Showing posts with label scorpion. Show all posts
Showing posts with label scorpion. Show all posts

Monday, October 26, 2015

Geeky TV commentary - Supergirl 1.1 and Scorpion 2.6


This week, I watched the CBS run, since I wanted to see Supergirl, and they put it on at the half hour, meaning it made me miss two shows instead of one on the other channel, and then when it switched to Scorpion, and it was a 90 minute episode, I was already resigned to missing Blindspot too. I'll catch them up later!


Supergirl aired at 8:30 on CBS Tuesday nights this week, but will move to the hour next week.

What a fun hour! It's very sweet, but in a cute and bubbly and "oh my gosh I'm a superhero, how cool is THAT??" sort of way that doesn't clash with the action and the seriousness of battle. We get her daily life, and we get her superhero life, and she's not a billionaire, not a cop (or cop-adjacent), she's just a girl with a difficult job who happens to have the power to make a difference in her city when she can.

It starts with a nice voice-over that sums up all the backstory: she was a preteen when Krypton exploded, and she was sent after Kal El to keep him safe because she was his cousin and he was a baby, but along the way, she got stuck in the Phantom Zone and lost twenty four years so that she landed still a kid and he was already an adult and a known, active hero. So he didn't need her to protect him. But he did take care of her, finding her a family (with a previous Superman and Supergirl) so that she could grow up human like he did. Now she's in her early twenties, working for Cat Grant, one of the leading newswomen in the world, trying to be a normal person.

Until her sister's plane almost goes down and she has to figure out how to fly so she can save her, because who cares about aliases and normal lives when your sister is about to crash, right? 

She's psyched that she could do it, and it's adorable, but said sister isn't pleased. Alex wants her to stay low-key so no one knows she's there. But she's already decided to be a hero. She confides in her friend at the office, and together they find and stop crimes...until someone sticks her with a Kryptonite dart and she finds out that there's a special task force for taking care of alien problems and that her sister is part of it. They clash a little, but they also realize that there's a bunch of really bad dudes from space loose on the planet, and she's the only one that can stop them (since Superman has his own villains, I guess).

And, she uses her cute-young-girl-ness to get the first of them to underestimate her so that she can beat him. Ha! Take that Mr Females-Bow-Before-Males! But he's not about to get caught, tells her this is just the beginning, and then he stabs himself in the heart with the shrapnel of his own destroyed weapon. That's hardcore, dude.

And then we find out that the big bad is her aunt, who is called General, and who was with the prisoners in the Phantom Zone, so she must be awful.

And it was cool!

Her bestie is adorably nerdy and this story's older and less dorky Jimmy Olsen (James, sorry) is very pretty. Cat is like a slightly less steely Devil Wears Prada, but doesn't take up enough screen time to make this into Devil Wears Prada With Superpowers. The faceless silhouette of Superman looks like it could be Henry Cavill if they decide to link up the worlds after all, and the casting of her adoptive parents is brilliant and just nostalgic enough to make it really neat. I hope we get more of them.

But best of all, we have women standing up for themselves and each other. We have women in power, both in the normal mortal world AND in the villainous baddie world, where women are usually henchmen or side characters. Her sister is a scientist and field agent, and she's good at her job. And despite all of this, there's no guy-bashing, and no real points made of "see, women can do this too"--they just do.

Her development as a hero is pretty fast, but this is a world where she grew up knowing Superman and what he can do, and knowing that she should be able to do it, too. Also, montages, so it's fast in the story but could be weeks on the show (though I think it's probably more like days). And the fact that she's not super concerned about hiding who she is and what she can do from the people she's closest to is a really nice change from the standard where people hide it forever and it gets more and more ridiculous. 

Also refreshing is that her tech doesn't hide that he's into her, but also doesn't hold it against her that she's not into him, he just does what she needs him to do to help her. Her sister, too, supports her, since her main reason for wanting her to keep low was to keep her safe from people like her coworkers and the villains they chase, who all now know she's there.

All in all, it was a fun first episode, a good set up for future episodes, and a nice set of interesting characters it will be fun to keep watching. From the Next Episode On, it looks like they're not holding back and she'll find out who her main enemy is pretty quickly, so yay! That's a trend we can all get behind, I think.


Scorpion usually airs at 9pm on CBS Monday nights, but this time aired at 9:30 and ran for 90 minutes.

Yay, I got to see Scorpion live! I usually watch other shows, but today was a special case.

We got 90 minutes, which seemed to have mostly been commercials, so the difference in the length maybe didn't make much difference. Oh well, such is TV these days. The second someone labels something as a "special event" everything goes to the ads and it winds up eating up all the time.*

Anyway!

Walter is supposed to be coding something for the grand opening of Elias's brand new super-smart office building, and the second he does, everything goes horribly wrong. See, Ray talked him into mingling in a mixer after a conference he was attending, and while he was there, a pretty lady slipped him a mickey and he lost the rest of the night.

Cabe and Paige go looking for the lady, but she says she doesn't know anything about any computer stuff. Paige is wonderfully defensive of Walter while also being crazy jealous AND super competent as an agent. She makes a good partner for Cabe, and it's something we haven't seen much of, just the two of them working a case together. Plus, his reaction-faces for all the times she's getting close to crossing lines in her defensiveness are golden. I hope they'll make millions of reaction gifs out of him over on Tumblr.

Meanwhile, the building is breaking down all over the place. The elevators go out, trapping Toby. The geothermal power goes out, and Happy can't do anything about it; Walter helps and they barely put out the fires that have started there, but they have to take a long way back to the computers because the steam pipes seem to be out to get them. Fires, meanwhile, have started all over the place, but most notably right under where Sly is with the kids of some of the important people in charge of the building.

And everyone wants Walter to fix all of it, but he's consumed by guilt, still on the wrong foot from his drug-hangover, and taking really crazy risks. When Toby gets out of the elevator but then gets trapped in another server room, he sucks out all the air to kill the fire and also almost kills Toby. When Sly needs an anchor to hold the rescue team's rope ladder for him, he jumps out a 17 story window to anchor it with his own body. It's insane.

But in the meantime, Sly is facing his fears of the situation to keep the kids he's in charge of safe and calm, and to teach them about what to do in a fire. Toby is trying to do everything himself to prove that he doesn't need Happy and when she has to revive him from his near suffocation, he even says he can do that himself. It almost gets him killed a few times, not least by her. She was frantic when Walter was willing to two-thirds kill his friend to get to the next stage of the mission--she still likes Toby, but he's so desperate to prove he's okay with her not being interested, he can't see it.

Paige and Cabe discover that it's not the girl; she was hired by someone, and she's just a callgirl. Paige breaks into the computer of the office while Cabe distracts them**, and figures out the password herself--go Paige!--and they find out who hired her. It was one of the other scientists, who had his funding cut and had the virus broadcasting from a chip implanted in his own body so that whenever they managed to get it out of the computers, it would just load back up. He says it was just meant to freeze things up, not cause all this meltdown, but it was very much "cool story, bro, still sabotage". Elias had almost believed that Walter did this on purpose, or that he was a fraud, and that might be a problem for their ongoing mentorship; we'll have to see.

It was great seeing everyone calling Walter out on his crazy behavior. He's been more and more off the rails as the episodes have added up, and now he's putting his own people at risk, and there has to be a line drawn. If he won't draw it himself, they're going to have to draw it for him, and they all, in different ways, hinted at that throughout the episode. It was hard to like Walter this week. He was snappy, rash, alarmingly cavalier, frantic, begging--he was in distress at exactly the wrong sort of time, and even though he managed to pull it out of the fire, literally in some cases, I hope there's real fallout next week.

Sly had a revelation as he was using solar panels to step down the side of the building that he'd just found the woman of his dreams and he was not ready to die--something of a big step for someone constantly afraid of living!

Similarly, it looked like Happy was having a revelation about her feelings for Toby at the time, but he's further away from the same than he's been the entire time we've known the two of them.

And Paige is aware that she was being driven nuts by the idea that Walter had this other side he never showed her--though that other side was the drugs, not him, and it's unclear whether that part sank in--and the idea that he would have just jumped in bed with some woman that he only just met at some bar. That also didn't happen, but she was feeling it, and she knows she was, but they still aren't really talking about feelings despite her plan to never hide things in the name of team communication.

At the very end of the episode, it was like it was all okay because no one died and they got their dude, but that doesn't sit well; Walter was being callous and driven by a bad set of emotions, and he needs to deal with that. He needs to be held accountable. Community service is being held accountable for the damage he did at the end of last season, but it doesn't hold him to the emotional and mental trauma he's causing his team because he can't handle his own feelings about things. Maybe he'll pick up a psychologist at some point. Maybe Gordon Gordon is available now that Bones and Booth are out of therapy; he's got experience with people who can't parse emotions.

Also, there were so many slow motion shattered windows this week. Like, damn.


What did you guys think of this week's episodes? Share in the comments, or let us know on Twitter!


Supergirl

Scorpion


Other Monday shows:


NOTES:
- I should make a header for this section, too...
*This is an ongoing struggle I have with TV, and if Netflix had TV as quickly as On Demand, I'd give up on cable all together, because damn.
**If we don't get a call later saying they've found just the right match for Cabe, I'll be disappointed in a perfectly good lost opportunity.

Monday, September 21, 2015

Geeky TV commentary - Catch-up edition - Scorpion 2.1


Shows I didn't get to watch live!


Scorpion airs at 9pm on CBS Monday nights.

Oh my GOD these nerds are gonna kill me!

The writers of Scorpion have figured out exactly how to make silly stories really, really stressful to watch but also addictive, and how to break up the intensity with personal moments that are just as intense in entirely other ways. If I have a heart attack in my 30s, it'll be because of this show literally stopping it.

Scorpion (the team) has been on hiatus over the summer while Walter recovers and gets physical therapy, and in that time, Toby has been gambling, Sylvester has shifted his collecting to higher-end Super Fun Guy products that Toby won't leave him alone about, Happy has taken up paintball, Paige has taken on more business responsibilities for the team and put in an intercom, and Cabe has been acting as a tech adviser for the movies. All of which is gold. Paige has also had nightmares about having to return to work as a waitress if she fails the team, and Walter has been having post-concussion syndrome where he can't focus or get under too much stress without getting headaches and dizzy spells and sometimes blacking out.

Which is all bad news when there's an old satellite coming down right over SoCal that happens to have enough of a nuclear power source to make it an A-bomb if it hits land. New head of Homeland Security Adriana Molina--who is tough as nails and wants to believe in the team and have them succeed, and immediately wins me over--has brought them back together a few weeks sooner than Walter should be back in the field because they're the only ones who can help. Walter agrees, because he's getting bored and restless in PT, and everyone is happy to have him back because they've basically been without a case since his crash.

So! They have to hack the controls, but that doesn't work. So they decide to shoot it down, and that misses because their Intel is wrong. So Molina chews out the president and gets better stats, but now it's too close to shoot down without nuclear-winter-ing the state. So they hack the shuttle replacement thing to get closer to the satellite, and that fails because Walter got a virus downloading the security camera footage of Paige kissing his unconscious self and by the time he gets it clear, everything is out of range.

So then! Then they get really bonkers and Happy turns a bank of microwaves into a science-fair EMP to force the satellite to reboot so Sly can hack it without any security measures fussing with him, but she gets thrown across the carport by a loose wire shocking her and damages her eye. Which means she can't go up in the weather balloon that she was meant to go up in because damaged eyes can pop that high up. Which means Paige has to go up. Once they're up there, Walter drops the EMP because of turbulence combined with a bad hand, and has to loosen his parachute to reach where it's caught on the side of the balloon, and then blacks out for a second and loses his whole parachute and gets stuck on the side himself.

Paige manages to not black out from lack of oxygen (but it's close) and knocks the thing out with EMP, which lets Sly hack it and send it into the ocean--but also sends it right through the weather balloon. They have, like, no time, and Walter keeps yelling at her to go and get safe and leave him, and she keeps refusing, and at the last second, she gets her straps around him and they get to parachute to safety together instead of one or both of them dying.

And that's all not even talking about the interpersonal stuff.

Toby is still trying to convince Happy to date him--or let him date her, really, let's be honest--and as he points out, she trusts him to save her vision on the fly, but not to date. By the end of the episode, he's gotten her to "use her words" and admit she's scared, and it looks like she's coming around a little bit again. It's very sweet.

Sly hugs Walter! Sly who doesn't like germs and touching people pushes everyone out of the way to hug Walter before anyone else gets there, and Walter doesn't exactly hug him back, but also doesn't really freeze up like he usually does, and mostly looked pleased.

And when it's all over, Cabe tells Walter not to lie about his health to him anymore, because he knows him and he could see it--with the implication that he was worried.

And then there's Walter and Paige.

At the beginning of the episode, she confesses to him in the interests of not keeping secrets and committing to clear and open communications, that she kissed him in the hospital. That's when he drops all those files, and it's so great in context. But then she goes on to say that she doesn't really feel that way and his face just falls, but he recovers pretty quickly and agrees that they should stay professional, even though it's clear that neither of them really wants that.

And so that they don't have to then either keep this discussion from the team or rehash it, of course, Toby and everyone else hears it on the intercom that Paige had installed.

Later, when they're in the balloon and heading up into the thin air up there and have nothing else to do until they get into position, also in the interests of communication, Walter just quietly and openly admits that he has been having feelings for Paige. That makes her happy, but when he does like she did and immediately goes on to say that it really is best if they leave it so that they won't destabilize Scorpion (in this case, probably the team or the show), her face falls the way his did before. It's a nice bit of mirroring that makes the point that this isn't at all what either of them wants, but they're both doing it because the other said it is. Toby hears this, too, of course.

It's attempted murder by feels.

Once they're back in the garage and everyone is gone but the two of them, they try to keep that up and fail miserably because as soon as they say that their "destabilizing the team" is a theory, well, theories have to be tested.

And then they kiss.

The ad was cut cleverly to make it look like she kissed him out of nowhere, but that was a mutual kiss. He met her half way and it was half his idea, and it was awkward and needy and fierce and wonderful--

And then they both rip themselves away from the other and insist that they really do need to keep it professional and yes, good, they tested it and they can just not do that again. They also both insist they didn't feel anything, but Paige flees a little too quickly and only makes it as far as the door before she's leaning against it and sighing out of his line of sight, and he can barely keep standing after she leaves and flops down into her chair, and this is fanfic stuff. It's so great.

What a heart-racing return to the series! It's refreshing to have a head of Homeland who wants to believe in them and let them do their thing, and who will literally fight to allow them to do it. She's so feisty and fierce, and she's as impressed by them as they are by her! Plus, it's nice to get another lady on the show!

It's also nice that they didn't draw out getting everyone back together; it was literally one phonecall and no need to fuss about it, it just was, and we were back on the story-road as if they hadn't really missed a beat.

Except that Walter has been compromised. He doesn't want the team to see it, though by this point it's probably pretty obvious, and will hopefully stick around at least a few weeks since they made such a point about how he's not 100% yet. It humanizes Walter, not knowing everything, and it gives him new things to do--mostly with feelings and interpersonal relationships, since it means he has to handle fear of failure and trusting his team to pick up more of the slack since he can't think as fast as usual. It also means that the team gets to be more of an actual team, not Walter and the team, and that should be good for the show as well as for him as a character.

There's a lot of potential story set up here for the season as it unfolds, and it should be so much fun to watch it go!

What did you guys think of it? Share in the comments here, or come talk to me on Twitter!

Tonight's premiers (that I care about)!




These three above are ones I'll likely get to catch because they're ones everyone in the house agrees on wanting to watch, so look for the update on those later tonight / at some point overnight. And across ALL MY FEEDS! Whoo!

I'm a season into Gotham and I'm not sure if I'm excited for it, but the ads make Barbara look way more interesting deranged than she ever was weepy and being a pushover, so there's that. And I do miss Penguin and Nygma and fierce little Babybats.

I'm really interested in how Blindspot it going to be, and slightly more optimistic that NBC can be good to it than I am that Fox will be good to Minority Report--which looks good, but if it is, it'll just be that much harder for Fox to not destroy it. If they want my faith, they've got to leave their good-idea shows alone and let them be for a while!



These two shows are ones I'll most likely have to do as catching up posts later, because everyone wants to put their shows on at the same time and that's not cool, man. But I'm used to that with Scorpion--I think I saw maybe three episodes live last season! I'm super-excited for that first episode that they're totally selling to me as a fluffy pile of feels.

I think I need a new header for NCIS:LA though, because while I like Sam and Callen, I watch the show for Kensi and Deeks and the Nerds and Hetty, and none of them are even in this one!


What're you guys looking forward to Monday nights?

Monday, April 27, 2015

@pirategirljack livetweet roundup Week 17 2015


MONDAY 4-20-15

You guys, that finale had ALL THE FEELS. Like, we all knew Walter was going to be okay, what with him being the main character, and, like, a real person who is alive, but what we didn't know was how or will it be  now or will we have to wait through an endless cliffhanger? We didn't have to wait--thank God--but also, we didn't have to deal with a cliffhanger after that previous one! I approve of seasons NOT ending on cliffhangers!

Also, being someone who watches TV shows for their emotional and character content more than for their "core episodes", I really liked this finale. The story was as simple as could be--Walter was on a cliff and had to not die with his team's help. But the genius (see what I did there) was in how the storylines set up by the last few episodes were resolved by the characters and, further, by them working together. Look:
  • Toby and Happy have been sort of tense around each other; fixed by them leading the team to save Walter, as evidenced by the two of them together watching Ralph so Paige could stay with Walter in the hospital.
  • Cabe was off the team and off Homeland; solved by him coming in and helping anyway, and being the literal last hope of the rescue effort. Walter even came to his senses about his sense of betrayal and they had a whole moment of apologies.
  • Sly got his RC bird back, and proved yet again that he's underappreciated.
  • Paige followed through with her decision to take Ralph somewhere safe--but realized that it was a bad decision the second she saw Walter on that news report and didn't even question the need to go back, to be there, to rejoin the team, Ralph and all. And at the end, there was the payoff of Ralph actually connecting with her and thanking her very sweetly for coming back.
  • And there was Walter. He admitted he was emotional and that he didn't know what to do with it. He made up with Cabe. He gave every one of them a special message, reminding them of his favorite memories of each. He almost confessed his feelings for Paige (though since it's a first season they couldn't allow that, could they?? (I'm looking at you, 12 Monkeys, too)). 
  • And at the very end, Paige confessed her feelings first, and it was very sweet.
All in all, exactly what a finale should be--emotionally complex, very effecting, and about these people we're watching the show for, not about the plots. Take a hint, NCISLA, who are in the same world but keep ending on crazy cliffhangers that wind up meaning nothing as soon as we come back.



This show. Like, I like this show, and I watch it every week, but, like, I don't really remember all that much that happens week-to-week? I don't know why it hasn't really captured me, but it definitely takes up less space in my head than any number of other shows I watch.

Stuff I don't care about:
  • 50 Shades of Serial Killer, unless Barbara decides to go full villain because of him.
  • Police politics. Like, at all.
  • Mob politics. At all.
  • How Fish's story has basically been pushed off to the side and is a totally different show about Morloks.
What I do care about:
  • Penguin, and how he can't ever get a break.
  • Nygma, and how he just wants to be loved and totally can't manage that
  • Harvey Bullock and whether he's eating or punching something.
  • Bruce and Alfred being cross-generational buds.
  • Whether or not everyone is leaving Morena Baccarin alone, because I swear, if they lay a finger on her...!
  • Cat and Ivy squatting in Barbara's apartment.
So, basically, all the plot stuff bores me, but the character stuff delights me. So more character, please! I almost died of cute when Cat and Bruce went to that party, and everyone was all "Aww, baby CEO brought a date!" while the two of them totally scammed that guy to pick his pocket and copy his key. Brilliant. That's what I want.

Maybe next season we can have a whole episode that is just Penguin, Nygma, Harvey and the kids. I don't know how, but that'd be golden.



This felt like a set-up episode. Like, stuff happened but nothing was resolved. No one really found much in the way of answers, but things started moving toward a finale that will bring together NCIS and LAPD and the internal investigations and Callen's Mysterious Past and probably some terrorists, since that's the sort of baddies this show fights. It wasn't bad, and there was some cute stuff in between, but it was definitely a glide episode--barely a thing, just a way to get from one status quo to the next.


StarTalk is on TV! And it's basically the same thing as the StarTalk podcast that I love, except that now you can see their faces and hand gestures. I wish it was longer than an hour--these convos went FAST because they had to hit their points while also staying within the TV shape, and I would have liked to see more of the interview with George Takei, and heard more of them nerding about various shows and the tech that could be extrapolated off them. Maybe there'll be extras up on the website or in whatever episode of the podcast is closest--just more of this, is what I want.

It was a little bumpy at the beginning, but it evened out before the first break when everyone--who was non-white and included a lady, b-t-dubs--settled into their topics, the format, and their particular ideas of what it all meant. I loved it.

Ideas of the week: 
  • Scifi doesn't predict the future, it sets a bar far out there for us to achieve and then surpass ourselves.
  • Science fiction needs to be more optimistic to foster a general optimism that the world can be fixed, that things can be discovered, etc. Not that we're doomed to fail and die.

I didn't live-tweet this show, and I watched it on Sunday night after DVRing it on Monday before, but it's so neat. I love how Brian Unger hosts a history-info show, all conversational and loose and charming and informative. Go see it.


TUESDAY 4-21-15

Barry went to Central City (for pizza, like you do) and there was a Ferris Air billboard! Does that mean we'll get Green Lantern and all that alien crazy spillover? I hope so. DC is as big a creation as Marvel, and I'd love if at least one show on TV manages to keep that feeling of bigness. Because Shield is doing a piss poor job of it.

There was a double! Who could look like any of them now, and I'm sure that won't come back to haunt us ever (insert sarcasm emoji here). But not-Barry trying to be all suave was great, and Caitlyn's face when he kissed her was pretty awesome, all WTF-eyebrows...before she sort of gave in, creating future complications...

Iris is still in the dark about everything except that Eddie has been working with the Flash. I guess that's a start? It's become one of my Common Gripes--all these shows where they aren't telling the one woman in the cast because of whatever dumb excuse when literally every other main character knows. It's condescending and it's stupid and it makes things hard to believe after a point--that Arrow just passed this season with Thea.

And they found the Secret Welles Room!


Tear my freaking heart out, why don'cha, Forever??? Like, it was bad when it seemed like the first body buried under the roses was Abigail; and then at the end? It was so much worse. She died after deciding that she'd been away too long and didn't want to give up her family. She died because of Adam. She died because she was protecting Henry and Abe! ALL THE FEELS when I hadn't even gotten over Scorpion's feels yet.

And in between that, we got Jo and Henry being a good team again, and Henry assuring Jo that things were still good between them, and PILES of wonderful Henry-Abe father-son stuff. 

Next week is the finale, and it looks like Jo will finally find out, and I hope that totally backfires on Adam since we hear him holding that over Henry's head as a threat--defuse it by having her already figure it out, and Henry telling her anyway, or her witnessing it happen, and then Adam being all "well damn, I got nothing". 

But mostly TELL HER OR LET HER FIGURE IT OUT, because of Common Gripe.


Still not sure where this story is going. Like, Ultron comes out soon, so I'm still hoping for some Real And Actual Connection, but I'm also trying to hold back hoping for too much. The Thor tie in what a joke, and the world on this show has become so muddy--all small and isolated and so hemmed in with mistrust that I don't even give a flip about two Shields, I just want Coulson to have his whole team back together and to go handle things. Screw the rest of this noise.

The best part of the episode was that scene in the hallway where he saw Skye and she saw him and they said each other's names and went to run into each other's arms--and then Gordon showed up and took her back, and Cal jumped on the Bamf wagon. If he hadn't done that, I'd be super annoyed at the reunion-blocking, but since he did, it's all complex and interesting, so I forgive it a little. 

Really, the whole ep was kind of sweet for Cal. He was trying so hard to be normal, to show his daughter the world he wanted to give her, and all his fav shops were closed and his building was a shambles, and then Hydra shows up again and is still indistinguishable from Shield because we really need to have three factions that all look the same and use the same tactics (insert eyeroll of epic proportions). And how Skye is starting to sort of understand him, and doesn't want him hurt. It was sweet. He's still a monster, but he's more understandable now, and not the worst thing ever.

Still don't like her mom. She's so calm and frosty that I don't trust her to not be a total jackass when it comes right down to it. Not sure about Lincoln who was all "I'm our friend" but was also all "I'm just gonna spy on you" and also "I know about things I'm not saying". Basically, I just want Skye to get back to Shield and stop being off on some other show being not-a-shield-agent when she spent so much time earning that badge. And I want her to be friends with Reina.


Thank god Major isn't dead. I don't want him and Liv to get back together the way things are now, because 1) he's her past and she's literally a different person now, and 2) pre-existing love is dull when shows exist to show us how people fall in love. But he still has a lot of story to handle and I want him to have the chance to handle it, and to find out for himself what's going on in his weird city.

Liv, meanwhile, was being an agoraphobic internet troll and it was sort of amazing. How she was simultaneously dismissive and knew all the codes and sites and everything? How she kept slamming caffeine and cheesy-poofs? Wonderful. 

And I loved her and King Arthur together. They have a good chemistry, and he's a good resource for her--someone who has been going through the same things as her, who can understand what no one else can, not even Ravi, who tries. Even though I adore Ravi.

More Babineaux, though, okay? He keeps getting sort of squeezed out by all these other new characters. I did LOVE how he called her his partner and didn't even bat an eye at her being half-drunk on meds, and then too scared to leave her house so he just turned the laptop to face the suspect without question. I just love it all.


WEDNESDAY 4-22-15

Olicity Did the Done! And it was a very well-handled scene, coming right after Felicity faced down the semi-immortal head of the world's biggest assassins union, and right before she drugged Ollie's stubborn ass to save his life. It was AMAZING, that whole sequence of scenes. Their mutual love was all over them--how they locked eyes and stayed that way, how there was no more holding back or hesitation, how sweet they were after. How he looked like he was being given the best gift in the world. How she ran her hands over his scars. 

Oh my god.

Unfortunately, those were the only good scenes in this episode because ugh, this story. Basically they went all the way to Nanda Parbat again, and really only managed to revive Thea from the mortal wounds Ra's gave her to get them to go to Nanda Parbat, to make them do what they then did. Ugh, shitty shitty shitty, and Thea still gets the worst of it, because first she's killed in service of this mess, and then she's brought back in a way that will basically guarantee that she's crazy or awful or something else stupid.

But we got Olicity without any hemming and hawing!


THURSDAY 4-23-15

This show. I love it, but I still feel like it's sort of coasting on its own goodness. Still, I want to come back and see these people every week. 

Bones found out she was pregnant again! We've all known anyway, and she's showing super-much, so no one should be surprised, but they're pretending her six months is like three months, so what ever. Yay Bones Baby #2! Booth thinks its a boy. I'm wondering if Angela and Hodgins are going to have another baby, too, or Cam or someone. Ooh, Cam having a baby when Mr Viziri is in unknown circumstances might make for some super-sad drama, and they seem to drop all the sad plots on her, so...

Also! Hodgins invents a thing that I'm pretty sure will bring back his fortune, which is funny because we were just wondering, before the episode started, if they were ever going to deal with all that money and influence he lost ages ago.


Backstrom continues to be just a little different from all the other cop-solves-crimes or bad-person-does-good shows. He himself is still awful, but he's being forced to realize why he's awful and at least start to deal with it, and the interaction between him and Valentine is almost always the best part of any episode. The fact that he's a cop but sort of shady, and Val is a criminal but sort of not shady enough is really fun to watch, too. I heard that this show is on the bubble, as they say, and I hope Fox takes a chance on it (ahahahahaa, as if Fox ever does ever), because it's finding its legs and they're good ones--and Thomas Dekker needs a show that doesn't get cancelled too soon; he's good at these weird and complex characters with strange goals and morals.

Meanwhile, the rest of the team continues to be awesome, and the way they just...don't listen to the bad stuff from Backstrom is like the air I breathe. He gets meaner when he's frustrated or scared or upset, and they just act more and more like he's a normal human being, and it is hilarious--but it's probably also what he needs: a whole functioning team of people who don't make a big deal about how awful he is has got to make him feel more normal and functional, too, right?


Best part of the whole episode: Sherlock firing Alfredo as his sponsor so that he can be his friend without conflict of interest, and then looking all sorts of lemon-faced about the reality of having ANOTHER friend to deal with who immediately goes all sass-mouth about the whole thing. It's amazing that he has friends now, not just acquaintances and people he calls on when he needs help with something, and I hope whoever is his new sponsor next season is similarly just absorbed into this group of people that Sherlock likes and values. But I hope that it doesn't sideline his interactions with Joan even more; she's holding herself / her story is holding her somewhere intentionally off to the side, and the only hope I have is that Holmes keeps trying to bring her back in. Which I love. He's so awkward and strange when he's dealing with feelings, and she's so isolated. I'm waiting for a scene where she's had enough and breaks down and he's the one she turns to because a) that'll be so good for the characters, and b) Holmes trying to be a good shoulder to cry on would be amazingly strange, and I want to see how he works it out. I'm also trying not to want it too hard or to count on it too much because this is a CBS show in the classic CBS mold, where emotional matters are dealt with excruciatingly slowly. Le sigh.

Meanwhile, the team is developing nicely, and Bell is getting more screentime, and Gregson is being a good papa bear, and I'm loving it.


FRIDAY 4-24-15

New this week! I'm still a little unsure about this show. Like, there's a lot of good story-potential, and I like the set up of people having to stop the apocalypse (my other current favorite genre right now, I guess), but it's firmly in the Biblical range of plotlines and the fact that one of the characters is a TV preacher is already making it a little too preachy for me. Add that to the fact that one of the Chosen is an atheist, and I just feel like this whole show is going to boil down to Making The Atheist Believe, and I'm not here for that. It's not a 700 Club special episode, and I don't want all that dogma flopping around on my screen.

On the other hand, they all have neat powers and abilities, they keep winding up in the same places, and two of the characters are actual trained scientists, which could be cool. As soon as that other one gets back with the group, it should lighten up, too--two episodes in, and the show is really taking itself seriously, which gives it a sort of Rosewell feel that puts me off a little. CW is King of the Melodrama, but the best ones--Supernatural, especially--temper it with snark and wisecracking and the occasional totally bonkers episode to keep it from being opressive, and I'm waiting for The Messengers to find that balance. I know that they're dealing with Heavy Issues, but they're almost the same issues as Sleepy Hollow, which probably has a similar audience, and SH always has humor to keep it real. Even in the depths of that terrible middle of last season, it does.

So I like The Messengers, but I need to see where this story arc is going, because if it stays vaguely heavy handed, it's going to lose me, and the people who make the show have been so nice on Twitter that it would be sad to stop caring. On the other hand, if it goes instead to the science of the apocalypse, and the issues of crime and race, and has the characters seeking out reasons to love the world and want to save it instead of just doing it because they have to, that'd be cool. Super cool. And if they all sort of remember that things are sometimes funny even in the worst times.


SATURDAY 4-25-15


I had a rough weekend this week and it's now Monday and I haven't yet seen Outlander OR Orphan Black, so I'll catch up with them and talk about them on next week's post.


SUNDAY 4-26-15
And I have yet to pick up a new Sunday show.


What did you guys think about this week's TV? Is there anything I'm not watching that I need to be?

Monday, April 20, 2015

@pirategirljack livetweet roundup Week 16 2015



MONDAY 4-13-15

 Scorpion:

OH MY GOD YOU GUYS THIS IS TOO MUCH. The synopsis was not lying when it said Walter has "one too many emotional blows"-- last ep, he went to tell Paige how he feels and saw her being happy with Drew, who she hadn't said was back in town. This week, he finds out that Cabe knew about the bombing that was done with his software, and didn't tell him because he didn't want him to stop the mission. Which leads him against Cabe, and then against Paige when she tries to stop him. And then Ralph gets in trouble and almost dies because he told Ralph he's part of the team. And then Paige says she's leaving because she can't keep Ralph in a risky situation and she doesn't want him to turn out like Walter.

And my heart collapsed into a thousand sharp little shards.

AND THEN HE DRIVES OFF A FUCKING CLIFF. This show runs hot on the emotion-scale for a show about people who supposedly don't feel emotions, and it's sort of too much for me. I fear the finale will straight up kill me, and it's more than I can handle.

Not that I'm not going to watch it, because the synopsis says all he wants to do is talk to Paige, and that is not something I'm going to miss.

But damn, this show gets me right in the feels.


NCIS:LA

You know, out of all these characters, Callen isn't really one I worry about or crave watching. That's more for Deeks and Kensi and Eric and Nell and Hetty. Callen is sort of a brick wall. But this episode showed more of his backstory, and how Hetty is basically his mom, saving him from a criminal life and a quick and dirty death. Young!Hetty was strange to see, but also really fun, and I sort of hope we get more of that for her own sake. I want to see a way-far flashback to young Hetty and young Granger as field agents in the and 80s, being badass and maybe building a history that they now don't talk about but haven't ever gotten over.

That's what I want to see.


Gotham:

I don't even know what's going on with this show, really. Fish is off in some other show, being Queen of the Morloks. Penguin is getting all up in everyone's business but is mostly talking to new people. Bruce is getting weird. Jim is getting serious. Harvey is still being unexpectedly the most fun. I'm not super invested in any of the storylines, but I like the show for the characters. Whether or not they have anything in common (yet?) with the characters we know, I like how they interact with each other. And how they're setting stuff up.

Cat killing Reg was unexpected, and Bruce being...conflicted, we'll say, about it was pretty intense. That kid can sell it when he wants to.

I just hope the storylines come back together by the end of the season.


TUESDAY 4-14-15


SHIELD:

Does anyone else feel like it's way too easy for Skye to access these powers that were basically just making things sort of jiggle before and were breaking her bones? Like, I get that she was suppressing them before, but now almost immediately she can make water flow crooked and can move mountains. That seems fast. And now her story is as far away from everyone else's as possible, and I just sort of wonder what it's doing? I like Skye best when she's being May and Coulson's adoptive daughter*, and the longer she's away, the less she had to do with hacking, hacktivism, Coulson, May, Shield, and all the things that were previously the most defined thing about her. Maybe this is just me resisting what's unclear as her character develops, but I miss her on the team.

Which hardly exists anymore. But at least Fitz wants to come hang out with Coulson, and Simmons is using her skill at being two-faced to help Team C, and so on.

I loved the May backstory, but at the same time, I miss her mystery. I mean, there was no way Bahrain was ever going to be as horrible as they made it sound, but they did a really good job of making it resonate as bad as they've been saying. May wanted to have a baby and she didn't because she had to kill a kid, and that's horrible, and I'm sad that it happened to her and I'm sad that I know it. It brings ALL THE FEELS. I hope they're going to let her adopt a power-baby or something, because she needs to heal and I want her to heal, and she needs to just be Skye's mom. Even though Skye found her mom and I don't really care.

But Reina is a precog, though? That's interesting. Now just work her and Skye around to Inhuman besties and we're good.

And now I wonder if they're going to tie into Ultron at all, because shouldn't they have noticed Tony-Bots flying around and developing sentience? Or heard about the Avengers getting overwhelmed and having to do something about it? Or something? This is literally my biggest problem with the show, though--they're tied to the releases of the movies, without really tying into them at all (the tie-in for Thor 2 was literally nothing, not even looking for that ice-monster that was left free in London), and it's crippling the story.


iZombie:

More Ravi! I want all the Ravi all the time always forever. Also, this episode could have used more Clive. But we did get a lot of Liv-and-her-life, which is good too, and a sexy new zombie who was not at that party and looks like King Arthur (which I really hope someone brings up), so there's that. Maybe Liv can be happy and cute for a little while before that goes spectacularly off the rails like all things must when you're hiding things as a plot point.**

And Major! Getting in over his head and being destroyed for it. Maybe literally. I saw a thing on Tumblr with the credits art that had Major on Liv's slab, and that is not something I'm hoping happens. I'm uninterested in Liv and Major getting back together, but Ravi only just moved in with him when he didn't want to move at all, and they have unfinished character business, and he was only trying to do what's right, and I will be very disappointed if that's cut off and handed to Liv when it's his story.

Also? That's a horrible thing for Liv to have to deal with, and for Ravi to have to deal with, and it was way super-sudden and jarring.



WEDNESDAY 4-15-15

Arrow:
With Doug Jones! Mostly this episode felt like fluff, but the way this story is going, I liked fluff better than all the plot, so there's that, and there's a lot of set-up involved here:

  • Metahumans who were not involved in the reactor explosion, which seems super important even though that wasn't even main characters who were talking about that.
  • Atom getting to be a hero, even if it did have to be with Ollie remote-controlling the suit, and the relations between grim ol broody-pants and happy-go-lucky-and-unappreciated-pants evening out some. That high five was priceless.
  • Ray seeing how Felicity still loves Ollie--and I hope he breaks up with her over it, because he needs to catch a break himself.
  • Doug Jones. He's a plus in and of himself.
  • THEA WHAT NO! Don't be a plot point!
  • Lance not being a rage-fueled dick, but trying to help Roy...who then fakes his death because without Thea he has no story? I don't know, I hope he comes back.
And next week looks like it's time for sexytimes!



THURSDAY 4-16-15

Bones:

No baby this week, but the ads say she finds out next week and they aren't even being coy about it, so that's great. No word on Mr Viziri, but we get the return of Wendel and his nurse-girlfriend and the return of hapless Hadgins because of it! But the better things go between them, the more I worry about her.

Bones's dad us still shifty as all fuck, but he brings back a ring that Bones lost because someone was threatening the family, and that's why her dad left to begin with, so that's okay? I guess? I don't know, her daddy issues are getting very ambiguous and I'm super-unsure how to feel about them anymore. But props to Booth for actually bugging his car with a GPS tracker, because that's totally in character and is awesome.

I still like Aubrey. He's so young but so sassy.


Elementary:

Not ghosts, terrorists. But I really wanted it to be ghosts--or at least for them to start entertaining the idea that it actually is ghosts, just long enough for Joan to have to question what she thinks happens to dead people, and her and Sherlock to have a convo that makes her deal with Andrew's death.*** Which is probably too much to ask, since this is a slow-character-development classic CBS show. Le sigh.

Other than that, I don't really have a whole lot to say about this episode. The ones that are just cases are less interesting to me, though I do like that Gregson basically admitted that he cares about Joan and her wellbeing--and, probably, Sherlock, too--and that he doesn't like how shifty and bitchy his daughter turned out.


FRIDAY 4-17-15

I missed The Messangers, and it hasn't popped up on On Demand, so there's that. I'm gonna try to catch it next week.

First week without 12 Monkeys and I crey.


SATURDAY 4-18-15

She chose him! I mean, it's a love story, so she has to choose him, and she can't go back before the end of the season or things will get overly complicated, but she chose him. And she took all day to do it, so we know she means it when she does! Jamie and Claire are such a shining example of Ideal Love that I can't even. He believed her crazy story about being from the future because it was her who said it and he knows her heart. He saved her from being burned at the stake. He's taking her home to Lallybroch, despite the fact that almost everything that happened to her this episode happened because of Baby Girlfriend and her jealous lunacy--or because of it.

Ughghghghg, so love, much feels, very dream.

And Gaillis! From 1969! She's a hippie who fell through time! That is great, and even though I sort of thought that's what was going on (I think because of the questions she was asking, not because of the book, because I read it so long ago I don't even remember if I got that far). Does she die? She's a bitch and a smug one and should have known better, but she's much more interesting than stupid old Baby Girlfriend.



Orphan Black:

Yay Clones! I dropped out of this show sometime in Season 1, for whatever reason--I think it was opposite something else we were watching--and never got back to Season 2, but the whole day before the Season 3 premier, I watched the marathon, and I'm mostly caught up. It's such a rollercoaster, this show, and I'm so happy to be watching it live!

And we got so much in this one episode:

  • Helena in a box, hallucinating or dreaming about a super-happy babyshower and then talking to scorpions!
  • Crazy boy-Clones and their violent mustachioed brothers!
  • Cophine breaking up because Delphine is probably the new Rachel and turning terrible, and Rachel is worse than we knew, trying to kill everyone with the help of her Cleaner, who she'd been sleeping with!
  • Rachel now somewhat braindamaged?
  • Sarah in holding, and then out of holding and then inpersonating Rachel and being impersonated by Alison!
  • Everyone being tangled up in their own lives!
  • A new Clone who has blonde hair and wears skimpy dresses and makes out with boy-Clones in elevators!
I don't even remember it all--I know I'm missing things--but it's so complex and wonderful and why isn't Tatiana Maslany winning every award ever? Oh, right, genre snobbery. Can't wait for next week!



SUNDAY 4-19-15

We have no Sunday shows anymore. Unless I start tweeting Naked and Afraid. Which I might.


Coming up next week:

  • StarTalk! Neil deGrasse Tyson's new late-night science TV show! Starting on 4-20 when seems like less of a coincidence than it could be.
  • Lip Synch Battle if I catch it live and tweet it.
  • Time Traveling with Brian Unger, if I manage to catch it, because I love him.
  • The Daytime Emmys?
I wish I had HBO so I could be watching Game of Thrones, but I'm so very behind on that show, what with NOT having HBO.



NOTES:
*Or possibly Coulson's May-December love interest, which I think would be awesome if they gave it as little comment as they gave to May and Ward's age-gap. But I think more and more that this is a pipe dream, and the more fatherly they make him, the more icky this possibility gets. And the more sad I get. Remember when you could ship anyone on this show with anyone else?
**Maybe Ravi will get jealous of King Arthur and there can be cuteness there, and the mixed messages of him wanting Liv back to himself, but also wanting to study more zombies so he can cure Liv. Yeah, I think I ship those two.
***And if it happens to push them into a more emotionally close relationship, that would be okay, too. Because we all know Sherlock's favorite way to release stress.