0 (the new one) is Strong Female Characters instead of female characters who are strong

Okay, first? This title is totally clickbait.

Second? I really like the reboot of Hawaii Five-0. I just keep getting wildly annoyed at how it Doesn't Know What To Do With Women.

Evidence:

  1. They switched Classic Kono to Female Kono...and then didn't give her anything to do. 
  2. They brought in a cool double agent, made her likable, gave her a great relationship with the team...and then shot her in the heart after being gone for ages, in which most of her story apparently happened off screen.
  3. They replaced her with a taller, more classically pretty agent...who then got transfered because she was going soft.
  4. They sent Kono on a lame, ages-long story where she was literally only looking for the boyfriend who lied to her and betrayed her and almost got her killed more than once, and presented it as a great love story without ever dealing with all that squickiness.
  5. While Kono was gone, they brought Catherine to the front, made her capable, made her funny, and then as soon as Kono came back, shuffled her off with her ex.
  6. They brought in Steve's badass RED-style mom, and then continually waffle about what any of it means and whether she even has a moral or story center at all.
Which means:
  1. They can apparently only have one sort of woman, and only one at a time.
  2. A lot of the women are flat our victims because of love that isn't really love.
  3. They're either girlfriends or they're liabilities because of not being girlfriends.
I read this article recently, "We're losing all our strong female characters to Trinity Syndrome", that put it all in context for me, this whole thing that's been bugging me about the series: It's totally Trinity Syndrome, and the writers don't seem to be all that concerned about it. Or, at least, they aren't in all that much of a hurry to figure out how to make Kono less annoying, or how to keep more than one lady in the cast at once, or how to make them valid, competent, independent characters. I mean, it can be argued that the men are co-dependent fuckups, too, but they're not getting shot in the heart or shuffled off when they get sweet on someone.

Here's some options I think would be cool:
  1. Have Kono break up with David because he's dangerous and has a history of lying, and let him solve his trust issues on his own without using her as a crutch and a built-in victim. Meanwhile, have her actually do something on the team; at the beginning, she was the one on the ground, and then she was moved to the computers in the office, and then she was the one with the most messed-up storylines.
  2. Bring another girl into the team or it's support staff. Better yet, a few other girls. Make them friends with each other away from and not involving the boys. Make them different sorts of girls--a touch chick, a quiet nerdy girl, a gristly veteran, a mom that's not a selfish weirdo.
  3. Let the girls rescue themselves sometimes.
  4. Let the girls rescue the guys sometimes.
  5. Let everyone not need rescuing because they're all literally supposed to be the best of the best, so they can all get themselves out of problems.
  6. When the writers catch themselves going down the same old streets, have the girl about to be shot kick the gun out of the guy's hand and stop it before it happens, have the girl who has had crappy boyfriends in the past see the same behavior before she's victimized by it and get out, have the girls refuse to be the reason the boys do stupid things. It's find if they're weak at the beginning; but any character has to learn from mistakes and get better at dealing with life, or they're flat.
  7. Let the girls be equals to the boys, and the boys acknowledge that without any drama or machoness (there's plenty of macho in this show already), and have everyone go to whoever has the best skills and info for the problem, regardless of gender.
So what do you think?