Tuesday, October 13, 2015

Geeky TV commentary - Flash 2.2, SHIELD 3.3, Limitless 1.4



The Flash airs at 8pm on CW Tuesday nights.*

This week was packed with fan service, and thank goodness for Twitter because half of it would have gone right over this viewer's head.

Last week, Jay Garrett, one of the many other Flashes in the comics, showed up, and this week he tells them that there's a whole lot of holes in reality because of that singularity (that they really should just call a wormhole already, because that's what it is). and he came through one from an alternate earth. Worse, there's a dude named Zoom who wants to be the only speedster in any reality. Why? Who knows. No one knows who he is or whether he knows anything about the speedforce that everyone else doesn't know.

Barry is acting like a tool half the episode, and locks Jay up in the cells that totally didn't do any good last year, and still don't make sense as somewhere to put actual living people indefinitely, but what evs. It's understandable that he'd not trust people who come from other times / dimensions offering to teach him things after Welles, but he's being a jerk about it and Iris totally calls him out on it, and eventually, after Zoom's latest henchman Totally Not Sandman Because This Is DC proves hard to catch. Jay knows who he is and how to stop him--channel the speedforce into lightning you can throw, turning all his sand to glass--but Jay can't do it himself because he's lost most of his power inexplicably during the transfer between dimensions, even though Zoom and Sand Demon didn't.

Barry is better after he admits that he is upset that he trusted Welles so much and then was betrayed so badly, and at the end, he was more himself...though he did totally shatter that guy to death, and he wouldn't have killed people before, if he could help it, and would have felt bad about it if he did. It's alarming for the character, and it's souring for the tone of the show, because the main difference between Flash and Arrow was that Barry was always so sunny and optimistic, so his stories came out more positive and uplifting. Killing all the bad guys is not uplifting.

Meanwhile, Cisco is figuring out how to use these visions he's having now, but he's totally flipping out about them, and tells Stein (who is great) when he asks, but then says not to say anything. He's surrounded by literally the only and best people in the world to help him about it, but he's convinced that because Welles took credit for it, it'll definitely turn out to be evil. Which is dumb, because Cisco is a perfect puppy and Welles is not the boss of him.

Joe was wonderful, as always, and there's a new young cop named Patty who really wants to join his team and the fact that the team doesn't exist anymore doesn't stop her because their very first metahuman threat killed her dad and she wants to stop them...and then she gets captured, tied up, doesn't even try to get herself free and kick ass (and then there's a bomb and she can't), and has to be rescued. So disappointing, writers. On the other hand, she's snappy and cheerful and can nerd out with Barry about nerdy things, and comes straight from the comics.

Speaking of nerding, Caitlyn was thrilled to death to find out that this pretty new speedster is also a scientist as well as a hero, and she and him totally made googly eyes at each other all episode. And Cisco and Stein are probably the cutest science bros in ages.

And then Stein passes out! Dun dun DUN!

Overall, the Jay Garrett storyline was sort of meh, since he doesn't really get to do all that much other than explain what the plot is doing, but it was a fun episode, and if we're lucky, he'll come back and we can see him again. There's 52** rifts in spacetime because of that not-a-singularity-it's-a-wormhole, and that means we could, conciveably, have up to 52 speedsters crossing through the story, and that would be some kind of wonderful. They went from one earth to potentially 52 earths in one computer scan, and it pushed the world of the show into a whole other level that could be so cool--and should really help big time with Legends of Tomorrow having at least one dead person in the cast.

Now if they can just make Patty as strong in the field as she is in conversations, everything will be golden.


SHIELD airs at 9pm on ABC Monday nights.

The main story is that Lincoln is on the run from that alphabet soup that's now being sent after "alien threats" even though they're not alien so much as they're actually humans who were altered by aliens against their will, and he's doing a really bad job of proving he's not a killer and a public danger. He's throwing lightning around, he's scaring people, he's refusing help when Daisy offers it. Eventually, he gives his only friend a heart attack, which should have been more moving than it was, but we literally didn't know anything about the guy, and he turned on him really quickly, so how good a friend could be be? After that, he calls Daisy, and accepts her help.

Which leads to a sweet scene where she reminds him that he's good as he's beating himself up over his friend's death, and then they kiss, and the fact that he's not Ward makes that okay. Mac heard it all, and decides to be a good partner and doesn't blab. Anyway, she gets him to agree to go to SHIELD for protection, but not to join them, and he's about to go with when the alphabet soupers who all look the same and none of which have names or personalities show up.

See, Coulson has been meeting with their leadress to talk about whether or not they're going to keep being antagonists. He tries to convince him they're going about it all wrong, and that they're only causing people on both sides of the equation to panic. She says they need to see that someone is doing something about all these new powers, and that no one even knows that SHIELD exists. She wants proof of his good will, and shows that she knows about Daisy, so basically it's Linc or it's Daisy, and of course Coulson decides to save her. None of that matters, though, because Lincoln isn't going for that and escapes, so she says she'll take Daisy.

Coulson trades himself for her instead. Sort of. He and SHIELD are now their consultants about how to deal with the terragen problem, and hopefully, for once, that won't go off the deep end and bite him in the tush like every other sudden choice he's made to save Daisy since the beginning. I really hope she winds up being, like, the queen of the Inhumans or something, to justify all the weird plot choices built around her, because I love her and I love Coulson, but damned if the story doesn't love to convolute between them.

And while this is happening, Hunter and May are slumming it in the underworld fight clubs trying to get into Hydra so they can take it down before it becomes a thing again. It was all very nice and brutal watching Hunter prove he can "take a punch" and all, and probably the bloodiest thing ever on this show, but it doesn't make much sense. Ward was going on and on last week and the week before about how he wants to build a better Hydra of the best of the best, and then he recruits the son of the old leader like it's a flipping monarchy he wasn't already in charge of, and now he's getting the thuggiest of the thugs? How is that going to build anything but another brute force army to mess everything up AGAIN, this time by not being subtle enough while somehow still being too convoluted? Ward really needed to be either a hero or a villain, since selling him in the space in between was handled poorly and he was not nearly roguish enough to make up for all the terrible things he did and lied about, but making him a villain that makes no sense is not going to fix the problem of what's been done with him.

But on the other hand, we have Fitz and Simmons being perfect. She's back, but she's barely holding it together. Everything startles her, noises are too loud, lights are too bright, she can't handle too many things happening around her at once. Fitz holds her hand and leads her from room to room, and she sleeps a lot. He's so gentle about her! He's not treating her like she's breakable, but he's not pushing her or asking anything of her. He's terribly worried about how the things that defined her before barely register now, but he's willing to do whatever he can to help her find her way back. But she's sick and she's unbalanced, and it's so sad.

He finally takes her out for that date he's had the restaurant hold for months, and he's rented out the whole place so that there's not too much noise or light or movement, and for a minute it seems like it'll work--until trying to decide what to get off the menu overwhems her and she finally cries about it all.

But when she gets back to the lab, Bobbi finds her messing with the portal-gravel, and all she says is "I have to go back"--with no context like "because I can't handle it here" or "because I left something important there" or "because there's something there that we need" or anything like that.

I really hope it's not the first one.


Limitless airs at 10pm on CBS Tuesday nights.

Another fun tangle of stories that Brian unravels in unusual ways!

Since he broke up with his lady, Brian's been turning hooking up into a science with NZT, and finds it bores him and makes him feel worse, which is good, because that's gross and it's against his usual sweetness. In a better attempt to distract himself, he's been taking online to several scientists and thinkers, and helping their research with his NZT-brain. One of them is a kooky old dude named Arthur, who he helps breed a rat that seems to be functionally immortal.

Arthur turns out to be the old partner of the guy who founded the biggest medical science firm around, and when that ex partner billionaire shows up dead and the mouse goes missing, it looks like Arthur did it, and Brian has to prove that it wasn't him. There's all sorts of capers with breaking into the research facility (and not finding the mouse), and hacking secret emails, and figuring out that the billionaire's will was never filed with his "I'm giving it all to charity" changes, and the guy who should have done that was making side deals with the guy's unsavory kids. So Arthur is off the hook, and he can continue his research with the unaging mouse--that will hopefully have something to do with how Brian gets out from under the threats people keep layering on him.

Because, see, Mr Sands, his new boss, wants him to steal every bit of NZT research his boss has, just when they've decided to trust him enough to give him his first classified case--someone who is stealing secret government tech and sending the stats out by marking up milk cartons in a code that people on the other end can decipher. Most of that case is off to the side, with Rebecca and Boyle handling that while Brian is supposed to be researching and is actually saving his friend and committing treason.

Because he tries to not steal anything. He fakes a bunch of files and gives them that--and then his dad suddenly gets a deadly virus that can make his body reject his new organs. And if he doesn't get the real files, he'll not get his anti-side-effects shot, and he'll die. So he steals them. And then he decides to read them and get to know everything he can about the NZT before he's forced to disappear or get arrested. 

In the file, he finds that Rebecca's dad was identified as a dealer, not a user, which neither he nor she knew. She's going to a posthumous art show of her dad's paintings, and finds a huge portrait of her that she didn't know he'd painted. They both found revelations about this guy tonight.

Despite the cases being separate for most of the episode, there was still the stuff that makes the episodes really fun to watch--the diagrams and overlays as he figures things out, the literal talking-to-yourself scenes, and the great lighting and filming differences between on and off the drug, and Mike and Ike. Brian is starting to crack under the strain, which is upsetting, because it makes him just the slightest bit meaner in his snark and his humor, and that's sad to see. He's still a goof, but he's not able to have as much fun being and doing and existing as this genius, and it's forcing him to compromise his morals and taking away his agency. Hopefully that'll go away soon, though, because the preview of "this season on Limitless" that does not say "next week"*** shows him getting the order to kill Rebecca, and he can't do that.

This episode, she placed herself firmly on his side. She said "as long as you're here when I need you and you don't hurt anyone, I've got your back", and she followed through by actually backing him up when he gets trapped in the research lab and has to get out quickly. She also talks him through his issues, which is great, because it makes it so that even though he can learn quickly and make cognitive leaps, there's still a purpose for the other people on the team--because he kind of lacks common sense, even when he's all souped up. And he was right last week, she's really the only one he can talk to. 

One more reason why he can't kill her to get his anti-drug drug later. And why she'll probably be able to talk him down and find a solution, because he'll necessarily be off the drug by then, and he'll need her more than ever. In general, it's great that the show doesn't sideline the others or make them look dumb--they don't have to be idiots for him to be smart, and they can still function as a team and as a group of human beings even when he has to trick them to do his thing, and especially when he's the smartest person in the room, but the least experienced.

And this show is starting to really make me worry about poor manipulated Brian, who only wants to help people, to save his dad, and to have a purpose where people like him and he can make a difference.





NOTES:
*And is followed by iZombie, which I still haven't managed to get watched! I miss it so much!
**Like the New 52, I'm assuming.
***Are we really going to rerun already, ABC? Really?

Monday, October 12, 2015

Geeky TV commentary - Gotham 2.4, Minority Report 1.4, Blindspot 1.4


Gotham airs at 8pm on Fox Monday nights.

This whole episode is a pile of Penguin-feels. He's trying to get all the 80s hair metal and girl-goth gangs to get along, and Theo has the nerve to just send a car to summon him like some underling. Then he tells Pengs that he's going to level block after block of housing to build big sleek towers, and to do that, he has to be in control of a lot of city planning, stuff, so he's going to let the people demand that he run for mayor. To ensure that he wins, he needs to have everyone else killed, but he can't be linked to that while running on a Clean Up Gotham platform, so Penguin has to do it.

Robin Lord Taylor was amazing. His barely-suppressed rage, while maintaining perfect civility and politeness is amazing.

And then Theo shows him that they have his mother in a little room somewhere, crazy and scared and super-threatened. Penguin has no choice. So he goes and kills some people, and he's so upset about it that it's more heartbreaking because of him than it is because of his victims. But when it really gets ya is when Butch asks what's wrong without challenging his authority, and he tells him, and you can just see that he's barely holding it together.

And then the news is bad anyway. and that's gonna be terrible, and if our perfect civil Penguin is ruined by this, it's gonna be really upsetting.

Meanwhile, Nygma is still battling with his douchey side, but he manages to ask Miss Kringle out all confidently, and she goes, and he cooks a super-fancy molecular gastronomy dinner for her, and it actually goes really well. He almost tells her that he killed her boyfriend, and almost loses his chance, but then they're making out. Hopefully he can win her over enough that he can still be loved even when he goes totally off the edge.

Also meanwhile, Captain Barnes (The Commish, not Bucky), swoops into the precinct and fires, like six people who were crooked cops, making Jim look really ineffective since he couldn't do that in the whole of last season. He's a hardass, and he's not taking any excuses, and he doesn't care why someone's crooked, he's just getting rid of all of them. And he likes Jim, so he's gonna be really pissed when he finds out how close Harvey and he are to Penguin and co.

Off to the side, Baby Bats is embarassed to be picked up by his butler, Alfred tells Cat off and slaps her for killing Reggie, even though Reggie tried to kill him and almost succeeded, and Bats meets Silver, Theo's ward. Which can't possibly be a bad idea, what with Theo's whole family being awful all the time always. Cat's not pleased, and is still skulking around.

But all of that is blah blah blah, because the one who stole the show is really Penguin, beginning to end. It's all significant, and it was well-told and mostly less trashy than the show usually is, but Penguin being used, again, by someone leveraging his good points against him. All the wants to do is be a benevolent (and murderous) king, and all the other money-grabbers and land-grabbers all around him are so much worse. It's gonna be so tragic to see him living in a sewer or whatever he does in the Age of Batman.

It's funny. They set up this show that is the backstory behind Batman, with the beloved Commissioner Gordon as the lead, and he's really the one that is...not least interesting, but least fun, maybe. It's a show full of what I can only call sin-namon* rolls, and the ordinary ones just sort of can't compete. They could make the show just about Cat and Ivy living in Barbara's old loft, Baby Bats and Alfred haunting that mansion, Nygma, and Penguin, and it would be fine.


Minority Report airs at 9pm on Fox Monday nights.

This week ep is just as tight as fast-moving as always, but there's so many more feels than usual! Dash, as of last week's ep, works for the police so that he and Vega and use their resources and not get in trouble for working off the books. His latest vision brings them to a rich guy's party, and they meet Franki--who Dash is totally taken by, like, immediately. And she likes him back! And it seems genuine.

So Dash has an in on the case, and he gets some of those nifty contacts that Vega uses all the time, and through them, she can give him cues about what to ask while he's talking to the pretty girl. They hang out, they talk a lot, he gets some info, Vega is distinctly uncomfortable with it. It might be too soon to call it jealousy, but she's definitely not pleased by how he's getting all involved. While she's monitoring his feed, she catches his post-romp emotional bonding** and she learns a lot about her partner's tragic back story that she never heart before, that he's never talked about, and she looks really affected by it.

Anyway, they know that Franki is the victim from the vision, and the rich guy is the killer, and they find out that her sister was one of his friends and he left her to die of an overdose during a party. She says she wants justice, but as the episode goes on, it becomes obvious that she really wants revenge, and Dash barely manages to keep her from killing the dude (after getting past his security with a cloned eyeball that she just casually carries around in her purse). He doesn't help her get away, but he doesn't stop her, either. Hopefully, his star-crossed love with a price on her head is going to come back and make things difficult and morally ambiguous later, because she was really good for the emotional depth of this episode.

Outside of that, all sorts of things are going on, too.

Vega told Akeela about the whole thing last week so that she could help make sure that Dash actually got the job at the precinct, so now she's on the team. She and Wally immediately didn't hit it off, and it was the exact perfect sort of geek-territorial bickering. If this show lasts a few seasons, they're totally going to get married. He could read her on sight, and she read him pretty well, too. Wally called out some neat backstory details*** that should be really interesting when they come back!

Arthur was still trying to lean on Dash about Agatha's vision of Vega and the milkbaths, and keeps insisting that they're back there because of Vega, rather than assuming that she's there to help them, like was my first thought. Dash won't hear it, and goes to work with her...but he also doesn't tell Vega about the vision even though he tells Arthur that he's going to.

And Agatha very coldly and chillingly manipulates her ex-con-in-hiding neighbor (by blackmailing him AND holding all the money she stole from him last episode hostage), into stealing the blueprints for the milkbaths, and basically leaves him to die afterward. She's so shifty and cold about the whole thing, so smug about her foreknowledge. It's really hard to trust her, and more and more often, I feel like if they wind up back in the bath, it's going to be because of her trying to stop it from happening by letting people know it exists.

This show isn't super complicated yet--it's mostly still adventure and crime-solving--but there's so many threads being woven together and introduced and backstories being hinted at, that it's getting really hook-y. It's addictive, and it's fun, and it hits you right in the heartstrings. Everyone is still fighting caring about each other, but they're gonna have to care about each other when all that stuff all starts coming together.

I, for one, can't wait!


Blindspot airs at 10pm on NBC Monday nights.

This episode was bonkers-full of all sorts of stuff! Patterson accidentally leaves her super-top-secret folder full of pictures of Jane's tats where her boyfriend can see them at home, where she isn't supposed to have them. Which should be a problem, but he helps her solve one of the tattoos that leads them to the CDC, where the decontamination UV lights show up some MORE tattoos they didn't know Jane had. These ones are all viral sample numbers, all ultra-deadly, all missing.

While they're looking at the samples and finding that every one of the numbers isn't there, there's an emergency lockdown that gives just enough time for the only person who could have been responsible for the missing vials to disappear. They track her to a car on the run, and tell the cops, and before she can be pulled over, she says she's saving the world and kills her husband and herself.

But they manage to figure out that everywhere she's gone on official business lately, viruses have broken out, and that leaves one super-ebola behind. They then track her to the port terminal, and find a bag that they have to "MacGuyver a hazard containment" on. 

And that's at barely half the episode!

The thing goes off, but their hasty duct-tape-and-plastic-tarp containment holds, and they get the CDC there. But Patterson is smart, and she cross-referenced the places everyone else has been from that office, and finds out that the guy they sent has just bought a plane ticket with lots of short layovers, and she figures he must be trying to get infected--which means they can't let him open their duct-tape seal. 

Weller fights him, but the guy somehow gets the upper hand on him, and Jane comes flying out of nowhere, without a hazmat suit, and beats him to a pulp to save Weller from also getting infected. Turns out the guy thinks that they shouldn't be trying to cure these diseases, that they're the things that are meant to control populations and that we need a plague to lessen the number of people and save the world.****

There wasn't a whole lot for Jane to do this episode. She's part of the team now, so she doesn't have to worry about being sidelined, but since this was a real team effort and didn't involve anything much to do with her past, she was just a member of the team, not the focus of it. All her story came in the B-plot. 

Last week, DNA confirmed that she is, in fact, Taylor Shaw, the girl that went missing from Weller's care and because of that, his dad went to jail for murder for 25 years. All of which means nothing to her, of course. She wants to talk about it, but Weller has to focus on the case, but when they're back and safe afterward, he starts telling her about their lives together, the place they lived, what he knows about her mom and her. 

So, of course, that's when Patterson tells him that she had the isotopes tested from that tooth that Jane got knocked out last week, and the trace minerals and their ages all say that this woman was not born in Pennsylvania, despite the fact that Weller was there and remembers when they brought Taylor home. The elements say she was born in sub-Saharan Africa, and that means that they again have no idea who she is, and he's lost her all over again.

My theory is that they switched the records for her DNA, so that the paperwork that say "Taylor" would match her, regardless of who They are, or she is.

And meanwhile, their boss is still being cagey about the file whose number was in one of the tattoos, and her CIA "buddy" wants something done about Jane, but Mayfair says she's not a threat. Next week, though, it looks like they decide she is a threat, and that's only the fifth episode!

Also this week: Dude admits to her that he's not against her being on the team because of her, she's proven she does good work and is reliable; he's against her because when she's there, the stable, reliable Weller is not there--he's rash and unpredictable, and that puts the whole team at risk.***** And Lady-Z get threatened by a skeeze about a 40k gambling debt that she needs to pay back.

This show continues to be super-involving. It's packed with story, which can get a bit disorienting if you manage to miss something, but with so many dumb shows around, it's refreshing to think about it, and to be trusted to keep up. It's addictive and affecting, and sort of over the top, but in a really great movie-thriller sort of way, like The Bourne Identity or something.


What did you guys think of today's shows?






NOTES:
*You know, like a pure cinnamon roll, but evil? Like Loki or Spike, where they're awful, but you love them anyway?
**Did she listen in when they wound up in bed? From that station right out in the open that anyone could see??
***She was a "sprawl punk" who tattooed her face to fool ID cameras?
****And since NBC and Syfy are both owned by the same company, that totally means he's a member of the Markeridge Group, and that one of those samples is The Plague, and even though they stopped him, Jennifer is still going to go out and cause the 12 Monkeys future. I kept expecting Cassie and Cole to show up!^
^Which, by the way, would make a killer crossover.
*****We can say, she's his blindspot.

Update!

I got sick and missed, like a week of posts! Maybe more? I'm probably not really going to catch up, but I'm getting back to the posts tonight, and then I'll talk about what happened on the ones I missed, too. Sorry guys!

When I launch this blog into a full website, I'm gonna get multiple-angle coverage on shows so that skips still get covered!

Thursday, October 8, 2015

12 Monkeys was at NYCC today!



The Panel, Part 1, and then Part 2!

Everything the panel and the trailer tell us:

The trailer shows the 40s, the present, and the future, and Terry says it's also going to have the 50s, the 60s, the 70s, and possibly some new parts of the future.

Cole and Cassie are together in the 40s! Smiling! And she's wearing a red dress at a place where there's dancing!

And then later in the trailer, they're holding guns on each other, and he's trying to convince her that she has a choice.

They say they've basically switched sides in the hardness scale (which I assume means they have to find a new middle ground to meet on).

There's a scene with all three--Cole, Cassie, AND Ramse!

Jennifer is going to be sane! But Emily won't say "how or why", and in the trailer, she's saying "you're finally going to stop me" so there's definitely a whole lot of other stuff going on there! We also see a little of her and Cole, and it looks like she's trying to convince him of something in one part, and maybe trying to kill him (or weirdly seduce him?) in another.*

Deacon is going to be a main character! He has to decide which crazy side he's going to side with, and it will depend on which he thinks he'll back the best chance surviving on. He knows who Cassie is because she was all over TV when he was a kid.** He's going to take her under his wing the way he once did with Cole.***

Maybe that's why we see Cassie stabbing someone?

Jones is going to have new people to work with! One of them is a love interest of some sort, since she says "Jones gets laid!", and there's some new complication in there, because we see her above saying something about "Using time against itself".

There's something worse than the Plague out there.****

There's going to be more character stuff this season, with the time-jumping being used to show back stories and the why's behind people's actions, as well as tell the story.

We're going to find out why Olivia and the Pallid Man don't age--Jones's serum slows that mess down some, but there's another way, too.*****

The trailer has one of those Blue Man Group people getting sponged down and it turns out to be a girl. We know almost nothing about them!

Cole says "I can feel it" and he's looking at his hands--is that when he starts splintering again? Or is it a new thing, like feeling time changing or something? And at one point, Cassie's trying to convince him that everything has changed and the mission is different, and he says that the only time anything changed was when he saved someone who was supposed to die. That argument might be the ideological boundary between them.

There's a shot that looks like the Machine tearing Cole apart! Is it his turn to be killed and saved by time travel?

The show isn't coming back until APRIL! Ugh, I thought we were almost done with the wait, but it just got four months longer! I'd rather have a delayed wonderful season than a shitty rushed one, especially after how tight and good season 1 was, but it's still a murderous wait.

My very own friend Danyi was one of the people who asked a question, and they knew who she was from Twitter, and when she asked about Cassie's grey-streak, Terry said something vague about a big trauma that happens to Cassie.

I feel like there's gonna be a lot of Cole looking sad.

And I'm sure there's piles of stuff I'm not remembering; what did you catch? Share in the comments, or come talk to me on Twitter!






NOTES:
*Maybe she feels like she has to deliver the virus, since she was being all mothered by Olivia? Who knows what happened to her mind then? Like, the way she said "you're finally going to stop me" sounds like she doesn't want to do that, or she's realized that it's bad, but she feels like she can't stop herself...
**The same messages that brought Cole back to her in 2017, I'm assuming, but who knows how long she was the face of the CDC before Cole showed up?
***And we all know how poorly that turned out. If he's the sort who tries to make people like him, and Cole rebelled, can we hope Cassie would, too? Does she have a bond close enough to make her fight back, the way Cole had Ramse?
****Something that the Plague had hidden from history?
*****I'm guessing using the Paradox energy; Cole has now been exposed to both of them directly, and I wonder what that means for him.

Monday, October 5, 2015

Characters that could have been in Fear the Walking Dead


Caveat 1: I've only been to LA once, when I was very young and didn't really know any of it, but just from watching about it on TV and reading about it in the news, there's all sorts of characters that could have been on this show and weren't.

Caveat 2: Why put a show somewhere and then not use all the options for character and setting that there could be in a huge and diverse city like LA?

I just feel like a teacher and a high school administrator could have come from anywhere and that the options for characters on this show were barely scratched and could have been far more interesting in the set up. We could have had:

  • Someone from a poor part of town who wants to make good, who is working his way out of a bad situation--and who has to make the choice when things fall apart about whether he'll fall back on the gang behavior of his old neighborhood, or keep trying to be a more fair person.
  • A tour guide who has to keep all those people from far away safe while everything goes to hell around them.
  • Actors. Like, any actors.* Someone, maybe, who wanted to be an actor and who was being a waitress, but who had done a lot of research, and come from somewhere else, and knew all sorts of useful things.
  • Conspiracy theorists! Tobias was almost one of these, but was barely there.
  • Suvivalists who can help or block help.
  • Other drug addicts who didn't get rescued by their families, who have to keep surviving on the streets the way they always had, and so will know where the safe places are, the supplies, the danger spots.
  • Cops. Any cops at all. Good or bad, they'd be different from Rick or Shane, and their absence is weird.
  • People from poor neighborhoods showing up at the gates of the middle-class Safe Zone, trying to get help or information, or just to raid for supplies.
  • Rich people with very well-defended homes having to make the decision about whether they'll take in refugees from the city, or if they'll bar their gates--and what happens either way.
  • News people still trying to get information out to the masses, who have to jury-rig their broadcasts to make sure they can even be heard when the grid goes down.
  • A librarian or museum curator who wants to document this historic event, whether because they're dedicated, or because they're delusional, either would be interesting.
  • People on vacation who just want to get home.
  • People on business trips who maybe know more about what's going on than they let on.
  • Con men! Running cons!
  • People barricading themselves in malls or in Costco, and just exactly how that can go wrong.
  • Mobsters who have such good control of their territories, that they're practically princes now, since they have peace-keeping methods already in place.
  • Surfers and hippies who try to build a floating society out off the coast.
  • Motorcycle gangs who can move around quickly, even when there's deadlocked traffic and roads clogged with abandoned cars, and set themselves up as a sort of lifeline for isolated pockets of people on rooftops and in highrises--for good or for bad.
  • Fireflighters who keep putting out fires, because if they don't, who will?
  • Medical people--doctors and nurses who aren't cold and weird, specialists who are outside their specialty, MEs who have to work on the living because they're the only medical people around, Vets who have to work on people for the same reason, people who lost their licence but who are all that's left.
  • Other people from that school who went back there because it's got supplies and is more defensible than their homes, trying to form a democracy of teachers, administrators, families, janitors, and refugees.
  • Church people who aren't insane and useless, who have been helping the poor for years, and just start helping more people now.
  • Opportunistic criminals.
  • Homeless people who can move up into all the abandoned houses, but who are now in neighborhoods that were abandoned for a reason.
  • People who were working somewhere on the other side of town from where they live, who just want to get their families back, and spend the whole season going through all these other different parts of town to get back home.
  • People who were stuck on a bus in traffic and have to band together even though they're all strangers.
  • Public servants who keep working for the public, opening up their homes or offices to people who are trapped or lost or evacuated.
  • Hookers or strippers who just want to help.
  • Groups of disadvantaged youths who don't trust anyone in control and decide to set up safety for themselves.
  • Students from a university who have to study the collapse to keep from going insane, and their professor who holds them together.
  • Girlscouts and boyscouts trying to help where there's not cops or soldiers, in a situation that's way above their age-group.
  • Criminals from the jail running lose and taking different tactics about what they'll do with this crazy new type of freedom, or trapped in the jail and trying to get out.
Basically, really, we could have had anything that brought people from different areas, social situations, races, or classes together and made them work together or bounce off each other, anything that gave people new opportunities that they had to decide whether they'd take or not and whether they think it's a good idea to, anything that made a good story out of diversity and variety. It could have been complex and complicated before everything went toward the apocalypse, but so far, all of this is hardly touched on, barely even looked at.

We've got a guaranteed next season, and there's plenty of time to shake up the cast and bring in more people from all over the city and all levels of society, but it just would have been nice if this particular one had had more scope and was more open. One family and three people, all from the same other family, they found along the way is not a very good use of the potential such a huge city has to offer. Being inundated by survivors from all over LA and the surrounding areas who were all caught in the wrong place when things went south would fix that nicely.

This is only the beginning of the end. It's been two weeks of disaster, not months and years. People will be trying to regain what they lost, trying to re-contact the outside world, trying to help their neighbors and their families. Where's all the solidarity that can happen in disaster situations? Where's the attempts to band together and make it through, even if those attempts crumble later? Where are the people trying to make sense of what's happening?


NOTES:
*They said on the Talking Dead special that they almost did that, but decided not to--it would be too easy, or something lame like that?

Geeky TV commentary - Fear the Walking Dead season 1 finale


Fear the Walking Dead aired at 9pm on AMC Sunday nights until this week; it'll be replaced by The Walking Dead starting next week.

From a slow start with a dumb name, how far have we gone with Fear the Walking Dead?

This week, everyone finally really gets their shit together and leaves the neighborhood...though they do it in a distressingly sociopathic way that no one really questions all that much, and that's worrying. Daniel opens up that stadium and releases, what, ten thousand dead sports fans? Twenty thousand? It effectively turned the show from Zero Zombies Here to All The Zombies Here, and it got them through the soldier barricade before the soldiers could enact whatever vague clean-up plan they had, but it also will have swamped their homes, and no one fought the idea of not telling the neighbors. That's hateful. They were all "they did nothing" about the soldiers taking people in the night, but not one of the main characters ever shared all of their knowledge and built a feasible idea of what was actually going on. Not with each other, and certainly not with their neighbors, who were literally as scared and confused as they were, and were 100% in the same situation.

It makes it very hard to care about people who don't care about anyone else.

But they get out. And they head to the Facility to save their family members that were taken, so at least there's that. Doctor whats-her-face calls for an evac before the cleanup, but because of the stadium horde, there's delays that get people killed and cause hysteria, and she loses hope and takes out a lot of the patients. Travis and the adults break in the side door and make it to the holding pens, where they free as many of those people as they can...even though three minutes ago, they let all their neighbors die in ignorance. Nick and Strand make their move before that when the soldiers and doctors are distracted, so that they're stuck like idiots in a closed hall full of biters when Team Travis arrives. The same Team Travis that left everything they own in the care of Alicia and Chris who might one day be cool fighters but now have no training and know weapons, so that when some AWOL soldiers show up and harass them and threaten Alicia's virtue, they have to give up one of the cars--with all their stuff and supplies in it. Liza, meanwhile, runs around staring at the destruction, and somehow manages to show up at exactly the same time as everyone else so that they can all be reunited conveniently without having to look for each other, and uses her pass card to get them through the building and back to the cars. Where Soldier Andy pops up out of nowhere, shoots Ofelia, and gets his face beat in my Travis.

Thank god Strand has a plan, because these people are a mess.

They take bizarrely empty roads through a dark and burning LA (and when was the last time there were ever empty roads in LA?), to the beach, where Strand has a huge modern mansion with a generator and is "prepared for this", whatever that means. He's also got a yacht off the beach, and his plan is to get there. Since these guys helped him out and kept him alive, they can come with him.

But nothing is ever that easy. Liza, somehow, when we weren't looking, was bitten on her hip but doesn't have any other injuries and wasn't ever pulled down and eaten, but she knows what that means. She wants Maddie to take care of her, because of their pact to not let Travis do it to either of them--and then they both just throw that out the window by not protesting at all when Travis takes the gun and does it.

So the season ends with, out of that whole group, two women dead, one woman injured and trying not to die of an ordinary infection to rise from an extraordinary one, and and extra man. Which is annoying.

These characters spent a whole season being inconsistent and not sharing what little information they have at all, and then are surprised when people get killed or turn on them. It's one thing to argue that they don't know anything about a zombie apocalypse; it's something else to write off that they're all bad friends, selfish jerks, unanimously bad at asking the right questions or sharing what little info they have, and then asking us to care for them. As said above, it's very hard to care for people who only care about themselves and can't even keep that straight. So far, Strand, after his first episode, is the most interesting, and he makes the others more interesting just by interacting with them. The lesson of that seems to be, if you're going to be self-interested and selfishly murderous, at least commit to it and do it with style. Don't act like there's anything else there.

On the other hand, the city, when we get to see it, is a neat setting; there should be piles of other people around, fighting and surviving, and maybe some of them will be more sympathetic, this close to the collapse, where people should still have humanity and be trying to start over. It's way too early for all this back-stabbing and sociopathy.

The dry hot desert should make for some neat, dried-up zombies, the water might make for some gross drowned ones out there in the kelp, and the idea of having the first "road" season actually be on the water like some weird Waterworld analog could be cool. And maybe getting them out and active instead of penned in by someone else we don't see enough to really know what they're even doing will take care of the passivity of these characters--they can't rely on the soldiers to keep them safe anymore, and if any of those soldiers survived, they're gonna be ticked and know who to blame for what happened. Or any of their neighbors, for that matter.

It was not a terrible first season. It was just a frustratingly inconsistent one, It was being sold to us as a realistic look at the fear and trauma of the world collapsing, but inside of that fear and trauma, they weren't doing all that much to shore up their defenses by, say, teaching their kids what they needed to do to survive? Or even paying all that much attention to where their kids even were? They talked a lot about pacts and sticking together, and then never did anything you'd need to keep those pacts--like, sticking together or keeping their pacts. Are we supposed to really believe that not a single one of them would have wanted to learn how to fight? That they wouldn't have asked each other specifically what they saw and compared notes in any of those nine days of downtime? That none of them would have talked to someone outside the group and figured out what they saw? That no one would have thought about where to get food and water? They did a good job of worrying about medicine, and being resourceful about it, but other than that, not even the ones who were established as once having to start with nothing did much about supplies.

The thing that rankled most, however, was that the people making and pushing the show seemed to equate "these people don't know what's happening" with "the viewer doesn't know what's happening"--which isn't true. We've all watched half a decade of the other show, we've seen much worse than this, and it's frustrating and dull to have the focus on the show so firmly on the level of "none of that has happened yet" when we know it will.

It's a storytelling choice that makes the show as a whole look like it's pulling punches; there's all sorts of ways they could have shown us stuff that the characters don't know--through the soldiers, through barely-received radio or walkie-talkie messages (more than just that one good scene), through people from outside washing up at the gates and asking for help, through any of the characters from other parts of the city that disappeared and were never seen again--and instead, we were given this narrow, closed-off, mostly-threat-free and basically safe sliver while all the interesting stuff happened somewhere else. It was a set up that was not effectively used.

What happened to Tobias and the implied bad life he had? How would those people act as everything fell apart? What happened to any of the students and their families for that matter, or any of the other teachers?

How many of the soldiers were as scared and freaked out as the people, and how many were freakishly happy to run around being gun-toting jerks? All we saw was a uniformity of gun-toting jerk. And how many of them saw what was going on in other parts of the city and had different views about how it was being handled?

Why are all the people we're following basically of the same class, in a city where there's all sorts of classes, races, lifestyles, and a history of falling apart along those lines when things get rough? We saw a riot early on, but all the people involved were very much faceless and none of them had much to do with the story.

Maybe next season will take better advantage of the opportunities this season fumbled. There's a hint of that with the set up of the boat, and Nick saying that he's bascally been living his own apocalypse since he became a drug addict; maybe there will be other rich people trying to do something about the end, and other drug addicts applying their street-learned skills to survive. Maybe there will be poor neighborhoods held together by their shared goals, or mobsters holding things together with the force the cops and soldiers couldn't give them, or branches of the military that aren't just gross caricatures and who are still trying to keep people safe instead of preying on them across the board. Maybe there will be survivalists up in the hills or out in the country who already know how to handle collapses because they've actually prepared for this. It's California. There should be all sorts of interesting and strange and varied people to encounter, now that everyone is all mixed up together!

Thursday, October 1, 2015

Geeky TV commentary - Bones 11.1, Sleepy Hollow 3.1


Bones airs at 8pm on Fox Thursday nights!

Bones is back! The new baby is a boy who can pee as straight and as accurately as Booth once shot, and the family is so cute. So of course everything goes to crap after that. Booth goes to work in the morning at his new job at Quantico, and then later in the day, the team is called in to investigate a skeleton found in a burned out husk of a van. It looks like Booth. No one can find Booth and his guns are gone from the lock box, and he left his wedding band behind.

While everyone is trying to cope with Booth being dead, and finding more and more proof that this body is his, Bones discovers that it's not Booth--it's Jared, his bad-news brother who we haven't seen in years. But that leaves so many questions about where Booth is, and why he was dealing with his brother that he agreed to not contact anymore, and what they were both involved in.

The Internal Affairs lady finds a bank account that has only been used to pay money to Jared. The FBI finds a bloodbath including the only lead they had after looking at the particulates on the body (because it's always the particulates and that's why Hodgins is King of the Lab). There's a big puddle there that matches Booth's blood; he was shot, but he lived long enough to get out. We get to see him bleeding in what looks like an abandoned building somewhere, but they don't see that.

Aubrey discovers that IA was not being forthcoming--other agents have disappeared, including the new Dragon Lady's partner, which is why she's suddenly so gung-ho about figuring out where Booth is.

Bones, understandably, is fiercely angry and protective, and before she discovers who the bones really were, there's a deliberately upsetting montage of those long-lost early-season shippy moments that once made us swoon and cry with frustration many moons ago.

And he's not back at the end of the episode. He's in a room with people who look ready to kill each other at any minute, including Roger Cross, who was supposedly Jared's closest friend. He's still bleeding, but he's acting like it's fine.

Meanwhile, Aristoo wants to propose to Cam, but this is a really bad time. Cam accidentally finds the ring and Aristoo shows it to her so she can see it and he can see if she likes it, and Hodgins walks in on them and it's probably one of the cutest scenes this show has had in ages! Plus, she wants to hire him to replace Bones as the main forensic anthropologist in the Jeffersonian, since Bones is apparently entirely out of the field now, but she's worried about how smart it is when she's dating him.

So Bones Season 11 is off to a roaring start! At the beginning, there was much wailing and gnashing of teeth over the gall of killing a main character in the first episode of a new season, but it seems like that's probably not what they're doing.* Cam and Aristoo continue to be improbably adorable for a hard-edged city pathologist and a political refugee from the Middle East. Hodgins is GOLD this episode, and Angie somehow still has the best clothes in a show full of good clothes AND is exceptionally good at her job.

And Aubrey! He's not the upstart little brother anymore. He's got his name in the credits with a picture of him eating something, and he's leading swat teams and standing up to Internal Affairs for Booth. He's on the list of Booth's friends, and Caroline folds him up under her wing with all her favorites.

It's like the show knew what we most loved about Bones-the-show and gave us all those things. And then bent some of them and left us on a cliffhanger to be sure that we'd have to come back. It's sort of a brilliant way to prove that the show still has what it always had, goofy charm in between affecting stories of murder and gross bodies. And eleven years into a show, it's good to know that it does. The youthful sexiness of the early seasons is mostly paired off with committed relationships, but there's still fierce love and fierce loyalty and Bones will still bust you up if you get in the way of her family.

Next week should be interesting!



Sleepy Hollow airs at 9pm on Fox Thursday nights!

It looks like Sleepy Hollow is trying really hard to give us back what we wanted all last season and had so little of, while we're talking about shows still having it. There's been a time-jump here, too, a longer one, and now Abbie is a full Agent in the FBI with a gorgeous office all made of wood and glass, and all new co-workers.

Crane has been in prison for a few days after getting caught smuggling antiquities--though that's not what he intended to do, since he was just bringing back a tablet he found in his own grave at his ancestral family home. It's Sumerian and tells of The Destroyers who take on the tribulations.** It took him five days to call Abbie, and when the episode starts, she's not super pleased with him because of that and how he hasn't contacted her in nine months. It doesn't stop her from throwing around her FBI powers to get him out and get his stuff back.

She's working a case with her boss to take down some crime ring, which stops her from being glued to Crane's side as he's researching a different case of two hunters killed by some creature who stopped their hearts with fear before it tore them apart--but the two cases become the same case when they realize that the monster is attracted by gunfire and the baddies are about to have a shootout with the cops.

There's shooting and infiltrating and Abbie goes to do her job and winds up talking herself back into being a Witness, even though she'd earlier said that that's all done and she just wants to do what she always wanted to do. Crane and Jenny take on the demon and Crane gets fear-froze, but Jenny stops the thing before it can kill him and Abbie kills it before it can try to kill him again. And they hug it out! Like old times!

All in all, it was not a bad season starter, and it feels like a promise to be better, but since three year olds always try to be better and sometimes still make horrible messes, we'll see how the rest of the season goes. It was great that Abbie talked herself back into her mission, that she was coming around on her own to accepting what she needs to accept, not because someone convinced her, but because she knows she needs to do it. Jenny was back, and she was sharp shooting and finding information on missing artifacts, and was basically back to being herself, and it was wonderful. And Abbie and Crane were back to poking fun at each other's foibles and joking and being so very amused by each other's foibles, and it was amazing.

Irving was not there, as we knew he wouldn't be, but the story was that he disappeared in the night, and that leaves the door open for him if he wants to come back to the show sometime in the future. It would be ideal if he could, even if just for one episode, to swing in and ask for help on something and swing out again. Maybe in the meantime, we can still get Macy or Cynthia to keep his story alive and ensure he's  not just written out, even if he's not there.

We got an Ichabod Crane Pantented Historical Rant, we got another weird twist on history with badass Betsy Ross*** who will hopefully stay in the past and not mess up the present, and we got the intro of impish and cute and scary new villain Pandora, who is probably at least half-mad and definitely very powerful. The episode didn't try too hard, but still felt like it was making it up to us. It didn't overstretch more than any of the first season episodes did to make its story work, and made more sense and was more in character than a lot of Season 2 was. Enough time has passed that the bad stuff from S2 is far enough processed that they can talk about it and make sense of it and get beyond it, and that's what we needed--not a whole season of moping and musing to get to this point. It's a smart move that will hopefully pay off!

I was cautious about coming into this season. Last season was such a problem. But this seems to be off to a good start, and if they can hold onto that good start--they're introducing new characters next week, so we'll see--it could be good. Whether it'll be as good as the first season remains to be seen, but the trepidation is a lot less than it was before airing.


What did you guys think of tonight's shows?



NOTES:
*If they do in the second or third ep? It's past wailing and gnashing of teeth, and onto punching of walls and studio effigies.
**Unclear whether it's specifically about them, or if it's like a general thing--like how there was always a Slayer. Maybe there's always two Witnesses, and there's just longer times between them. How cool would it be if we got to have stories of other Witnesses and the weird things they went through before Ichabod and Abbie, and what happened to them???



Tuesday, September 29, 2015

Geeky TV commentary - Agents of SHIELD 3.1, Limitless 1.2


Agents of SHIELD airs at 9pm on ABC Tuesday nights. SO MANY SPOILERS BELOW.

Yay, it's back! It feels like it's been at least 83 years since we saw Fitz on that really bad day, and it seems like he's been taking it badly. All summer, he's been tracking down leads, over and over and over, and Coulson has been indulging him because he understands how much Fitz cares about Simmons, and he needs him back. Fitz, though, has just one more mission that takes him to Morrocco like some Indiana Jones / James Bond hybrid, where he walks up to a radial arms dealer like it's not big deal--a sign of bravery? or that he has nothing to live for and doesn't fear death?--and trades a case full of weapons for a scroll that claims to explain everything about the obelisk.

It's just one word inside the scroll, though: Death, in Hebrew. That brings to mind the Golem, to me, but who knows where the story is going?

Anyway, he flips out and screams at the obelisk, but it doesn't do anything and all our hearts break big time because he's the sweetest one and the world keeps hurting him.

And then! Then we get the last-minute-of-the-episode-reveal that SIMMONS LIVES! She's in a blue-filter alien world with two planets in the sky, in a rocky desert, hurt but not stopped. She looks scared. She looks like she's running from something. She doesn't look like she's been there for three months. It looks like one of the dead worlds from Thor, if anything, but again, who knows? Could be anything. But it means the obelisk is a portal! They just have to figure out how to activate it!

And, whoops, that's not the A-plot.

The A-plot is that the terrigan crystals have started spreading around the world and are starting to affect people. SHIELD has tracked at least five, and the one they're tracking in this episode is the first one they've gotten to before they get taken or killed. His name is Joey, and he melts metal, and he doesn't want to go into mutant relocation because he only just came out and got his life together and found something approaching happiness.

Skye is now going by Daisy, and she got him to safety at SHIELD with the neatest flying-room-pod ever, and there was no time in the episode for Fitz and Mac to take credit (or if either of them did, I missed it because it went too fast), but you know they came up with it. Daisy has a superhero suit now, and she controls her power effortlessly, and Mac is her partner but she's the muscle and it's so good. Mac is so much better going along with all the crazy around him and just sort of complaining and then being awesome anyway.

Daisy says they need Lincoln, since he's an actual doctor AND an Inhuman, and he knows what people need when they go through terrigenesis, but when they go find him at his actual job as an actual doctor in an actual hospital, he insists that he's not going to work for anyone anymore, and he just wants a normal life. Too bad that's now allowed. A big spiky-haired Buffy-monster came busting through looking for him and busted up the whole hospital before escaping. Linc goes on the run, Daisy and Mac go back, also on the run.

Meanwhile, Hunter and Coulson have been tracking a mysterious woman they think is responsible for the other Inhumans disappearing, and find that she thinks they're the responsible ones, which means there's a third faction neither of them knew about.

Coulson figures out that there's no more than 17 months and 21 days before the crystals spread their dissolving all over the world, and the new-power events will increase exponentially.

Other neat things:

  • Bobbi is still healing her broken leg and gets to be a scientist since Simmons is gone and Fitz is everywhere; she and Mac both don't want to tell Fitz that he can't do this anymore, so they just pick up the slack and it's beautiful.
  • Coulson's robot arm is amazing. His stone hand is in a case in the lab, where it can be studied and he can, presumably, visit it when he's feeling mopey.
  • Coulson also has the axe that did it hanging on his office wall now.
  • The new Bus is awesome, and less like a plane and more like a massive quinjet with helicarrier fans. It looks like the merging of the SHIELDs did them good, because they've got more toys and more lightbulbs.
  • No sign of Reyna coming back yet.
  • Bobbi and Hunter are debating getting married again?
I read a headline somewhere yesterday that said the show is now the superhero-powered show that we all wanted since the beginning, and I think that's accurate. It's definitely feeling more together than it did most of last season, with a better tone even on the serious stuff, and characters who know who they are and have stuff to do. And, probably best of all, they've been handed this plot point that will change everything in less that two years, and it's mostly their job, so far, to deal with it. Powered people popping up all over the planet with no idea what's going on and SHIELD still being small enough that a lot of them are going to fall through the cracks--that's a big deal. The movies will be getting that, sooner or later, but right now, it's SHIELD, and if we're all lucky, they'll be back to getting places before they're too late again, like they should be.

I've really missed Coulson-the-agent, who just does his job and knows what's going on and isn't at all flapped about it. If they can get back ahead of the crazy, we can get that back again, as well as a useful SHIELD, and any number of characters who can cross between the shows and the movies and do what this show should have always been doing: stitching the world together between the movies!

So all in all, it's a good looking start to the season!



Limitless airs at 10pm on NBC Tuesday nights.

Yay, it's still cool! And still fun! And still totally bonkers in that cheerful way that I love!

This week, the FBI wants Brian to be analyst and he was under the impression that he was going to be a field agent getting to do cool stuff with the team. They ration his drug (and since they're got making it, won't they run out sooner or later?), and they tell him he needs to learn Farsi because that's what they need.

Which he does, but doesn't take long because he's so smart, and he gets bored. The team is investigating a crash that killed a guy who's been doing exposes of big-business creeps. Brian discovers that there should be a chip and a bomb, which there is, and they trace that to a guy who somehow managed to build bombs on contract and then set himself up as a bomb expert for TV interviews. The gall of him. He admits to building it all, but he says he left the set up and someone else picked it up and the chip was never triggered.

So dead end. The doctors think the guy had a stroke. Which leads Brian to the theory, after a long day of running all over the place to talk to people and winding up in Rebecca's living room again, dead sober, hung over, and not really able to explain it well, that the stroke was the weapon. He found two other people of similar ancestry and important jobs who had a cold and then died mysteriously of a stroke, and he thinks there's a virus that targets people with the Genghis Khan genetic marker. How neat is that?

Tracking that leads to a coffee shop where they see someone spraying the cups, to a lady who can't be affected by it, but her lover can be, to a biotech firm. He says he's safe, which is practically a confession, and Brian figures out that everyone hates him and they can get rid of him if they send him the proof they need. Which they do. Before he's done talking.

Meanwhile, he's trying to convince his family that he's doing something right, but he can't tell them anything about a top secret job, and his dad figures out that he's lying about a lot of stuff, and is concerned about that drug connection from last week. Rebecca figures out that if he hires his dad as his lawyer, he can tell him anything and it's protected by confidentiality, which is brilliant...except that when he goes to do just that, he finds that his dad's new at-home nurse is that lady who gives him his anti-side-effects shot, and she reminds him that he's promised not to tell anyone anything.

It was a fun and exciting story, but like the pilot, the really great part is how it's told. The voiceover is clever and irreverent, the difference between enhanced Brian and hungover Brian is instantly feels-making, the team is great, and Brian literally knocking down walls to shake his guards and do what needs doing when no one will just let him do it is fantastic. I hope Mike and Ike stick around and become actual characters, even when he doesn't need guards anymore. Like Casey in Chuck.

The visuals, too, are exactly perfect. Montages of him being amazing are always good, and the maps with the dotted lines as he walks all over the city, and the floating equations and details as he puts stuff together are perfect. The lighting changes between enhanced and not were more consistent this week, and Rebecca cleaning up his messed and smoothing the way for this hyperactive world-changer she volunteered to work with are some of the most useful scenes in the episodes so far. She manages to be in control without being controlling, and there's little moments that show that she likes him, even with all the trouble he causes her; she's amused at least, and possibly a little charmed, and it's adorable.

I hope he always winds up in her apartment when he disappears and comes down. I hope they both get to do stuff other than what he can do on the drug--or when he can't get ahold of the drug. I hope this trust they're building can go far enough to feel solid before things get really tested, which they'll have to be before the end of the season.

Other stuff:

  • Boyle still doesn't like him, but is fighting him being around less, settling for snarking.
  • Every time he tries to do a computer search for the Senator, he crashes the whole grid to his--or anyone else's--house.
  • The boss lady is starting to get a personality, and her exasperation with Brian is golden.
  • Brian winning Trivial Pursuit while on NZT is so great.
  • Brian is so good-hearted. He's a hyperactive puppy, but while he's wandering around solving all the problems at once, he's also helping random people he finds along the way and taking care of stuff for his dad, and not doing anything illegal or unfair as he does it. I hope he stays that way, and that it becomes a thing--that he can be trusted to do what's right and kind, no matter that this is a show about willingly being addicted to a drug that's part of some big conspiracy.
Limitless manages to make it look effortless while they walk the line between cheerful cleverness and serious drama about real things, keeping it mostly on the cheerful side without devaluing the seriousness; it's just that Brian's point of view hasn't had a lot of seriousness in it up until now, and his general point of view is irreverent and funny and unconventional.


What did you guys think of tonight's shows?



Previous Tuesday commentary: