Showing posts with label sleepy hollow. Show all posts
Showing posts with label sleepy hollow. Show all posts
Wednesday, April 6, 2016
All my problems with Sleepy Hollow's Danny have nothing to do with him
Warning: This is salty.
Danny Reynolds is a good guy, and he recently took the whole "there's monsters in the world and we fight them" speech really well, but I have some Issues with him in this show. None of them have to do with his character, and all of them have to do with how he's being used.
1. He's not Crane
I've made no secret of the fact that I adore Ichabod Crane and Abbie Mills as a team, as a couple, as a pair that cannot be divided. But that's because the show literally casts them in that light at every turn, but refuses to treat them that way.
It's not Danny's fault that he's not Crane, and if he'd been handled better, maybe he could have made up for not being Crane in a real way, but with Abbie and him moving toward couple-dom while Crane still looks at Abbie like the sun rises in her face, it makes her look oblivious at best and callous at worst. Does she not see that Crane cares about her more than just a normal friend while she's literally supporting his butt and he's making her lavish dinners? If they are actually committed to fully platonic Ichabbie, they're doing a piss-poor job of it, and meanwhile, Abbie is over here making out with her boss in a federal law enforcement job while Crane is at home, waiting for her. I don't like how it puts this layer of weirdness in how Abbie deals with the world, and how no one is pointing it out to her on the show.
2. All his development with Abbie happened off screen
Look, if a main character is going to have a relationship that is not with another main character, that other relationship needs extra attention. A relationship between two characters who both headline a show needs a lot of attention, but if you're gonna hook them up with someone else, it's going to need even more. You've got to show the steps. Show that he's worthy. Show that he's an actual interesting character with real traits and not just a list of starting points for them. Show why they like each other and how things progressed--not just come back from a season break with a time-jump and an ex we never knew at all, and assume that we'll just buy it. That's insulting. And it immediately places that poor new character that has nothing wrong with him in the position of acting on things that never happened so that it's all talk, no proof. And being very obviously a distraction from the relationship that HAS been developed for her--and that, in this case, TPTB have been super shifty and ship-bait-y about.
Look, if Ichabbie is never going to be a thing, have that talk, on screen. Have them kiss and feel nothing, or properly address the fact that literally everyone thinks they're together. Have them confirm for real that they're not in love--and for the love of all things holy, stop putting them in romantic situations that are played out romantically. How can we buy Danny as a love interest, not just a distraction or a second-best, if we've still got all this Ichabbie stuff happening and never being addressed, and everything that would have convinced us to like Danny more happened in a season that never existed? A season that was effectively a different show, if Abbie and he were in Quantico like normal people and not fighting monsters?
3. He's too little, too late
Because of all of that above. This is the third season, and there's no guarantee of a fourth. Through all of season 1, it was the Ichabod and Abbie show, then through all of season 2, Abbie was effectively dislodged from her own starring role and treated as if she didn't need connections or love or anything. It was alarming. She hardly had anything to do, unless it was a totally terrible stereotype of a thing to move the plot along, regardless of how her previously-established character wouldn't be treated like that without saying anything. And now she comes out of it, seeming miserable and hardly laughing or looking like she enjoys either of her jobs, and they're finally going to tell us NOW that she actually does deserve to be loved...but not by the man she's spent three years sharing her life with?*
4. He's the "getting back with your ex" trope embodied
Even worse than off-screen relationships is getting back into one for real with the person we-the-viewers don't know from Adam. If they'd had a previous on-screen relationship, that would be annoying enough, since exes are exes for good reasons, but introducing an ex just to get them back together when we never saw them together before? Nah. Lazy. You're shorthanding the relationship and stealing a lot of the power from it. The whole strength of any relationship on TV, of any variety, is how well that relationship can move the audience, and it feels like they just assume we'll be on board just because it's a relationship, rather than actually building one with emotional weight for us to actually feel. They're doing the same thing on Blindspot** right now, and it's just as annoying there.
Every time a show does that, it comes across as cheap. They're underestimating how much the show means to the fans and willfully tossing all that previous emotional weight out the window without even bothering to go through the steps to change the associations. Just handing us a new ship like it doesn't matter, like they're interchangeable, and like saying they have a past we never see (and they don't even really get enough into to make feel real) is as good as actually experiencing it. They did the same thing with Katrina in season 2--a lot of talk that never was proven, and it fell flat, but at least she got flashbacks and context.***
5. Who even is he?
The show is built on two wildly different people figuring out how to save the world together. It's literally about different strengths and skills defeating evil. Danny is a good guy and might be a good addition to the team, but he's also a lot like Abbie, and we already have Sophie being a lot like Abbie****, except he's barely sketched out. We don't need her being paired off with someone so much like her when it's pre-established that working with, living with, and being drawn to Crane made her better. Especially when he's like her in such broad strokes: they want to help people, they were top of the class in Quantico, they're both stubborn. Where's the actual character development he deserves?
It makes it seem like she's scrabbling to regain the past, but they're not really dealing with that (beyond a few lines in like one episode at the beginning of the season), and not committing herself to the future, no matter how much she says she is. It feels like she's trying to keep some sort of normalcy that she never actually had, because going to Quantico was always about not being who she is--not the delinquent that saw demons and lost her mom, not the Witness that fought the end of the world. It makes it look like she's rejecting Crane and Witnessdom again, or trying to have it all in that destructive way that means you aren't really fully doing any of it.
He's a symbol more than a character, and he's set up like a mirror image that never got to reflect anything. If they'd put more effort into building his backstory, giving him the screentime to have adventures and reactions of his own, maybe it would have been different. Right now, he's charming and good looking, but all we have is: ambitious, in the FBI, didn't exist before the time-jump.
Danny could have been a nice foil. He could have been someone new who is what she wants to be--or what she thinks she wants to be--and forced her to properly decide between being a full FBI agent and being a Witness. He could have made her stop trying to separate all the parts of her life (and there's still a little time for that, now that she's told him her Big Secret). He could have been using his own skills to actually find out about all this weird stuff that's going on, NOT just sitting back being a bad boss while she disappears and lies and is shifty as crap about it, and then stumbling upon the crazy with no forewarning. Think how having the FBI as more of an actual part of the story and not just that place Abbie goes to sometimes could have unified her scenes at work and at Witnessing.
Unfortunately, though, Danny has fallen into another of the many fumbles on this show, and he's doing his best with hardly any screentime and contradictory actions and lines. They made him someone she met while she was not being herself, away from the destiny that the whole show is about, and has been mostly avoiding and lying to. Now we're supposed to just believe that she's loved him all along. Shame. Poor Danny.
I'm getting too salty about him. Danny deserves better! And so does Abbie! Not this half-ass addressing the issues she had last season, a real devotion to the story!
*Not to mention that it's feeling racist? Like, I don't like getting into that, it's a loaded subject, but when there's multiracial leads, with a great built-up potential and great chemistry, and they force them apart to match up with same-race random others? It feels like putting people back in their place, and it's very uncomfortable.
**Twice! With the addition of the "clearly you're only sleeping with me because you can't have her" discussion that makes Weller look like a liar AND the "I used to know you and I still love you even though I have no idea who you are now" thing with Oscar and it's gross and it's the first thing I've hated on that show that I otherwise love.
***Even if they couldn't decide what her purpose was or what her story actually was.
****Tho so far, Sophie being the daughter of two archaeologists is more interesting and more definitive backstory than we have on Danny, and more useful to the story here...though there's literally never been enough backstory on any of the side characters on this show. Sophie came in with all these Corbin skills, and they never came back to the potential for Jenny to have just been one of many like her and what that could have done for her characters AND the world she works in.
Friday, November 6, 2015
Geeky TV commentary - Bones 11.6, Sleepy Hollow 3.6, Elementary 4.1
Bones airs at 8pm on Fox Thursday nights.
So many guest stars this season! The latest was right here in the cold open, with Impractical Jokers Murr and Sal as street sweepers who find the body by street-sweeping over it and getting their whole truck all grossed up. And then Murr tastes it, thinking it's a prank. That's a nice meta-injoke, but it's also really gross.
The body turns out to be a senator. One that Hodgins actually liked enough to stop voting side parties for. He seemed to actually be, like, the only good guy in Senate, since the mysterious monthly pay outs turned out to be to help a daughter he'd just reconnected with, no an affair like they thought. It was the wife that was having an affair. A wife that would suddenly be a Senator because of some old law that widows of Senators take over when one dies because they're likely to be similar, politically. And it was his aid (or whoever that guy who used to be on Sleepy Hollow was) who killed him.
All very tidy. Because it's not the case that matters on this show anymore.
What matters is the people, as I probably say every week.
Bones got to turn her bluntness up to 11 to take on their political suspects so that she could be rude and ask personal questions and booth could get a read on her, and she took to it gleefully. It was kind of obnoxious, but it also showed exactly why they're such a good team: she antagonizes and cuts right to the truth, and Booth reads the social cues and emotional reactions, and together they can build a clear picture of what's going on.
And when he wasn't with Bones, Booth was with Aubrey, who was sort of their lovechild this ep--savvy and agent-y, but also not taking any guff from anyone involve and being less diplomatic than Booth. It was great. Aubrey was also checking out Squintern Jessica-from-the-commune's background, and found out about some questionable protests, and some drugs and rock'n'roll in her past. He was inclined to take it seriously, but she was arguing that pasts make us who we are and she's not who she was then anymore than he's who he was when his dad was arrested. It was very well done--talking on multiple layers, feeling out what could be a new 'ship*, all sorts of meaningful eyeballs.
Aubrey came in on a bad episode so that it was crazy-obvious that he was meant to fill a hole in the cast when Sweets died**, but he's done a good job of becoming an endearing, tough, honest, individual character! And he humanizes Jessica nicely. The two of them might even be good enough together to handle a spinoff or a continuation, if the main cast decides to leave at any point. An ER-style hand-off wouldn't have worked a few years ago, but now the Squinterns are all known characters and it would be nice to see them taking over the lab and carrying on the Jeffersonian's good name if the original cast gets tired of it. Bones: The Next Generation, all trained by Bones and Booth and Angela, Hodgins, and Cam.***
And we got Caroline this week! Any week with Caroline busting chops and calling Booth pretty is a good week, and she upped the ante by flirting with Aubrey, too, and it was wonderful.
Meanwhile, Bones and Booth were arguing over whether or not to get a TV for the bedroom, because Booth wanted to watch things snuggled up in bed, and Bones didn't want to give up sex--since statistics say that a TV in the bedroom makes for less sex for couples, and she loves statistics. They eventually do get one, after agreeing that it's an experiment to see whether they fit the odds or beat them, and it's adorable.
It still feels sometimes like Bones is coasting, but if they are, they're coasting at a good clip, on a good tone, and it's still fun and charming and full of quirk, just like we all love.
Sleepy Hollow airs at 9pm on Fox Thursday nights.
Pandora's plot is finally getting somewhere...but we have no idea where, and it sort of just highlighted how bad Abbie and Crane have been about following up with anything at all this season. She sent a wasp-woman from Trinidadian folklore to make people paranoid and dead, and then she harvested all those flowers to open a door in the tree and literally just walk out on them, and it was like ??????.
It was great to get a monster that came from something other than Revolutionary America (though it did, actually, tie back to that needlessly), even if she did look like a Power Rangers villain and didn't have much more story to herself than, say, a streetlamp. Maybe an evil streetlamp. But it was so easy to find where she was and to put the pieces together that it just made Team Witness look like selfish idiots for not ever wondering where Pandora was hiding out, or what she was doing, or what any of what she was doing meant. And even with the pieces together--six kinds of fear to open a door--we still have no idea what she's doing. Like, at all. Or why.
Ugh.
The hope that the beginning of the season brought that it would be better is starting to wear off as Jenny is still underused (though this week, she does get to do a little A-plot usefulness, and might be getting a story of her own now), as they announce that they're "not actively pursuing Ichabbie" and yet Abbie is also being denied actively pursing or being pursued by anyone else, and these flabby treatments of the plot lines they are actively pursuing. Combined with how Fox didn't even update the character shots for the bumps between commercials and didn't even mention that this show still existed until two weeks before it came back, feels like it's been abandoned. Which feels like this will be the last season. Which then, in light of all the lameness going on around the edges, feels like everyone has given up. If you're going out and you know it, make it good, and don't put off the storylines the fans have been wanting--especially when you were talking about them as a possibility before the season aired. If you're not giving up, act like it, and get your act together.
Anyway.
Jenny and Joe had to give up on tracking down Corbin's past, because of that case that the FBI has that we've seen literally nothing of, and Joe won't let it go. He trades the Shard of Anubis for info, and his dad's old criminal buddy says a bunch of bad-sounding things about money and crime and doesn't explain any of them. But Jenny had her boy's back, and they get the Shard back--except the guy had taken the real shard out of the big rock, and it sank into Jenny's hand, and she didn't think to mention that to anyone--like, say, her partner in this mission, or her sister, or the resident eidetic king of books. It gave her nightmares and made her glow, and that could be really interesting, but at this point, who knows.
Crane goes on a date with Zoe that proves they have no chemistry despite hitting up the same webpages, which really just makes it look like Zoe is stalking him or something. She's so not weirded out by his weirdness, never has anything to say against him, finds the same how-to-date webpages out of all the pages on the web...It's suspicious. And yet, Crane goes out with her again.
And Abbie has no joy left in her life. All she does is get annoyed, make sad faces when no one is looking, and not get to have a love interest of her own. Which might be fine if she got to talk about why, or explain herself to the boss who might still like her (though he doesn't treat her very well and also is not doing anything about it himself, so who cares if he's cute), or anything, but she's not doing any of that. She's a blank wall, not letting anyone in, not letting anything out, and it looks like she doesn't even want to be there--so why is she? The first episode had her choosing Witnessing over running away, but lately, she's just chasing down monsters but not following up, not trying to piece stuff together between cases, not even hanging out with her sister.
And if Abbie isn't happy, when do we get to get a plot for her about it?
Also, why wasn't Grace Dixon the new contact in the past? She's got the journal she passed down to Abbie, she was already there so she didn't need to be created new for this season that already has new characters, she proves that Abbie is equally as tied into whatever happens then that affects here, and she has actually met Abbie--literally almost the only person from the past who can say that. Oversight? Prejudice? More fumbling? It's an annoying choice.
And it's annoying being so annoyed by a show I like and used to love, that's so much better than it was, and still making dumb choices.
Elementary airs at 10pm on CBS Thursday nights.
Elementary is back! And there was only a small jump between the end of the season and the start of this one, story-wise.
Sherlock fell off the wagon, but has gotten clean again since then, and doesn't intend to get back into a drugged out stupor. He feels appropriately bad about it. But more than that, he feels bad about how almost kicking that guy to death might have messed up Joan's life, since if he's gone from the NYPD consultancy, she is too.
He tries to get her to take the credit for the case they're working, and she refuses--all that matters to her is the partnership, because she took the job to work with him, not the cops. So if she goes down with him, he wants to cushion that, too, and tries to get them both a job working for the feds instead of the cops****. Really, his concern for her is the heart of this episode, and it's moving enough that when he finds out he's not going to jail for the beating, she hugs him and he doesn't make her stop (though he also doesn't return it). Is this the season where they'll be allowed to drift toward something non-professional? Something where they admit that they care about each other more than once a season?
They're trying to prove that Bloom, who was horrible to them last season and killed himself right in front of Sherlock this episode, didn't kill his wife by proving that he's telling the truth about the two women he did kill and therefore telling the truth that he didn't kill the wife, too. Tracking the wife leads to another woman who disappeared, and a plot to get revenge for the death of her whole family during a failed attempt to smuggle themselves out of South America through Mexico. They find the guy responsible for that--who was also responsible for her death when she found him and confronted him about it.
And that led to the option to work outside the city, though it was half joking, and who knows if that's what they'll do.
What made this a great episode was the caring between all the characters. Gregson brought them food and came to check on Joan, and separately on Sherlock. Bell helped Joan clean up their stuff from the precinct when they officially lost their job there, and it was very sweet when he said he'd miss her. Joan was trying to get through to Mr Holmes when he said he was finally going to come talk to them in person and never showed, because she cares about Sherlock and didn't want to be treated like that for it. Sherlock tried to shield Joan and Gregson from his fallout.
And Mr Holmes finally did show up, whether that's because he cares or not still remains to be seen.
All in all, a good start to the season, with lots of feels and somehow still some humor, and a good case.
What did you think of today's shows? Comment below, or come talk to me on Twitter!
Bones
Sleepy Hollow
Elementary
**They should have introduced him a few episodes before, let him interact, been a separate person before Sweets died, but whatevs, too late now.
***This is one of my hobbyhorses. Shows don't have to end when the main characters want to leave, but so far, really, only ER has done it right--introducing people and letting viewers get used to them before the old people leave. SG1 almost did it, trading O'Niell for Cameron and Vala, who were both great but only had a few years. X-Files tried, and Doggett and Reyes were good, but they came in too late and the show was already closing shop.
****Which would be so great, because then I can pretend that he'd be able to meet other fancy assets, like Jane from Blindspot at Brian from Limitless, even though they're both on a different channel. Ooh, or they could guest star Jane and Lisbon! Or Team Scorpion! They're all government contractors on CBS!
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Thursday, October 22, 2015
Geeky TV commentary - Bones 11.4, Sleepy Hollow 3.4
Bones airs at 8pm on Fox Thursday nights.
The case this week was totally not interesting to this anti-sports--let alone fake sports--viewer, but they can't all be winners. The gross body chewed on by coy-wolves (that the kid who found it exploded the head of) was once a member of a fantasy football league. The wife of one of the other dudes, the one with the bad attitude problem and short temper, was having an affair with him, but the murderer was the other guy, who only had the league and almost lost it. Blah blah blah, crime blah blah. It could have been a more pointed look at how Booth is getting over his gambling problems again, and how it changes people and ruins lives, but there was barely one sentence on that topic, and so it just sort of came across flat.
But this was the episode with Betty White, so who cares what the case was. She was Dr Meyers, who was better at forensics than Bones, had been married six times and was still saucy, and had, several husbands ago, created the code that Angela built the Angelatron on! She served the roll of squintern this episode, and it was brilliant. She just kept going around being right about things everyone else never thought of, and giving lessons in how to handle life. And she said she's not going anywhere, so it would be amazing if she just casually joined the squint rotation!
The usual squintern for the episode was Welles, who was looking a little beardy and wild even before they encouraged him to get out of the lab and into nature to help with his "mr happy" problem / to help Hodgins gather missing evidence. The whole scene where Hodgins was woozy from Welles accidentally shooting him with a tranquilizer, so he was basically drunk (but no less good at his job), and Welles was in the background shirtless and howling like a wolf, was so great.
I've said before, and I'm sure it'll come up again, that this show's strength is it's characters, not it's cases anymore, and this whole episode was such a fun one for the characters.
Outside of all that, Booth dealing with the death of his inspiration-sake in Bones's new book, and her not understanding why it mattered was classic Bones. Their bickering was like Old Times! And when he said something about Agent Andy being replaced by a younger, sexier agent, while Aubrey preens and tries on the idea was so cheerfully meta-textual and read like the behind the scenes discussions shows always have to have around this time in their runs! Especially since we just got back from Booth being mostly gone for two episodes like characters do when actors want to leave the show, it was even funnier and a little sharper than it would have been otherwise.
So even though the case was not anything I care about, the characters were everything, and it made this episode such a joy to watch!
Sleepy Hollow airs at 9pm on Fox Thursday nights.
This week, Sleepy Hollow does what Doctor Who is really good at--taking something really ordinary from our childhoods and making it creepy as all get out. In this case, it was the Tooth Fairy, which, as we learn, is not the cute and helpful sanitized version so much as it's a The-Ring-inspired faceless demon from Assyria that eats the souls of children because the newly lost tooth allows a breach in their spiritual defenses. And it was so creepy, skulking in corners and closets, appearing out of nowhere, visible only to kids (maybe even only kids with loose teeth?). And where Bones didn't make the connection between the case and the characters very well right before it, Sleepy Hollow sets it up where one of the attacked kids has a sister, mirrors it with Abbie and Jenny and what they've been through, and runs with it.
And they gave us what we were missing last episode--Jenny being useful and vital to the team as part of the A-plot! And, one step better, they only even know about this case because Joe Corbin was also working as part of Team Witness and caught the story of a monster when he (as an EMT) was called to bring the girl into the hospital.
All four of them do the stakeout, with Joe teasing Ichabod about all his flirty texts with Zoe, and Abbie and Jenny talking about the issue of their dad. Ichabod insists that Zoe is only helping him with his studying for his citizenship (even though he makes a point about not needing to study because he actually lived it). Abbie confessed that she found their dad and Jenny says she found him five years ago and doesn't give a flip, and didn't tell Abbie because she didn't want to upset her. Joe tells Ichabod not to overthink things too much. Abbie is upset that she's been agonizing over telling Jenny and Jenny not only doesn't care, but blames Abbie's childhood stories of how bad a dad he was for why she hates him now.
And then, when they go after the monster (using a weapon made out of dental tools and silver nitrate from Paul Revere, who, refreshingly, couldn't care less about Ichabod's presence in history), the little girl with the afflicted sister helps them out. At their first meeting, Abbie got hurt by the monster, and the hospital scene was so much what we've been wanting--minus, maybe, some loving hand holding. Jenny is worried and barely holding back tears, and Ichabod tells her that Abbie is the strongest person he knows, then tells Abbie that her job is to heal, and calls her "dear friend" and looks at her in that way where maybe he would have been more hands-y if Jenny wasn't there.
With the girl's help, they figure out how to see the monster, then Jenny and Ichabod, who are a very good team considering that Jenny isn't the Witness, go after it and get it, while Pandora is harassing Abbie in the hospital, trying to figure out what she refuses to live without. She knows it's not her mom, and doesn't sound like it's her dad, but she doesn't yet suggest that Abbie can't live without Ichabod, but my sense of story says it could go that way--whether they're ever a thing, they are partners decreed by heaven and foretold by prophesy, giving each other purpose and meaning, so it would make sense. It would be better, however, if she won't live without the family she has built for herself--Ichabod, but also Jenny and Joe and maybe some other side characters that they can adopt along the way (cough - Big Ash - Macey - cough).
And while Pandora is being all creepy, she says a word that Ichabod traces back to the same language and location as their mysterious "destroyers" plaque. So maybe she's actually older than ancient Greece, and probably more terrible. Another flower opens on her creepy fear-tree. But wouldn't it be neat if she's there to bring fear and to test them, but not as a force of evil so much as as a force of fate--to make sure they're strong enough for what comes after. To make sure they have their priorities straight. Like a really weird forced couples therapy leader, from a very strange other level of reality. That would be so cool.
And, of course, we got Ichabod all drugged up after a tooth cleaning, mumbling and half-singing and mushing his own face and getting all choked up over chibis. AND we got resentful gamer Ichabod mainlining sugar and playing XBox to avoid responsibilities. And maybe just the slightest hint of a jealous Abbie when she noticed how often Zoe texts him? We got Ichabod lecturing an actual class on historical inaccuracy--and Jenny filming it because it was priceless. We got Mills Sister Solidarity. We got Witness Solidarity. We got Betsy Ross being way too modern in her turn of phrase and disappointingly actually a love interest when it would have been better if she was the one that got away because he didn't follow his heart (there's still time for that if he keeps overthinking), but hey, we can't win them all.
All in all, it was a neat episode. Abbie is working through some things in the background still, but Jenny is there being involved and supportive and useful, and Ichabod adores her regardless of whether it's romantic or not. Joe knows to call her when weird things happen, and seems able to keep up now. Ichabod is finding his identity as curator of a historical museum, regardless of whether it exists yet or not. And, best of all, the show seems to have almost found that balance of goofy and scary and strange that made the first season work so well, and was almost totally missing from the second.
Bones
Sleepy Hollow
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Thursday, October 15, 2015
Geeky TV commentary - Bones 11.3, Sleepy Hollow 3.3
Bones airs at 8pm on Fox Thursday nights.
Bones and Booth are back in the field! The case is about black market organ dealing, and the people who do that, but by this point in the run of the series, that's not really the point of the show at all, and it hasn't been in a long time, so why pretend? They barely got into the morals of it, and the science was cool, but there wasn't any really experimental testing or anything. And of course they got their killer.
The real story this week, as most weeks, is in the characters.
Booth is back at work, but he's been gone long enough between retiring, then going missing, then recovering, that his office has been given over to Aubrey, who is quietly becoming the new Booth in the FBI-focused alternate show that we don't get to see. He's also having trouble getting a hold of his brother's ashes, which should have been mailed to him from wherever they were being kept, and went missing. Adapting is hitting him hard.
Bones is trying to help him, Aubrey is trying to help him, and really, none of it is working because he's really having trouble with his brother being dead and under the circumstances it happened, rather than the actual job situation.
Meanwhile, Cam is having a hard time being single again. Aristoo and she are taking a break while he goes to find work somewhere else, since she can't hire him full time and date him. And there's a feeling in the beginning of the episode that she has beef with Bones over that, since Bones coming back made him leave once and for all. She assures Bones later on that that's not it, but she's still upset and it's still hard, and can we just agree that Cam needs a break for once? Everyone she falls for keeps leaving or winding up dead since she was introduced, and she's the last main cast member in the Jeffersonian that hasn't just been allowed to be in love. Hopefully Aristoo will find a forensic anthropologist job somewhere close enough to visit, at least, so he and Cam can work out their conflicts and get married already.
And Hodgins has set up a showing of Angela's photography without telling her that he was going to or asking her permission, and has invited everyone ever. She's freaked out by it, but she doesn't stop it from happening, and when it goes on, a Pullitzer prize winning photographer buys one of her pictures. Hopefully, that will lead to good things for her, since the whole going-to-Paris thing from the end of last season was sort of totally dropped and, I think, never mentioned again.
It was great having B&B back in the field together! They were barging in on funerals, Bones made someone faint, Booth tried to get her to be respectful, it was like old times for a minute.
And then they found Jarrod's ashes in the nursery where Christine was using them as a stool to get into her baby brother's crib so that she can take care of him in a whole sibling-helping-sibling symbolism thing, and maybe it will help Booth move on. Because he's had a hard several episodes, and he could use a bit of a break these days, too.
Sleepy Hollow airs at 9pm on Fox Thursday nights.
You know, Pandora could have been Katrina 2.0--you know, a weird witchy drag on the show--but she's actually turning out, so far, to be neat. She's got her box of tricks. She's raising some really weird subterranean roses. And she's throwing semi-random past-linked baddies at them in what looks, more and more, to be an attempt to find their weak spots. And it looks like it's working on Abbie, who looks more and more doubtful every time Crane says he's glad they're partners with a shared mission and he's happy they've found each other.
It's very worrying.
This week's villain is Jack the Ripper! Who, of course, Crane almost met when he was a teenager at Eton, and of course turns out to actually be a cursed knife that makes a jealous or rageful person into a ripper, and has been doing so for around 900 years by the time he kits Sleepy Hollow. This time's chump is a nerd from an office who can't get the attention of his lady crush. They figure that all out pretty quickly, and also figure out that the way to stop him is to infect the blood that the knife feeds on, breaking it's hold. They've got two darts full of malaria-blood, so two chances to take the dude down. One fails, of course, and then the second, Crane goes and does something CRAZY and infects himself just as he's stabbed in the stomach, and the way the episode was cut, there was not nearly enough time for the horror of that really dumb choice to sink in.
Thankfully, he's apparently immune to malaria because of trench warfare during the Revolution, and we'll just forget about how modern malaria has been around for two hundred years longer that the strain he would have been immune to, because he's okay. He's also sleeping on Abbie's couch, though it seems more like he should be in a bed (does he have a bed? did he tell Abbie not to give him her's? did she not offer??), and maybe, really, should be in a hospital. There were sirens, so they must've taken him to a hospital, but the show skipped all that.
But there was a great moment where he was failing and Abbie was holding him in her arms and brushing his hair from his face and patting his cheeks and begging him to stay with her. That moment, also, could have used a little more time to happen and sink in, but it was also edited short and fast.
And then Pandora showed up and was all "what does it feel like, to know his life is slipping through your fingers?" that sounds like a set up for Abbie's biggest fear being losing Crane, though she's been holding him at arm's length since they got back together.
Off in the various B-plots, Crane is trying to save the Archive, still, and his paperwork is continually being denied because they won't give funding to a non-US Citizen, so he decides to become a full citizen. Abbie likes the idea, and her smiling at him makes him smile. The girl who was telling him about the paperwork, and seems really sweet on him, offers to help him with his learning and everything, and he seems charmed by her attention. She's cute and nice; in previous seasons (season 2 - cough), that would have marked her for a horrible death. Whether that happens or not will be another test on how much the writers have actually turned a leaf.
Abbie and Danny still have unresolved business, and he wants to take her to dinner and talk about it, in a way that doesn't sound entirely like "we're over", but Crane getting evil-shanked puts and end to that plan. He does say that he thinks Abbie can go far, and he wants to keep pushing her if she'll keep pushing him. It didn't seem like that's what Abbie wanted to talk about, but she had a bedside to get to.
And Jenny and Jo had to go after the Shard of Anubis that was stolen from them last week. They track the Big Bad Voodoo Daddy to a motel where some girl says she was incidental and gets the drop on all of them. Jenny gets it back because she's awesome, but the implication of that conversation is that Jenny wasn't the only girl that Corbin was running all over the world to get mystical artifacts, and that doesn't sit well with Jens. I guess we're just running with the idea that Joe doesn't know anything about all this, though I'm pretty sure he learned something about it when he was a wendigo last season. What evs. Jenny wants to let him in, and it'll be nice when he's up to date and can work with Team Witness for real, and then Jenny can come back to the fold, too.
Three episodes in, and this season is pretty solid. It's not as madcap or as light as season one was, but it's appropriately more adult--they've all been through a lot, and they're working out the new ways they all fit together, and in spite of that, it's still fun and charming and goofy enough to counter the potential darkness in the story. Three points is a pattern, and hopefully the pattern will keep on!
Bones
Sleepy Hollow
What did you think of tonight's shows? Comment below, or come talk to us on Twitter!
Labels:
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Thursday, October 1, 2015
Geeky TV commentary - Bones 11.1, Sleepy Hollow 3.1
Bones airs at 8pm on Fox Thursday nights!
Bones is back! The new baby is a boy who can pee as straight and as accurately as Booth once shot, and the family is so cute. So of course everything goes to crap after that. Booth goes to work in the morning at his new job at Quantico, and then later in the day, the team is called in to investigate a skeleton found in a burned out husk of a van. It looks like Booth. No one can find Booth and his guns are gone from the lock box, and he left his wedding band behind.
While everyone is trying to cope with Booth being dead, and finding more and more proof that this body is his, Bones discovers that it's not Booth--it's Jared, his bad-news brother who we haven't seen in years. But that leaves so many questions about where Booth is, and why he was dealing with his brother that he agreed to not contact anymore, and what they were both involved in.
The Internal Affairs lady finds a bank account that has only been used to pay money to Jared. The FBI finds a bloodbath including the only lead they had after looking at the particulates on the body (because it's always the particulates and that's why Hodgins is King of the Lab). There's a big puddle there that matches Booth's blood; he was shot, but he lived long enough to get out. We get to see him bleeding in what looks like an abandoned building somewhere, but they don't see that.
Aubrey discovers that IA was not being forthcoming--other agents have disappeared, including the new Dragon Lady's partner, which is why she's suddenly so gung-ho about figuring out where Booth is.
Bones, understandably, is fiercely angry and protective, and before she discovers who the bones really were, there's a deliberately upsetting montage of those long-lost early-season shippy moments that once made us swoon and cry with frustration many moons ago.
And he's not back at the end of the episode. He's in a room with people who look ready to kill each other at any minute, including Roger Cross, who was supposedly Jared's closest friend. He's still bleeding, but he's acting like it's fine.
Meanwhile, Aristoo wants to propose to Cam, but this is a really bad time. Cam accidentally finds the ring and Aristoo shows it to her so she can see it and he can see if she likes it, and Hodgins walks in on them and it's probably one of the cutest scenes this show has had in ages! Plus, she wants to hire him to replace Bones as the main forensic anthropologist in the Jeffersonian, since Bones is apparently entirely out of the field now, but she's worried about how smart it is when she's dating him.
So Bones Season 11 is off to a roaring start! At the beginning, there was much wailing and gnashing of teeth over the gall of killing a main character in the first episode of a new season, but it seems like that's probably not what they're doing.* Cam and Aristoo continue to be improbably adorable for a hard-edged city pathologist and a political refugee from the Middle East. Hodgins is GOLD this episode, and Angie somehow still has the best clothes in a show full of good clothes AND is exceptionally good at her job.
And Aubrey! He's not the upstart little brother anymore. He's got his name in the credits with a picture of him eating something, and he's leading swat teams and standing up to Internal Affairs for Booth. He's on the list of Booth's friends, and Caroline folds him up under her wing with all her favorites.
It's like the show knew what we most loved about Bones-the-show and gave us all those things. And then bent some of them and left us on a cliffhanger to be sure that we'd have to come back. It's sort of a brilliant way to prove that the show still has what it always had, goofy charm in between affecting stories of murder and gross bodies. And eleven years into a show, it's good to know that it does. The youthful sexiness of the early seasons is mostly paired off with committed relationships, but there's still fierce love and fierce loyalty and Bones will still bust you up if you get in the way of her family.
Next week should be interesting!
Sleepy Hollow airs at 9pm on Fox Thursday nights!
It looks like Sleepy Hollow is trying really hard to give us back what we wanted all last season and had so little of, while we're talking about shows still having it. There's been a time-jump here, too, a longer one, and now Abbie is a full Agent in the FBI with a gorgeous office all made of wood and glass, and all new co-workers.
Crane has been in prison for a few days after getting caught smuggling antiquities--though that's not what he intended to do, since he was just bringing back a tablet he found in his own grave at his ancestral family home. It's Sumerian and tells of The Destroyers who take on the tribulations.** It took him five days to call Abbie, and when the episode starts, she's not super pleased with him because of that and how he hasn't contacted her in nine months. It doesn't stop her from throwing around her FBI powers to get him out and get his stuff back.
She's working a case with her boss to take down some crime ring, which stops her from being glued to Crane's side as he's researching a different case of two hunters killed by some creature who stopped their hearts with fear before it tore them apart--but the two cases become the same case when they realize that the monster is attracted by gunfire and the baddies are about to have a shootout with the cops.
There's shooting and infiltrating and Abbie goes to do her job and winds up talking herself back into being a Witness, even though she'd earlier said that that's all done and she just wants to do what she always wanted to do. Crane and Jenny take on the demon and Crane gets fear-froze, but Jenny stops the thing before it can kill him and Abbie kills it before it can try to kill him again. And they hug it out! Like old times!
All in all, it was not a bad season starter, and it feels like a promise to be better, but since three year olds always try to be better and sometimes still make horrible messes, we'll see how the rest of the season goes. It was great that Abbie talked herself back into her mission, that she was coming around on her own to accepting what she needs to accept, not because someone convinced her, but because she knows she needs to do it. Jenny was back, and she was sharp shooting and finding information on missing artifacts, and was basically back to being herself, and it was wonderful. And Abbie and Crane were back to poking fun at each other's foibles and joking and being so very amused by each other's foibles, and it was amazing.
Irving was not there, as we knew he wouldn't be, but the story was that he disappeared in the night, and that leaves the door open for him if he wants to come back to the show sometime in the future. It would be ideal if he could, even if just for one episode, to swing in and ask for help on something and swing out again. Maybe in the meantime, we can still get Macy or Cynthia to keep his story alive and ensure he's not just written out, even if he's not there.
We got an Ichabod Crane Pantented Historical Rant, we got another weird twist on history with badass Betsy Ross*** who will hopefully stay in the past and not mess up the present, and we got the intro of impish and cute and scary new villain Pandora, who is probably at least half-mad and definitely very powerful. The episode didn't try too hard, but still felt like it was making it up to us. It didn't overstretch more than any of the first season episodes did to make its story work, and made more sense and was more in character than a lot of Season 2 was. Enough time has passed that the bad stuff from S2 is far enough processed that they can talk about it and make sense of it and get beyond it, and that's what we needed--not a whole season of moping and musing to get to this point. It's a smart move that will hopefully pay off!
I was cautious about coming into this season. Last season was such a problem. But this seems to be off to a good start, and if they can hold onto that good start--they're introducing new characters next week, so we'll see--it could be good. Whether it'll be as good as the first season remains to be seen, but the trepidation is a lot less than it was before airing.
What did you guys think of tonight's shows?
NOTES:
*If they do in the second or third ep? It's past wailing and gnashing of teeth, and onto punching of walls and studio effigies.
**Unclear whether it's specifically about them, or if it's like a general thing--like how there was always a Slayer. Maybe there's always two Witnesses, and there's just longer times between them. How cool would it be if we got to have stories of other Witnesses and the weird things they went through before Ichabod and Abbie, and what happened to them???
Labels:
bones,
geeky tv commentary,
sleepy hollow,
thursday tv
Saturday, March 21, 2015
The epic Sleepy Hollow Season 2 Rewrite Pt1
I've made no secret that I've been having issues with Sleepy Hollow Season 2. Even though the episodes started off okay, and ended closer to how they should be, the sophomore slump hit this show hard, and there's just a lot that I can't let lie when I have the power to rewrite it, so here's my Better Than That version of the series.
The rules:
- Keep the main plot points to prove that they can still have made this season, just better
- Remove the most problematic, stupid, nonsensical, and pointless stuff and replace it with something that worked with the plot as established, was true to the characters, included all the characters, and kept the momentum up
- Rearrange some of the points that were underserved so that they could become proper plot details and compelling story
- Everything in season one stands as is, because while it wasn't perfect, in comparison, it was a shining example
So! Act I: Things are worse now...
This Is War
This episode was actually pretty great. We got an epic Ichabbie hug. We got a lot of awesome illusions. We got Jenny being a badass. We got good set up for the season.
So we're keeping:
This episode was actually pretty great. We got an epic Ichabbie hug. We got a lot of awesome illusions. We got Jenny being a badass. We got good set up for the season.
So we're keeping:
- The whole surprise-party / Archive / the Key / Henry being a bizarrely adorable captive surrounded by houseplants / it being an illusion thing
- Ichabod getting himself out of the box, especially the part where he records a dying message for ABBIE, not for HIS WIFE
- Jenny getting herself out of the Warehouse and Henry reading her sins to get what he needs, and every second of the Ichabod Drives An Ambulance thing
- Katrina in the cabin stabbing Ol Headless and escaping was pretty cool, so we'll keep that
- Most of the Purgatory scenes, because they were great: Andy Brooks helping her to remember he's human, the mirror-contact and the Epic Hug and so many shoulder and hand-grabs afterward, the double and the key and all of that
- Getting the Key with Jenny, and Jenny hugging Ichabod and reminding him how to function in the underworld
What we're losing:
- Shirtless Headless was the start of him not being an actual villain, and getting totally defanged, so we're ditching that mess
- Katrina being IMMEDIATELY recaptured before she even escapes the room
- Henry being gifted a fancy set of armor instead of being changed into War directly
- Everything about Moloch being in focus, moving normally, and wearing clothes--naked, blurry, not-moving-like-a-human-at-all demon-kings are much scarier and less cheesy
What we're adding / changing:
- Katrina gets out of that room, narrowly avoiding Headless, and hides out in the woods, where she tries to call on her powers and finds she's still weak--and that nature doesn't seem to like her much; things aren't just not responding to her, she's getting weird unnatural results; she's recaptured because she's sort of horrified and lets her guard down, not because she's an idiot who can't do anything. She gets the necklace after she's back inside, and it burns her or something so we know for sure it's bad news, not just letting her see his head--which only looks like his Abraham-head when he's making an effort, and looks like that gross old skull when he's angry, maintaining his villainy and scariness.
- Henry is gifted the mantle, not an automaton, and it changes him physically--and Moloch actually gives him orders.
This way, we have a set up where K is not useless, Henry has a much more clear role as a tool without all the gross grovelling, and there's not that disconnect between him being gifted power in this episode and him being punished in the next for the same thing. Mostly, though, that return episode was something close to what we'd expected from the previous season, and it was great.
Kindred
This one was also not bad, but had some of the seeds of stuff that got out of hand later, so we'll do a little surgery, but also mostly leave it alone. The real work comes later in this season!
What we're keeping:
- The Kindred, of course
- The dream at the beginning, where Ichabod foresees the ritual of binding, and especially "you must be alike in every way"
- The whole intro of Reyes was pretty great, how she was immediately on the wrong foot with Abbie, but also caring and considerate of the fact that she knew Mamma Mills, and later, how she thinks she knows that the town is having some sort of cartel problem.
- And all those other cops! Look how Abbie knows them all, and they all have things to do!
- Abbie and Ichabod finding and then scoping out the Willow Point Estate, and their various conversations about how they need to stay focused and Ichabod trying to jump the gun and Abbie stopping him
- The argument in the cabin about whether it's worth the whole raising-a-monster thing, and Ichabod just loudly declaring that they will
- The fight Katrina and Headless have about how Ichabod couldn't let Abbie stay in Purgatory more than a few hours, but let his wife stay for centuries, because that's some truth right there (though in his defense, he couldn't help her because she put him in stasis, so it's really sort of her fault), and "Moloch has a plan for us all"
- Visiting Frank in jail and telling him to plead crazy by telling the truth--and him telling them where he hid the Head
- All the bank scene, every second of it
- Jenny getting caught with illegal weapons and getting sent to jail
- The whole scene in the Tunnels, looking for the body and finding it with the booby traps, Abbie's flashbacks, them talking about what their greatest weaknesses are and whether they're actually weaknesses, all of it. That scene was beautiful.
- The "I wanted it to be you, I just wasn't ready to marry anyone" line, because that was good stuff, even if it was a lie. It buys good time.
- The battle with the Kindred against War and Death is pretty great--so we'll keep all that.
- Katrina saying "this is not my world" and Headless saying "it won't last long"
- I guess we can keep "still no sign of the Kindred"--and then later, have it show up when it's needed, because it's bound to Abbie since she said the words
- Reyes visits Frank before Henry shows up, and looks a little sharply at Henry but doesn't listen to all the crazy from Frank; she does, however, make notes in his file
What we're losing:
- That statement that the body is pre-enchanted so all they have to do is say the words
What we're adding / changing:
- Katrina listens actually carefully instead of really obviously and poorly; Henry knows that I&A are coming, but it's said incidentally to Headless, not as a weird threat to Katrina
- The Kindred ceremony doesn't work when Ichabod says the words, but the second time around, Abbie says them and they do work--setting up that she has magic in her somewhere, and that Ichabod can't do magic because he has conflicted loyalties and you have to have absolute will to make it work
- They don't tie up Katrina, they block her into one room with magic, which she then starts to systematically dismantle, proving that she actually does have power and understand how magic works. More strange things happen, but she has to get out so she's motivated.
- After Katrina says she wanted to marry Abraham, and it turns his head from a gross skull to a lovestruck human-head, she says that Ichabod was a mission, something that got out of hand, but she's seeing more clearly now.
- Katrina wants to leave, but Headless is on his way back and she's still trapped; she chooses to stay because otherwise Ichabod will be caught--he doesn't make it all the way in there just to have her refuse him. It's a matter of snap decisions, not of her being a lame-o. He goes, and Katrina gets her barrier down just as Headless shows up and finds her free; she says she wants to help the battle since she enchanted the Kindred to begin with, but the battle is already over. The necklace changes her a little more.
- When Abbie goes to see Jenny in jail, we'll keep Reyes and her mistrust of Ichabod, because that's great, but instead of Jenny just rolling over and taking it, we'll have Reyes revoke Abbie's guardianship, and give her a note on her record--and send Jenny back to Tarrytown because obviously she's still crazy and dangerous.
- Frank gets his new lawyer, and it's Henry, and it matters that he was hired by Cynthia--but instead of Frank casually and accidentally signing over his soul, they're interrupted by a very angry Jenny being dragged back to her old cell, which they've been holding for her. Jenny and Frank make eye contact, and he doesn't sign anything; he says he's tired and he needs to look it over better later.
This way, we keep the core of the story, where they raise this monster that is the opposite of Death, and they ridiculously don't put it away again when they're done with it, and then we can use it later. We also keep the concerns Abbie has with Ichabod's loyalties, and we make a point of that time when he just overrides Abbie and Jenny and declares that they're going to do this whole Kindred thing. Meanwhile, we build on the idea that Katrina isn't all that she seems, and we give Jenny and Frank something to do when they're out of the picture, so that they aren't sidelined--they've got plot and purpose, and they're together, not rotting in separate cells while the plot continues to move on without them. Also, it stifles Henry a little, and removes a lot of Frank's passivity from this whole beginning of the season.
What're your thoughts on my construction of these first two episodes? I'll be doing two at a time periodically to get me through the break until I have my Season 3--because they totally got renewed! Whooo!
What're your thoughts on my construction of these first two episodes? I'll be doing two at a time periodically to get me through the break until I have my Season 3--because they totally got renewed! Whooo!
Thursday, February 26, 2015
@pirategirljack liveblog roundup for Sleepy Hollow 2.18 "Tempus Fugit"
I refuse to even entertain the idea that this might be the series ender, and not just the season end, because despite my many, many objections* to the way this season was handled, it ended the way it used to be and I still love it too much. I'm going to get a season three through sheer force of will alone if I have to!
We still have to address:
- Ichabod's healing and dealing
- Abbie's connection to her past, and the implications and she and / or Jenny should be witches
- That ancestress who is frozen in the gorgon lair
- All the rest of the world that we didn't see this season--the locals and natives and friends and coworkers and Masons and possible Templars and Hessians
- There are angels in this world and who of them came to help the Witnesses?
- The power vacuum left by Moloch
- Whether that bell managed to actually wake any of the witchbloods
- Any feelings any of the mains have for each other and aren't paying attention to
- Macey
- Three other horsemen, and really, probably ol' headless, too
What do you think?
NOTES:
*Objections:
- Katrina messed up the dynamic of the entire cast by being given so much of the story without being given anything to work with for motivations, sense, or emotional impact. They should have committed to making her evil way before the last three eps.
- What the heck happened to, like, every side character ever? That whole awesome world S1 built--where did it go?
- Why aren't they using the Kindred? Why didn't they at least put it down or something, because it's just wandering around being powerful and unused as far as we know.
- Why was Orion given so little space?
- Ichabod spent way too much time saying one thing and doing another and looking like a waffly idiot because of it.
- Ichabod never knew about his son, but that doesn't seem to matter; Henry was mad at him when he didn't know about him and that also doesn't seem to matter.
- Why the flying fuckballs was Hawley brought in? Like, he could have been cool, but not at the expense of turning Jenny into set-dressing and taking over her whole role.
- Evil-Frank ended pretty okay, so I take back all the frustration on his part, but why did we never see his awesome daughter, who was possessed and then almost arrested and should have had a great story?
- Why didn't Katrina try to contact modern witches? If she'd done that and found that she was alone because there were none, that whole plot that sent her over the edge would have been more believable.
- I'm just glad it's over and it ended well.
Labels:
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Tuesday, February 17, 2015
@pirategirljack Liveblog Roundup for Sleepy Hollow 2.16 "Awakening"
Hey look! Sleepy Hollow ISN'T ruined yet! This was the first in a long time that I enjoyed the majority of--though I will admit that it's been trending better the last, maybe, five episodes. It's way better than it was in the Dark Days, that's for sure. So let's see what I had to say about stuff...
"
And now right onto #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
"Don't worry, you're the only on in the Nonfiction Section." #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Yay librarian! Is she gonna be one of the long-missing modern witches? But srsly--WHY DISNT YOU SAVE THAT KNOWLEDGE CORE?? #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Why the demon bell gotta get the gothy girl? #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Yes! Save the ancestress! Bring someone from the past who HELPS if you're gonna keep doing that. #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Hello downtown Wilmington! I've been there! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
!! RT @GaiaYLibertad #SleepyHollow #SleepyHolla meets #DoctorWho tho @TheOrlandoJones @NikkiBeharie @showyourbones24 http://ift.tt/1CCBwx0" "
— Mikki Kendall (@Karnythia) February 17, 2015
#RenewSleepyHollow so we can continue seeing Abbie and Ichabod forging their fate together #SleepyHollow" "
— sleepyhollownut (@sleepyhollownut) February 17, 2015
Ooh, people with witch blood. Think of all the different power sources and potential modern-witch baddies and goodies! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
But pure bloods are always inbred tho. #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Strange how it was never really mentioned before that Henry is witchly--only that he'd sold his soul. #retcon #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Everyone that loves #sleepyhollow make sure to use #RenewSleepyHollow @SleepyAddicts @SHollowSource" "
— Marge Raymond (@Starz723) February 17, 2015
@SleepyHollowFOX I hope Ichabod and Abbie can find a way to save frank. @TheOrlandoJones #SleepyHollow" "
— Simply Dana (@SlMPLYDANA) February 17, 2015
Bobblehead crane! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Dude just left his illegal gun. #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Ooh, XFiles sound effects. I'm going to assume the Black Oil has him, then. #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Hey look. As I thought: evil gives her a voice and a facial expression. And swagger! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
But they ARE CURRENTLY integrated in society. You'd be pulling them out. Or do you mean Not Hidden From Society? #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
NUH UH KATRINA YOU DID NOT ASPLODE ABBIE! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
#SleepyHollow Crane/Abbie trying to look for copies of the books in the fenestella. Hindsight is a bitch." "
— caddison (@caddison) February 17, 2015
@caddison It was flat out idiotic not to save SOMETHING before blowing it up. #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Ha! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Look at him saying what we've been saying. #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Did he just say he has witch-blooded family? #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
You put your hands I. Each other's pockets. #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Yay! K will definitely not be on their side now! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Ew demon puke. But yay Frank! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
And you're telling me there's no Frank/Jenny? #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
She's seen Star Wars! #forcechoke #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Yeah but that's all on you, not him. #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Ooh, there it is! And look how he screamed for Abbie! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Sympathy for the devil! Scene mirroring! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
Abbie isn't going to handle this mess at all well. #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
But she's got to make sure Crane is still Crane! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
YOU FIX THIS DUMB SEASON ABBIE! Yes for useful retcons! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
@sleepywriters you took way too long, but that last bit? That's what it's meant to be like! #SleepyHollow" "
— Samantha Holloway (@pirategirljack) February 17, 2015
I need a YouTube channel called "Modern Day Shopping with Ichabod" #SleepyHollow" "
— Shauntel J (@essayjenkins) February 17, 2015
That blue ball of light katrina juat threw is a witch version of divorce papers. #SleepyHollow @SleepyHollowFOX"
— joe jaynes (@josephjaynes) February 17, 2015
So what did you think of Sleepy Hollow 2.16 "Awakening"? Share in the comments!
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